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De-Esser ProjectFeature | Topic: Effects Processing, Electronics / Build | Home & Studio Recording, Aug 1986Abolish sibilance with this well designed, cost-effective addition to the Tanrak. |
The Rhythm MethodInterview | Music Technology, Jan 1992From the Midlands' techno culture comes the hardcore sound of Rhythmatic. Simon Trask investigates one of the bands on the ground floor of Britain's fastest-growing musical movement. |
The Dynamic DuoReview | Sound On Sound, Aug 1991Alesis 3630 Compressor/Limiter & Alesis RA100 Reference AmplifierAlesis made their name on high-quality, low-cost digital effects units, and their latest products offer the same affordable quality on two basic analogue units — a compressor and an amplifier. Dave Lockwood conducts the field test. |
The ScintillatorReview | Home & Studio Recording, Sep 1985A professional stereo enhancer at a affordable price. |
On The Wings Of SongInterview | Home & Studio Recording, Feb 1986Janet Angus talks to Peter Wingfield about his career as a songwriter and producer. |
Tom Hidley - Studio DesignerInterview | Topic: Acoustics, Recording Studios | Sound On Sound, Sep 1986Over a 25 year period, Tom Hidley has designed and built more than 400 of the world's top recording studios. Recognised as an undisputed 'master' of his craft, his acoustic design concepts have changed the face of studios and the music that is made within their walls. In a rare interview, he talks openly about his design philosophy and his most current 'ground-breaking' project to Paul Gilby. |
Instant Hip - Part 2Feature Series | Topic: Arranging / Songwriting, Drum Programming | Recording Musician, Aug 1992Key Ingredients For A Happening Dance TrackAn insight into the sounds and structures that make up a successful dance record, by Edgar G. Roover. |
Digital Mixing MagicFeature | Topic: Mixing, Sampling | Sound On Sound, Aug 1990With Sampling KeyboardsVocal line out of tune? Lead guitarist fluffed his solo again? Craig Anderton reveals some ways of using a sampler to fix these, and other problems, in the mix. |
Crossing over the tracksGroup: Control RoomDJ MixersA three-way test of DJ mixers |
Home Studio RecordistFeature | Topic: Home Studio | Home & Studio Recording, Jul 1985Richard Niles searching for the source of his inspiration. |
NewsNews | Music UK, Aug 1983Speakers break sound barrier, Fender replace guitar range, Rama amps to shatter prices and more! |
Yamaha V50Review | Music Technology, May 1989Digital SynthesiserAlthough Yamaha are reluctant to call it a workstation, the V50 incorporates FM synthesis, drum voices, and sequencing and effects processing facilities. Dan Rue checks out Yamaha's workst... |
Slap 'n' TickleReview | Sound On Sound, Apr 1986High quality sampled bass sounds that you can play from any MIDI keyboard, sequencer or drum machine are offered by the 360 Systems MIDI BASS. Tony Hastings assesses its performance. |
Drumware SoundfilerReview | Music Technology, Mar 1988Akai S900 Editor for the Atari STThis comprehensive visual sample-editing package from America could be the answer to many S900 owner's prayers. Vic Lennard says: have ST will travel. |
Allen & Heath System 8 MixerReview | Home & Studio Recording, Nov 1983 |
Turner B302 & B502 Power AmplifiersReview | Home & Studio Recording, Jun 1984 |
The Studio DominatorReview | Home & Studio Recording, May 1986Aphex DominatorIs this the ultimate limiter? |
At Home in the StudioInterview | Recording Musician, Jul 1992An exclusive look inside Genesis' private studio retreat deep in the heart of Surrey. |
The Modular ApproachFeature | Topic: Sampling, Synthesis & Sound Design | Sound On Sound, Jun 1987Expander modules may be the modular synths of our age, but are they as good? Steve Howell explores the Akai VX90 and provides some guidance on how it can be used with Akai's range of sampling machines. |
Fostex 812 Recording & 2016 Line MixersReview | Sound On Sound, Apr 1990Best known for their tape recorders and cassette-based multitrackers, this new generation of mixers from Fostex look like they will make more than a few converts. Dave Lockwood checks them out. |
EmpathyInterview | Sound On Sound, Jun 1986The Rupert Hine Approach to Record ProducingYou may be surprised to learn that as a producer, Rupert Hine has some sixty-five albums credited to him, though it is only in recent times that his name has started to mean anything outside of the record business. Something that has come about largely through his successful associations with Howard Jones and Tina Turner. David Etheridge chatted to him in the studio about his career to date and his approach to record production. |
On Tour With The Who's Road CrewFeature | Topic: Live | International Musician & Recording World, Dec 1975with MEH and the roadies of rock's greatest band. |
Twin VoiceInterview | Making Music, Jul 1987 |
The Shape Of Things To ComeNews | Sound On Sound, Nov 1986A quick gaze at the crystal ball reveals a new MIDI mixer from Simmons, a digital reverb/effects processor from AKG, a MIDI-CV module from Tantek, and plenty more... |