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Third Generation 16/4/2 MixerReview | Home & Studio Recording, Nov 1984 |
Fast forwardNews | The Mix, Apr 1995No hype, no waffle — just tomorrow's products todayTomorrow's hot products previewed |
Son et LumiereFeature | Topic: Lighting, Live | Sound On Sound, Oct 1993Jean-Michel Jarre In ConcertWe go backstage at Jarre's recent Wembley extravaganza to see how the show sound was put together. |
FeedbackFeature | Topic: Live | Making Music, Mar 1987The sort you don’t want — noisy, howlround stuff — and how to stop it |
Which One Would You Choose?Review | Topic: Recording | Sound On Sound, Mar 1988Three 4-tracksIs it possible to get expensive sounds from inexpensive equipment or is the poor person's multitrack merely an expensive toy? David Mellor looks at three entry-level recorders - Tascam Porta 05, Fostex X30, and Yamaha MT2X - and asks 'Which one would you choose?'. |
Rolling Stones' Mobile StudioFeature | Topic: Live, Location Sound, Recording Studios | Home & Studio Recording, Sep 1984Mick McKennaEngineer Mick McKenna provides an insight into recording with the Rolling Stones Mobile. |
Recording Techniques - Part 16Feature Series | Topic: Mixing, Recording | Sound On Sound, Mar 1991The Mix (2)Part 16: The mix (2). David Mellor goes still further in pursuit of the elusive perfect mix. |
Tool BoxNews Audio | The Mix, Aug 1994Sounds, samples, & software upgrades for the modern studioNew software, systems, sounds, updates |
Vesta Fire Modular Effects SystemReview | Home & Studio Recording, Mar 1985 |
Home RecordingGroup: PortaStudioMania |
ToolboxNews Audio | The Mix, Jan 1995Sounds, samples, & software upgrades for the modern studioNew software, updates, sounds, and samples |
Turtle Beach Softworks Sample VisionReview | Music Technology, Mar 1989Software for the IBM PCGeneric sample editors have been giving Atari ST users a lead in sample editing for a while; now IBM PC users have the chance to get ahead. Dennis Miller has a vision. |
Roland M160 Line MixerReview | Sound On Sound, Apr 1988If you're on the look-out for a compact 16-channel mixer which could do double duty in your home studio as well as on-stage, then the rack-mount M160 will definitely be of interest to you. Ian Gilby checks it out. |
DOD R-825 Compressor/De-esserUser Report | Home & Studio Recording, Mar 1985 |
The Shape Of Things To ComeNews | Sound On Sound, Jan 1988Our regular colourful glimpse of forthcoming and recently released new products from the hi-tech and recording fields. |
Beauty And The BeatFeature | Topic: Home Studio, Sequencing | Electronic Soundmaker & Computer Music, Nov 1984The SystemSystem feature; sound collage with the CSQ600. |
Monitorium - Part 1Feature Series | Topic: Live | One Two Testing, Aug 1985first part in a guide to successful monitoring of your on-stage sound |
Alesis Midiverb IIIReview | Music Technology, Mar 1990Digital ReverbIn the beginning was the Midiverb; the Midiverb begat the Midiverb II and the Midiverb II. Nigel Lord checks the latest incarnation of Alesis' standard-setting reverb. |
Akai MG1214Review | Sound On Sound, Aug 1987No, this is not the rack-mounting version - it's a robust 14-track (at a push) multitrack recorder/mixer and computer-controlled patchbay rolled into one. Find out whether or not studio engineer Gareth Stuart reckons it could be a viable alternative to traditional reel-to-reel 16-track systems... |
Frankfurt Facts - Part 2Show Report Series | In Tune, Jun 1986Guitars, Amps + major keyboards survey. |
Making TracksReview | Home & Studio Recording, Dec 1986Tascam Porta TwoThis month's cover feature, the brand new Tascam Porta 2. Bristling with features, this 6-channel, 4-track portable studio still falls within an attractive price bracket. |
Korg A3Review | Music Technology, Jul 1989Performance Signal ProcessorNow that multi-effects processors are all the rage, Korg go one better by producing a unit which allows you to add extra effects via ROM cards. Vic Lennard discovers the advantages of open-ended signal processing. |
The ScintillatorGroup: Recording WorldStudiotestJim Betteridge checks it out for aural excitement |