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Perfect vocalsGroup: Sound Advicehow to sing them, how to mic them, how to treat them, how to tape them...Take five and come alive - we show you how |
Music In EducationFeature | Topic: Education, Sequencing | Recording Musician, Feb 1993A Step-By-Step Sequencing ProjectStephanie Sobey-Jones takes you through a step-by-step sequencing project and explains some sequencer jargon along the way. |
Making the Most of... - Part 16Feature Series | Topic: Effects Processing, Mixing | Home & Studio Recording, Sep 1986A Bad JobThis month we take a look at salvage techniques. What to do when you have to re-mix someone else's less than ideal master tape. |
Room EQ: Myth or Legend? - Part 4Feature Series | Topic: Acoustics | Home & Studio Recording, May 1987In the last part of Ben Duncan's series, he examines the acoustic properties on Live End/Dead End studios. |
Sound AdviceFeature | Topic: Home Studio | Home & Studio Recording, Jan 1984Don Larking guides you through the various equipment that goes to make up a home studio. |
Studiomaster Proline 16.8.16 MixerReview | Sound On Sound, Sep 1989Offering 32 inputs on mixdown, four auxiliary sends, flexible EQ and the added benefit of a MIDI-controlled muting option, Studiomaster's ProLine 16.8.16 mixer has a lot going for it. Gareth Stuart checks it out. |
Beat On The CheapReview | Electronic Soundmaker & Computer Music, Feb 1984Budget BeatsA beat on the cheap? |
Korg S3Review | Sound On Sound, Jan 1991Rhythm WorkstationWith its synthesizer-like voice editing functions, built-in stereo signal processing, 8-track sequencing and SMPTE sync options, can Korg's new top-of-the-line drum machine justify its title of rhythm workstation? Richard Aaron finds out. |
Peavey DPM3Review | Sound On Sound, May 1990Composition CentreAnnounced over a year ago, the all-American DPM3 has finally landed on our shores. Martin Russ takes the wraps off Peavey's much publicised first foray into the hi-tech keyboard market. |
Signal Processors... Meet MIDIFeature | Topic: Effects Processing, MIDI | Sound On Sound, Jul 1991Signal processor control is one of MIDI's less well-known applications yet it offers enormous scope for the imaginative user. Craig Anderton is your guide... |
Shape of Things to ComeNews | Sound On Sound, Nov 1989A colourful bonanza of newly released and forthcoming new products. |
The Lead Feature - Part 2Feature Series | Home & Studio Recording, Mar 1989Ben Duncan delves even further into the wires that connect it all together. |
Digidesign DeckReview | Sound On Sound, Nov 1990Who says multitrack hard disk recording has to cost the earth? Digidesign's Deck allows four tracks of digital audio to be played back and mixed on a Macintosh II, with full 16-bit/44.1khz digital fidelity. Paul D. Lehrman investigates. |
Tascam M3700Review | Sound On Sound, Jan 1992Raising The StakesZenon Schoepe gets to grips with the VCA automated desk that some British console manufacturers have not been looking forward to! |
The Music RevivalFeature | Topic: Restoration / Archival, Tape, Vinyl, CD, DAT | Music Technology, Nov 1989Cedar Audio RestorationAs well as creating sound, digital technology can be used to rescue old or damaged recordings. Gordon Reid looks at a British system that's leading the world in audio restoration. |
20/20 VisionReview | Recording Musician, Dec 1992Peavey SDR 20/20 Digital Multi Effects UnitA refreshingly logical and capable multi-effects unit that successfully combines flexibility with fidelity. |
Yamaha Compressor & Graphic EQReview | In Tune, Jul/Aug 1985 |
AB Graphic EQReview | Recording Musician, Oct 1992 |
GTE 'Studio Tube' Bass Pre-AmpReview | In Tune, Jun 1985 |
MIDI in the MixFeature | Topic: Effects Processing, MIDI, Mixing | Music Technology, Jun 1988The scope of MIDI control has expanded beyond that of simply allowing one synthesiser to control another. Chris Meyer explains how you can now shape a whole mix using the five-pin DIN plug. |
Alesis QuadraverbReview | Home & Studio Recording, Mar 1989The long-awaited new box from Alesis gives the user access to up to four simultaneous high quality effects. |
The Secrets of TimbreFeature | Topic: Mixing, Sound Fundamentals | Music Technology, Jul 1988Don't touch those Level and Pan controls - you may be able to solve your mixing problems more easily than you think. Robert Rich explains how the timbre of a sound affects its performance in the mix. |