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Duncan Mackay: Going SoloInterview Audio | Electronics & Music Maker, Jul 1981 |
An Alphabetical AppraisalShow Report | Electronic Soundmaker & Computer Music, Apr 1985Frankfurt ReviewHot news on hot products. |
It's All Done By Planning - Part 1Feature Series | Topic: Home Studio | Home & Studio Recording, Jul 1985A first hand report on the trials and joys of setting up your own electronic music studio.Steve Howell reveals the inner secrets behind the planning stage of your home studio. |
The Boddy In QuestionInterview | Electronics & Music Maker, Jun 1985Northern electronic music exponent Ian Boddy answers questions from Tim Goodyer about the recording of his new album, live performance, and music synthesis. |
A Nice PairReview | Sound On Sound, Feb 1987Beyer microphonesWant to know how the electret principle functions? Or the difference between pressure and pressure-gradient microphones? Then read the review, as recording engineer Gareth Stuart field tests the most recent additions to the famous Beyer range. |
ART Multiverb AlphaReview | Music Technology, Jun 1992Multi-fx ProcessorIn their efforts to establish their signal processors as strongly in the UK as they have in the States, ART can't seem to bring out enough effects units. Nigel Lord evaluates the ART with aspirations to be number one. |
On the RoadFeature | Topic: Live | Music UK, Jan 1983On the Road, the second of our practical reviews of a P.A. package |
ToolboxNews | The Mix, Jun 1995Sounds, samples, & software upgrades for the modern studioSoftware, sounds and samples |
Using Timecodes - Part 5Feature Series | Topic: Syncronisation, Video / Film / Picture | Sound On Sound, Jun 1986In the final part of his series on the synchronisation of audio and video, Francis Rumsey summarises the possible applications of timecodes in helping to automate the music studio. |
Monitoring - Active Crossovers - Part 4Feature Series | Home & Studio Recording, Jan 1984 |
InterconnectFeature | Topic: Electronics / Build | Home & Studio Recording, Jun 1984MatchingA more theoretical approach this month, with an explanation of cable impedance matching. |
AudioFrame Grows UpReview | Sound On Sound, Jan 1989Although expensive, digital audio workstations are a pointer to the kind of features we can expect to see on the next generation of 'affordable' hi-tech instruments. Craig Anderton takes a look at one of the very latest workstations to appear, the AudioFrame. |
Marantz Professional PMD740 MultitrackerReview | Music Technology, Jun 1993The cassette 4-track is still the focal point of the home studio, and Marantz have produced a serious challenger to the familiar Portastudio. How does it measure up? How will musicians’ take to it? How does Nicholas Rowland do it? |
You Can Make It If You Try - Part 1Feature Series | Topic: Recording Studios | Home & Studio Recording, May 1985Dave Simpson relates the saga of how his recording dreams became a reality. The Thatched Cottage sixteen track studio must be every home recordist's idea of a success story. |
Tape Machines Survey - Part 1Feature Series | Topic: Buyer's Guide | Sound International, May 1978A readable survey — the first part covering manufacturers from A to L. |
Korg SoundLinkReview | Music Technology, Mar 1992Digital Audio WorkstationFrom the home of the M1 and the Wavestation comes SoundLink - an advanced digital recording and editing system. Simon Trask trips into the future. |
The Shape of Things to ComeNews | Sound On Sound, May 1987Our regular monthly exploration of upcoming new products. |
Trident VFM Modular Mixing SystemsReview | Electronics & Music Maker, Jul 1983Looking at Mixers16/8/2 mixer review |
The SynthMix - Part 1Feature Series | Electronics & Music Maker, Aug 1984Preliminary DetailsPart one of a major article on the construction of E&MM's own six-channel keyboard mixer. Step-by-step design guide by Paul White. |
E-Mu Proteus MPSReview | Music Technology, Mar 1992Sample Playback KeyboardWith the popular Proteus series of sample playback modules as its inspiration, E-mu's new synth sounds as good as it looks. Simon Trask explores the Master Performance System. |
Japanese New Age MusicInterview | Sound On Sound, Nov 1986At 28 Seigen Ono is one of Japan's leading producer/engineers whose recording credits include working for David Sylvian, Robert Fripp, Ryuichi Sakamoto and Lounge Lizards. He is also the creator of some of the highest quality instrumental music yet to be classified under the New Age music banner. Mark Prendergast discovers what he and his music are all about. |