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MTR series IIIReview | Micro Music, Oct/Nov 1989John Renwick gives in to the temptation of the MTR Series III mixer |
The Italian JobGroup: In SessionRapino BrothersKylie and Take That’s remixers talk technique |
Fast ForwardNews | The Mix, Jun 1995No hype, no waffle — just tomorrow's products todayThe latest products previewed |
Monitor Special: Urei 809 - Part 1Review Series | Home & Studio Recording, Jul 1986Ken Dibble checks out this pair of Urei monitors and draws some interesting conclusions. |
TwisterFeature | Sound On Sound, Aug 1987Programmable Automation ComputerNew writer Roger Jackson reveals how this mid-priced programmable automation computer can be used to automate mixes on any manufacturer's mixing desk. |
Getting ExcitedFeature | Topic: Effects Processing | Home & Studio Recording, May 1985An explanation of psychoacoustic signal enhancers and their possible applications. |
Tascam Porta 05Review | Music Technology, Jan 1988Personal MultitrackerThe intrepid Nicholas Rowland continues his search for the ultimate in personal multitrackers; armed only with a blank cassette and a bedroom's worth of gear, he tackles Tascam's latest budget baby. |
Mixer MinimalismFeature | Topic: Recording | Recording Musician, Aug 1992A little lateral thinking from Paul White reveals new and better ways of getting signals to and from tape. |
A Beginner's Guide to Korg's AI SynthesisFeature | Topic: Synthesis & Sound Design | Sound On Sound, Apr 1990Phil South examines the ins and outs of programming various aspects of AI synthesis, as used in Korg's 'M' and 'T' ranges of synthesizers. |
Home Studio RecordistFeature | Topic: Home Studio | Home & Studio Recording, Jan 1985Blackpool-based band 'The Sensible Shoes' outline their working environment and techniques. |
Alesis MIDIverb IIIReview | Sound On Sound, Jan 1990This latest release from the purveyors of low-cost signal processing is more a reverb unit with supplementary effects than a full-function multi-effects processor. Paul Ireson journeys into deep space to check it out. |
Keeping the faithGroup: Control RoomTascam 488 MKIIRocking, reeling portastudio |
3's CompanyReview | Home & Studio Recording, Jul 1986Fostex Model 20Who needs a 3-track mastering machine? Fostex think you do so read all about the Model 20. |
Audio Level MeterFeature | Topic: Electronics / Build | Home & Studio Recording, Nov 1983Build this versatile LED PPM/VU meter project. |
Home Studio RecordistFeature | Topic: Home Studio | Home & Studio Recording, Oct 1984Anthony Braine informs us of his own home set-up. |
Colin ThurstonInterview | Home & Studio Recording, Feb 1985Record ProducerThe man who turned the music of Duran Duran, Kajagoogoo, Human League and Magazine into hits, discloses his hit-making formulae, recording methods and well-equipped home studio. |
First TakeFeature | Topic: Recording | Electronics & Music Maker, Feb 1986Paul White and Dan Goldstein on how to beat the problems of venturing into a professional studio for the first time. If you’re new to recording, the advice is unmissable. |
Sennheiser MicrophonesReview | International Musician & Recording World, Jan 1985MikecheckCurtis Schwartz checks over three of the new Sennheiser range and is pleasantly surprised |
A&HB CMC 24 MixerGroup: Recording WorldStudio TestThe ultimate mixer for the semi pro? Tony Mills gets to grips with the computerised AHB CMC 24 |
Home TapingGroup: Recording WorldDryden Hawkins and Zeb YekRichard Walmsley in Maida Vale. Sound developments in sculpture |
The Blueprint of HiphopInterview | Music Technology, Aug 1989From the New York roots of hip hop, KRS One talks about street-level production values and samples as the poor musician's alternative to real musicians. Simon Trask listens to the Music of the Spheres. |