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Amiga Music!Feature | Topic: Computing | Sound On Sound, Jan 1989The Commodore Amiga range of computers have been conspicuous by their absence from this magazine's pages - but not any more! The Amiga has always been a great graphics machine, but it is equally talented when it comes to making music. In fact, its onboard sound chip is one of the best around. Phil South delivers a quick guide to making music on the Amiga. |
Blank Software AlchemyReview | Music Technology, May 1988Sample Editing SoftwareA sample editing package to beat all sample editing packages? Robert Rich test-drives a universal editor that may be the answer to many a sampling studio's prayers. |
Roland JX-10Review | International Musician & Recording World, Jun 1986SynthCheckAn analogue synth with a hefty price tag has to have a pretty good excuse these days. Jim Betteridge believes this one has |
Tailoring Sound - Part 2Feature Series | Topic: Sampling | Sound On Sound, Jan 1986Editing, Looping & Splicing.Keyboard programmer Paul Wiffen moves on to the process of manipulating the sample in this series designed to help make the best use of your sampling machine. |
Inside Views: Steinberg ResearchFeature | Topic: Design, Development & Manufacture | Sound On Sound, Jul 1986The first in a new series that takes a behind the scenes look at companies specialising in the development of hi-tech music and recording products. This month Tony Hastings catches the night boat to Hamburg to report on MIDI software designers Steinberg Research. |
Cheetah SX16Review | Music Technology, Aug 1990Sampling ModuleAfter much pre-publicity, Cheetah's first venture into the world of samplers is here. It's 16-bit stereo, reads S900 disks and is reviewed by Vic Lennard. |
Dr T's/Virtual Sounds SamplemakerReview | Music Technology, Feb 1989From the American Dr Ts comes an Atari ST program capable of additive, FM, AM and multiwaveform synthesis as well as sample editing. Chris Meyer asks if facilities are everything. |
Information TechnologyInterview | Music Technology, Dec 1988Information Society's combination of funk, hip hop, sampling and Star Trek give them a particular perspective on modern music making. Society spokesperson: Deborah Parisi. |
Techno RhythimInterview | Music Technology, Nov 1990Now making a huge impact in the north of Britain, Detroit's techno music owes its roots to a handful of far-sighted pioneers - amongst them Derrick May. Simon Trask discusses the future of electronic music. |
Musical MicroFeature | Topic: Computing | International Musician & Recording World, Jul 1985The latest developments from the land of the floppy. Tony Mills reports |
The Shape Of Things To ComeNews | Sound On Sound, Mar 1986An extended feature this month to incorporate many of the new products shown at NAMM and the Frankfurt Music Fair. |
Photographing Sound - Part 1Feature Series | Topic: Sampling | Sound On Sound, Dec 1985The Art of SamplingPart 1: The Art Of Sampling. Keyboard programmer Paul Wiffen offers valuable advice on squeezing the most out of your sampler. |
AMASReview | Sound On Sound, Feb 1990Advanced MIDI Amiga SamplerGot an Amiga? Want a sampler? Then cast your beady eye over this one. Greg Truckell is your guide. |
Life On The FarmInterview | Music Technology, Oct 1991The Farm: taking pop to football louts or bringing hooliganism to the pop charts? Tim Goodyer gets casual with keyboardsman Ben Leach and tries to find out. |
Yamaha VSS-100 Sampling SynthReview | International Musician & Recording World, Mar 1986SynthCheckA sampling synth for less than £180? Jim Betteridge stands back in amazement. |
The Musical MicroFeature | Topic: Computing | International Musician & Recording World, Aug 1986Rag Bags and Hotch PotchAnother grab-bag of micro-goodies from IM&RW's computer hack (or is that hacker?) Tony Mills |
Sound Designer UniversalReview | Sound On Sound, Oct 1988If you own several samplers or just want to transfer S900 samples into your mate’s FZ1, then this program will make life considerably easier. David Mellor creates some designer sounds with the Atari ST version of Digidesign’s universal sample editor. |
Sampling Confidential - Lateral Thinking - Part 3Feature Series | Topic: Sampling | Music Technology, Jun 1993Concluding our sideways look at the art and soul of sampling, Dom Foulsham covers N to Z in his alphabet of tips |
West Coast StoryShow Report | Music Technology, Mar 1987Winter NAMM 1987Our spectacular show coverage starts here, with masses of information - backed up by colour photographs - on the biggest Winter NAMM show there's ever been... |
Machine HeadInterview | Music Technology, Jul 1991The line between man and machine is blurred; today there exists an entity whose purpose is to make music. Simon Trask discovers that its sights are locked on the dance charts and it absolutely will not stop. |
Separate OutputsFeature | Topic: Sampling | Sound On Sound, Nov 1987The Pros And ConsSeasoned programmer Paul Wiffen reveals the truth about separate voice outputs on samplers. Are they really desirable or are they just a nuisance? And what happens to the polyphony when you use them? We tell you what no others dared!! |
Music XReview | Sound On Sound, Oct 1989The most talked about Amiga software ever is finally in the shops. Was Microillusion's program worth the wait? Phil South waxes lyrical about the first professional integrated music sequencing and editing program to take full advantage of the Commodore Amiga's powerful multitasking features. |
Turbo ChargedReview | Micro Music, Oct/Nov 1989John Renwick takes an internal sound chip synth program for the Atari ST for a test drive |