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Vesta Fire Modular Effects SystemReview | Home & Studio Recording, Mar 1985 |
Home RecordingGroup: PortaStudioMania |
ToolboxNews Audio | The Mix, Jan 1995Sounds, samples, & software upgrades for the modern studioNew software, updates, sounds, and samples |
45 KingdomInterview | Music Technology, May 1989As well as being famous for the size of his record collection, DJ Mark is currently one of the major forces in hip hop sampling. The 45 King tells Simon Trask about the biters and the bitten. |
Alesis 1622 Mixing DeskReview | Music Technology, Jul 1990Already renowned for producing high-quality budget equipment, Alesis have introduced a new 16-channel mixer. Ian Waugh discovers Monolithic Circuit Technology is behind the 1622's amazing performance. |
Digitech DSP 128 PlusReview | Music Technology, May 1989Digital Multi-effects ProcessorIn the multi-effects processor wars, Digitech's DSP 128 Plus distinguishes itself with comprehensive facilities and little sound colouration. Ian Waugh treats himself. |
Sony DPS-M7Review | Sound On Sound, May 1992Digital Sonic ModulatorFollowing hot on the heels of the DPS-D7 and R7 digital delay and reverb units comes a third dedicated processor in Sony's DPS series — the DPS-M7. David Mellor wonders whether this marks the end of the line for multiple effects units. |
Widen your horizons - Part 1Group: Sound AdviceFX tutorialPart one of Bob Dormon's effects tutorial |
AKG LSM50 Micro Monitors.Review | Home & Studio Recording, Nov 1983 |
Berwick Street StudiosFeature | Topic: Recording Studios | Sound On Sound, Oct 1988The Dawning Of A New Era?The impact of new technology has brought many changes to the recording industry. It has equally brought problems. Why, for instance, are some studios failing to attract enough business to survive, whilst others seem to be flourishing? One West London studio that has foreseen the writing on the wall and implemented changes is Berwick Street Studios. So we checked them out. |
Shape of Things to ComeNews | Sound On Sound, Oct 1989A colourful bonanza of newly released and forthcoming products unveiled... |
Interfacing The Line - Part 1Feature Series | Topic: Maintenance / Repair / Modification | Home & Studio Recording, Mar 1985Line LevelWhat is 'line level'? What significance do the numbers -10, 0, +4 and +8 have to recording? What does MOL refer to? Plug in to page 48 and find out. |
Fast ForwardNews | Home & Studio Recording, Jan 1986 |
8-track Without TearsReview | Home & Studio Recording, Dec 1985It's more than a Portastudio; 8-track reel-to-reel and mixing facilities all in one unit - the Tascam 388. |
LA GearInterview | Music Technology, Oct 1989From his remixes of dance music through his record releases with LA Mix, Les Adams has specialised in making a lot out of a little equipment. His latest project is a solo LP, as Simon Trask finds out. |
The Sound Art Of ProgrammingInterview | Music Technology, Sep 1987An American synthesist and composer with a soft spot for aborigines and analogue sounds, talks to Bob O'Donnell about programming synths and sequencers old and new. |
SPX AppealReview | Sound On Sound, Sep 1993Yamaha SPX990 20-Bit Digital Multi EffectsWe put the first affordable 20-bit processor through its paces. |
Active Speaker Systems - Part 3Feature Series | Topic: Acoustics | Home & Studio Recording, Dec 1983 |
The Art of UpdatingReview | Sound On Sound, Aug 1990Art Multiverb III & SGE Mach IIArt seem to update their range of multi-effects processors faster than everyone else. Dave Lockwood checks out two of their very latest incarnations. |