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Don't get mad get equal

Group: Sound Advice

Feature Audio | Topic: Effects Processing | The Mix, Nov 1994
EQ Tutorial

Perfecting your sound with a little equalisation

Recording Techniques - Part 12

Feature Series | Topic: Effects Processing, Recording | Sound On Sound, Nov 1990

Part 12: Equalisation, there are equalisers, and there are equalisers. David Mellor wonders whether some are more equal than others.

The Gentle Art Of EQ

Feature | Topic: Mixing, Sound Fundamentals | Recording Musician, Sep 1992

This month's Masterclass looks at the way equalisation can be used to creatively enhance your music.

Studio Courses

Feature | Topic: Education | Home & Studio Recording, Jul 1984
A Guide to Recording, Electronic Music and Popular Music Courses in Britain

The first ever published guide to all Recording, Electronic Music and Music Courses available in Britain today.

Peavey Autograph

Review | Sound On Sound, Mar 1990
MIDI Programmable Graphic Equaliser/Real Time Analyser

The new Peavey Autograph not only analyses your EQ problems, it fixes them too! David Mellor investigates.

Ensoniq SQ1

Review | Music Technology, Oct 1990
Personal Music Studio

The term workstation is officially in demise - to prove it, Ensoniq's SQ1 is dubbed a Personal Music Studio. Simon Trask investigates the best-specified workstation to date.

All Things Being Equal

Feature | Topic: Effects Processing, Sound Fundamentals | Electronic Soundmaker & Computer Music, Mar 1985
Equalisation

Equalisation in the studio is a major aspect of most recording work. We take you through the basics and give a guide to some of the better buys.

Rane MPE14 MIDI Programmable Equaliser

Review | Sound On Sound, Jun 1990

Dynamic MIDI control of EQ curves is only one of the creative benefits of this stereo 14-band equaliser, which offers tremendous tone-shaping power to those enlightened enough to explore its functions. Dave Lockwood sees the light and reports back.

49 Hot Signal Processing Tips

Feature | Topic: Effects Processing | Sound On Sound, Jun 1989

The more imagination you apply to signal processors, the more you can get out of them. Craig Anderton presents 49 tips that take you beyond stock effects and into new ways of creating your own sonic signature.

Advanced Music Synthesis

Feature | Topic: Sequencing, Synthesis & Sound Design | Electronics & Music Maker, Nov 1983
Sequencers

Sequencer Anatomy

Effective Automators

Review | Sound On Sound, Mar 1988
Akai MB76 Programmable Mix Bay, PEQ6 Programmable Equaliser

Used together, the Akai MB76 Mix Bay and PEQ6 Equaliser can bring a limited but useful degree of automation to the MIDI-based home studio. Ian Gilby explains how.

Rediscovering The Yamaha DMP7

Feature | Sound On Sound, Dec 1992

Parametric Equaliser Project - Part 4

Feature Series | Topic: Electronics / Build | Home & Studio Recording, Mar 1985

The fourth module for our 19" rack-mounting modular effects system. Full design and construction details supplied.

Discotek

Feature | Topic: Electronics / Build, Live | Electronics & Music Maker, Oct 1981

Equalisation and metering for disco and stage.

Sweep Equaliser

Feature | Topic: Electronics / Build | Electronics & Music Maker, Nov 1982

A variable 2 band Equaliser with an exceptional ±30dB range that will transform cymbals, remove hums, improve vocals and clean up your instruments!

Integrating MIDI & The Studio

Feature | Topic: MIDI | Sound On Sound, Sep 1988

MIDI has revolutionised the way we make and record music. But it has developed at such an incredible pace that it is easy to lose sight of MIDI's many benefits. In this lengthy article, Craig Anderton provides a lucid explanation of how you can make MIDI work for you - whether you have a small home studio set-up or a full-blown professional system.

Vesta Fire GAE-110 Graphic Analyser/Equaliser

Review | Home & Studio Recording, Apr 1984

Home Recording: Frequency Balancing

Feature | Topic: Mixing, Recording | Polyphony, Nov/Dec 1978

Soundtracs MR Mixer

Review | Sound On Sound, Mar 1986

Multiple output devices like drum machines and sequencers are placing new demands on mixer manufacturers to come up with increased input channel desks. One of the first to respond are Soundtracs with a new range of recording consoles. Dave Lockwood tries out the 24/8/2/model.

Korg Wavestation

Review | Music Technology, Sep 1990
Advanced Vector Synthesiser

In their days at the top, Sequential pioneered an exciting form of sound generation called Vector Synthesis. Simon Trask witnesses its revival in Korg's Wavestation.

Great Audio Concepts Of Our Time - Part 2

Feature Series | Topic: Sound Fundamentals | Sound On Sound, Jan 1988

Bamboozled by technical specs? David Mellor explains how to 'interpret' audio equipment specifications and also gives the lowdown on that little understood concept, Barkhausen noise.

Room EQ, Myth or Legend? - Part 1

Feature Series | Topic: Acoustics | Home & Studio Recording, Nov 1986

If there are two sides to an argument, you can bet that Ben Duncan will be on the other one. Can the graphic equaliser survive after this?

Klark Teknik Dual IIS Graphic Equaliser

Group: SoundCheck

Review | International Musician & Recording World, Apr 1975

MIDI Basics

Feature | Topic: MIDI, Syncronisation | Recording Musician, Jan 1993
MIDI-To-Tape Synchronisation

MIDI-to-tape sync: why you need it, what it does and how you use it.

TC Electronics Parametric Equaliser/Preamplifier

Review | Home & Studio Recording, Dec 1983

 

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