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Automatic PilotReview | Recording Musician, Sep 1992CM MX816 Console AutomationA cost-effective VCA mix automation system that can be used with any console. |
Lexicon PCM60 Digital ReverberatorReview | Home & Studio Recording, Nov 1984 |
NewsNews | International Musician & Recording World, May 1985The latest reports from the lands of Trade and Product |
David Vorhaus and Kaleidophon StudioInterview Audio | Electronics & Music Maker, Jun 1981 |
Recording Bass GuitarFeature | Topic: Recording | Recording Musician, May 1993What's to know? You just wipe the rust off the strings, plug it into the desk and bob's your uncle. Don't you? Er... not quite. |
Richard Hewson - Man of MysteryInterview | Home & Studio Recording, Apr 1985This man, responsible for the string arrangements on numerous albums by Supertramp, Cliff Richard and Diana Ross, also happens to be the creative genius behind disco/funk hit makers, the RAH Band. His latest album 'Mystery' released this month, was successfully recorded in his home studio using an ACES 24-track system and we went along to see how he achieved it. |
Summer 1990 NAMM Show ReportShow Report | Sound On Sound, Aug 1990The Summer NAMM show may be losing some of its importance in the world arena but it didn't stop manufacturers from launching new products. Craig Anderton was there to check them out. |
The Poor Man's Guide to Clap SoundsFeature | Topic: Effects Processing, Synthesis & Sound Design | Electronics & Music Maker, May 1984Want to simulate clap effects without spending a small fortune? Paul White shows you how. |
Making the Most of... - Part 3Feature Series | Topic: Recording | Home & Studio Recording, Jul 1985Recording Electric GuitarHow to get the best in your studio from an electric guitar. |
New MusicFeature | Topic: Education, Recording Studios | Sound International, Sep 1978Electronics at East AngliaA report on the electronic music studio at the University of East Anglia. |
Frazer Wyatt SpeakersReview | Electronics & Music Maker, Oct 1984Almost every keyboard exhibitor at the British Music Fair was using these British-designed and built speakers to play their products through. Paul White tries to find out why. |
Guitars Made SimpleGroup: EffectsWee chap and guitarist-person Charlie Burchill lifts the kilt of his guitar, amp and effects set up. |
Fostex 454 MixerReview | Sound On Sound, Aug 1990Fostex’s new 454 mixer is aimed fairly and squarely at the recording user, with features that make it an ideal companion to most 4 or 8-track recorders. Paul Ireson explains why. |
The Hard EdgeFeature | Topic: Digital Audio, Digital Audio Workstations, Recording | Music Technology, Aug 1993Direct-to-disk recording explainedMT's guide to the theory and practice of the tapeless studio |
Heavy fretting - Part 2Group: Sound AdviceHow to record guitar |
Town House StudioFeature | Topic: Recording Studios | Sound International, Feb 1979'Now the Virgin returns,' quoth Virgil, and who are we to disagree? Mel Lambert takes a colourful look at Richard Branson's new London studio: a Town House for the Lord of the Manor. |
RAM Micro RM16 MixerReview | Home & Studio Recording, Jun 1984 |
Sound on StageFeature | Topic: Live | Electronics & Music Maker, Jun 1983LEDs — Usage and AbusageLEDs, Usage & Abusage |
Home Is The HeroGroup: Bedroom Bouncedown - Home RecordingSix stars outline their home demo set-upssketching song ideas at home. how certain successful stars record their demos - John Entwistle, Nik Kershaw, Annabel Lamb, Adrian Belew, Blancmange |
Making the Most of... - Part 15Feature Series | Topic: Mixing | Home & Studio Recording, Jul 1986MixingSimon Croft takes up from Steve Howell and gives his views on creative remixing. |
MIDIMouse Sonicflight D50/550 Capture!Review | Music Technology, Apr 1989Software for the Atari STIf you're drowning in ROMs and RAMs full of D50 patches but still can't lay your hands on the sound you need, an editor/librarian program like Capture! could be the answer to your prayer. Gordon Reid is captivated. |
Korg DSS-1Review | Sound On Sound, Apr 1987Sampling SynthesizerThe DSS-1 offers 12-bit sampling, high fidelity samples, integral dual digital delay and EQ, plus the most comprehensive synthesizer section of all the midrange samplers. Review by Mark Jenkins. |