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Third Generation 16/4/2 Mixer

Review | Home & Studio Recording, Nov 1984

Fast forward

News | The Mix, Apr 1995
No hype, no waffle — just tomorrow's products today

Tomorrow's hot products previewed

The Help File

Feedback | The Mix, Jun 1995

Your questions answered

Son et Lumiere

Feature | Topic: Lighting, Live | Sound On Sound, Oct 1993
Jean-Michel Jarre In Concert

We go backstage at Jarre's recent Wembley extravaganza to see how the show sound was put together.

Feedback

Feature | Topic: Live | Making Music, Mar 1987

The sort you don’t want — noisy, howlround stuff — and how to stop it

Which One Would You Choose?

Review | Topic: Recording | Sound On Sound, Mar 1988
Three 4-tracks

Is it possible to get expensive sounds from inexpensive equipment or is the poor person's multitrack merely an expensive toy? David Mellor looks at three entry-level recorders - Tascam Porta 05, Fostex X30, and Yamaha MT2X - and asks 'Which one would you choose?'.

Rolling Stones' Mobile Studio

Feature | Topic: Live, Location Sound, Recording Studios | Home & Studio Recording, Sep 1984
Mick McKenna

Engineer Mick McKenna provides an insight into recording with the Rolling Stones Mobile.

Recording Techniques - Part 16

Feature Series | Topic: Mixing, Recording | Sound On Sound, Mar 1991
The Mix (2)

Part 16: The mix (2). David Mellor goes still further in pursuit of the elusive perfect mix.

Tool Box

News Audio | The Mix, Aug 1994
Sounds, samples, & software upgrades for the modern studio

New software, systems, sounds, updates

Vesta Fire Modular Effects System

Review | Home & Studio Recording, Mar 1985

Home Recording

Group: PortaStudioMania

Feature | Topic: Buyer's Guide, Recording | International Musician & Recording World, Dec 1986

Right As Rane

Review | Sound On Stage, Nov 1996
Rane Mojo Series

Toolbox

News Audio | The Mix, Jan 1995
Sounds, samples, & software upgrades for the modern studio

New software, updates, sounds, and samples

Turtle Beach Softworks Sample Vision

Review | Music Technology, Mar 1989
Software for the IBM PC

Generic sample editors have been giving Atari ST users a lead in sample editing for a while; now IBM PC users have the chance to get ahead. Dennis Miller has a vision.

Roland M160 Line Mixer

Review | Sound On Sound, Apr 1988

If you're on the look-out for a compact 16-channel mixer which could do double duty in your home studio as well as on-stage, then the rack-mount M160 will definitely be of interest to you. Ian Gilby checks it out.

DOD R-825 Compressor/De-esser

User Report | Home & Studio Recording, Mar 1985

The Shape Of Things To Come

News | Sound On Sound, Jan 1988

Our regular colourful glimpse of forthcoming and recently released new products from the hi-tech and recording fields.

Beauty And The Beat

Feature | Topic: Home Studio, Sequencing | Electronic Soundmaker & Computer Music, Nov 1984
The System

System feature; sound collage with the CSQ600.

Monitorium - Part 1

Feature Series | Topic: Live | One Two Testing, Aug 1985

first part in a guide to successful monitoring of your on-stage sound

Alesis Midiverb III

Review | Music Technology, Mar 1990
Digital Reverb

In the beginning was the Midiverb; the Midiverb begat the Midiverb II and the Midiverb II. Nigel Lord checks the latest incarnation of Alesis' standard-setting reverb.

Akai MG1214

Review | Sound On Sound, Aug 1987

No, this is not the rack-mounting version - it's a robust 14-track (at a push) multitrack recorder/mixer and computer-controlled patchbay rolled into one. Find out whether or not studio engineer Gareth Stuart reckons it could be a viable alternative to traditional reel-to-reel 16-track systems...

Frankfurt Facts - Part 2

Show Report Series | In Tune, Jun 1986

Guitars, Amps + major keyboards survey.

Making Tracks

Review | Home & Studio Recording, Dec 1986
Tascam Porta Two

This month's cover feature, the brand new Tascam Porta 2. Bristling with features, this 6-channel, 4-track portable studio still falls within an attractive price bracket.

Korg A3

Review | Music Technology, Jul 1989
Performance Signal Processor

Now that multi-effects processors are all the rage, Korg go one better by producing a unit which allows you to add extra effects via ROM cards. Vic Lennard discovers the advantages of open-ended signal processing.

The Scintillator

Group: Recording World

Review | International Musician & Recording World, Dec 1985
Studiotest

Jim Betteridge checks it out for aural excitement

 

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