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Recording Techniques - Part 11

Feature Series | Topic: Effects Processing, Recording | Sound On Sound, Oct 1990
Using the Compressor and Noise Gate

Part 11: Using the compressor and noise gate. The compressor and the noise gate are the most powerful of all the effects in a studio rack. David Mellor passes on some techniques and tricks.

Shape Of Things To Come

News | Sound On Sound, Jul 1991

Yet another selection of recently announced new products to whet your appetite!

Astronaut or Heretic?

Interview | Sound On Sound, May 1992

Thomas Dolby is back after a four year break, without the mad professor image but with an excellent new album in Astronauts & Heretics, his most personal recording to date. Paul Tingen spoke to him about the long road from solo synthesist to globe-trotting collaborator.

Alan Parsons

Interview | Topic: Mastering, Restoration / Archival | Sound On Sound, Nov 1993
20 years of Pink Floyd's Dark Side of the Moon

Original engineer on the 'Dark Side Of The Moon' sessions, Alan Parsons, explains the 20th anniversary remastering of this classic album.

The Shape of Things to Come

News | Sound On Sound, Nov 1987

The only product round-up that shows you 'in living colour' what's new in the field of music and recording technology.

The Sound That Steve Built

Interview | Recording Musician, Sep 1992

Marillion's guitarist talks to John Harris about the band's home studio and about getting great guitar sounds on tape...

Live Sound - Part 6

Feature Series | Topic: Live | Recording Musician, Apr 1993
Stage Monitoring

A practical look at on-stage monitoring for small and awkward gigs.

Shape of Things to Come

News | Sound On Sound, Jun 1990

Another glimpse of forthcoming products from the hi-tech music and recording worlds.

Modular Synthesis - Part 4

Feature Series | Topic: Synthesis & Sound Design, Synthesizer Patches | Electronics & Music Maker, Apr 1984
Percussion Sounds

Steve Howell investigates conventional drum-kit sounds and how to synthesise them, using even the most basic of instruments.

Kracked Plastik

Group: In Session

Interview | The Mix, Dec 1994

Explains his complex minimalism

Enya - Watermark

Feature | Sound On Sound, Mar 1989

Roland S770 Sampler

Review | Sound On Sound, Jul 1990

Roland's flagship sampling module boasts an impressive specification, and its page-based screens are oddly reminiscent of the famous Fairlight. Kendall Wrightson finds out how impressive it is in the flesh.

Fostex X28

Review | Sound On Sound, Dec 1991
Cassette Multitracker

Policemen look younger, you start to disown parts of your record collection and, just as surely with the passing of time, entry-level cassette multitrackers sprout more inputs and features. Dave Lockwood tries to keep up with the Fostex X28.

Sun SB160 Bass Combo

Review | In Tune, Jan 1985

Heavy fretting - Part 4

Group: Sound Advice

Feature Series Audio | Topic: Recording | The Mix, Apr 1995

Brian O' Shaughnessy advises on recording acoustic guitar

A Recipe For Success

Interview | Sound On Sound, Nov 1987

How can you set up a home studio, write, produce and perform hit singles, and have a good time doing it? David Mellor asks Galaxy's Phil Fearon that very question and more...

Fostex MC102

Review | Sound On Sound, Apr 1993
Keyboard Mixer/Cassette Recorder

A Handful Of Aces

Review | Home & Studio Recording, Apr 1986
Aces B1816

A cost effective in-line mixing console aimed at the budget 16-track user.

Frankfurt Paydirt

Show Report | Music Technology, May 1992

The annual pilgrimage to Europe's largest music fair is over for another year. Vic Lennard brings hot news of the latest hi-tech developments, innovations, launches, lunches...

Ripping Yarns

Interview | International Musician & Recording World, Nov 1985

The Bahamas boy talks tunes and tides with Adrian Deevoy

Tascam 246 - an Un-Reel Machine

Review | Home & Studio Recording, Jan 1986

Barcus-Berry 402 Sonic Maximizer

Review | Music Technology, Mar 1987

Geoff Levin tries the latest word in psychoacoustic enhancement, and finds it involves analysing the entire frequency spectrum, then time-aligning parts of it. What do the results sound like in the studio?

Recording with the Soundcraft Series 200

User Report | Home & Studio Recording, Jun 1984

Peavey Heritage VTX

Review | Electronics & Music Maker, Jul 1982

Soundcraft Spirit Folio

Review | Music Technology, Apr 1993
Mixing Desk

Q: Just what is a Minister Without Portfolio? A: A leading member of the Government who hasn't got Soundcraft's nifty new portable mixer, that's what. Nicholas Rowland raises questions in The House

 

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