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Music In EducationFeature | Topic: Education, Sequencing | Recording Musician, Feb 1993A Step-By-Step Sequencing ProjectStephanie Sobey-Jones takes you through a step-by-step sequencing project and explains some sequencer jargon along the way. |
Making the Most of... - Part 16Feature Series | Topic: Effects Processing, Mixing | Home & Studio Recording, Sep 1986A Bad JobThis month we take a look at salvage techniques. What to do when you have to re-mix someone else's less than ideal master tape. |
Hi-Fi GraphicsGroup: Recording WorldAre they a viable and cheap alternative to Eqs in the studio. Curtis Schwartz takes a look at a cross section of products available |
The Lead Feature - Part 2Feature Series | Home & Studio Recording, Mar 1989Ben Duncan delves even further into the wires that connect it all together. |
Digidesign DeckReview | Sound On Sound, Nov 1990Who says multitrack hard disk recording has to cost the earth? Digidesign's Deck allows four tracks of digital audio to be played back and mixed on a Macintosh II, with full 16-bit/44.1khz digital fidelity. Paul D. Lehrman investigates. |
The Music RevivalFeature | Topic: Restoration / Archival, Tape, Vinyl, CD, DAT | Music Technology, Nov 1989Cedar Audio RestorationAs well as creating sound, digital technology can be used to rescue old or damaged recordings. Gordon Reid looks at a British system that's leading the world in audio restoration. |
20/20 VisionReview | Recording Musician, Dec 1992Peavey SDR 20/20 Digital Multi Effects UnitA refreshingly logical and capable multi-effects unit that successfully combines flexibility with fidelity. |
Tascam M3700Review | Sound On Sound, Jan 1992Raising The StakesZenon Schoepe gets to grips with the VCA automated desk that some British console manufacturers have not been looking forward to! |
Room EQ: Myth or Legend? - Part 4Feature Series | Topic: Acoustics | Home & Studio Recording, May 1987In the last part of Ben Duncan's series, he examines the acoustic properties on Live End/Dead End studios. |
Sound AdviceFeature | Topic: Home Studio | Home & Studio Recording, Jan 1984Don Larking guides you through the various equipment that goes to make up a home studio. |
Studiomaster Proline 16.8.16 MixerReview | Sound On Sound, Sep 1989Offering 32 inputs on mixdown, four auxiliary sends, flexible EQ and the added benefit of a MIDI-controlled muting option, Studiomaster's ProLine 16.8.16 mixer has a lot going for it. Gareth Stuart checks it out. |
Beat On The CheapReview | Electronic Soundmaker & Computer Music, Feb 1984Budget BeatsA beat on the cheap? |
Korg S3Review | Sound On Sound, Jan 1991Rhythm WorkstationWith its synthesizer-like voice editing functions, built-in stereo signal processing, 8-track sequencing and SMPTE sync options, can Korg's new top-of-the-line drum machine justify its title of rhythm workstation? Richard Aaron finds out. |
Peavey DPM3Review | Sound On Sound, May 1990Composition CentreAnnounced over a year ago, the all-American DPM3 has finally landed on our shores. Martin Russ takes the wraps off Peavey's much publicised first foray into the hi-tech keyboard market. |
Shape of Things to ComeNews | Sound On Sound, Nov 1989A colourful bonanza of newly released and forthcoming new products. |
Signal Processors... Meet MIDIFeature | Topic: Effects Processing, MIDI | Sound On Sound, Jul 1991Signal processor control is one of MIDI's less well-known applications yet it offers enormous scope for the imaginative user. Craig Anderton is your guide... |
The Secrets of TimbreFeature | Topic: Mixing, Sound Fundamentals | Music Technology, Jul 1988Don't touch those Level and Pan controls - you may be able to solve your mixing problems more easily than you think. Robert Rich explains how the timbre of a sound affects its performance in the mix. |
Combo Test - Part 1Feature Series | Topic: Buyer's Guide | Sound International, Jun 197920 guitar combos of 100 Watts get a good going over by five fine guitar players: in this first part Acoustic to Lab receive the ole SI ear ole test. |
Life In The Fast LaneReview | Sound On Sound, Aug 1988Korg M1 Music WorkstationAs Korg prepare an armada of new products to invade the music shops, Tony Hastings investigates the M1 Music Workstation - the flagship that looks set to blow a lot of the competition out of the water. |
Studio Sound Techniques - Part 3Feature Series | Topic: Mixing | Electronics & Music Maker, Sep 1982More about mixing consoles |
Wide Open SpacesReview | Electronics & Music Maker, Sep 1985A special, report on budget digital reverb, with the spotlight focussed firmly on two groundbreaking new machines, the Yamaha REV7 and Roland SRV2000. Paul White and Simon Trask take up the story. |