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When Things Go WrongFeature | Topic: Design, Development & Manufacture, Maintenance / Repair / Modification | Sound On Sound, Nov 1991Day-to-day use takes its toll on recording equipment, so proper maintenance and servicing is essential to get the best from your studio toys. David Mellor takes a look behind the scenes of Fostex's service department. |
Cheap! but not so nastyReview | Electronics & Music Maker, Sep 1985Casio SZ1Another sequencer first, this time for Casio, seeking to extend their grip over the budget end of the pro synth market. Simon Trask reckons the foray has been worthwhile. |
Tascam 488Review | Sound On Sound, Mar 1991Can't quite stretch your budget to a 688 MIDIStudio? Richard Aaron checks out Tascam's appealingly priced new 8-track portastudio. |
3's CompanyReview | Home & Studio Recording, Jul 1986Fostex Model 20Who needs a 3-track mastering machine? Fostex think you do so read all about the Model 20. |
Cheetah MQ8Review | Music Technology, Feb 1990SequencerLatest in their line of cost-effective gear is Cheetah's MQ8 sequencer. Simon Trask investigates a budget sequencer that incorporates some of the features of the Zyklus MIDI Performance System. |
SansuiReview | Sound On Sound, Mar 199010-Track Recording PackageCombine two 6-track cassette recorders, one synchroniser and a 12:6:2 mixer, and what have you got? A rather appealing multitrack demo studio from Sansui. David Lockwood reports. |
PG Music Band-In-A-BoxReview | Music Technology, Jul 1991Apple Mac/IBM PC/Atari ST SoftwareAs technology tears down barriers, people rebuild them. Ian Waugh investigates a composition program that delivers all the traditional elements of music at the touch of a button. |
Iconix MIDI SequencerReview | Sound On Sound, Jun 1987Software for the Atari STThis is the first British pro music software to be released for the Atari ST range of computers, and the first to really make full use of the Atari's GEM graphics operating system, according to the manufacturer. Martin Russ checks out their claims. |
Alesis ADATReview | Recording Musician, Sep 19928-Track Digital RecorderIt's finally here, it's available and it works! |
How It Works - Hard Disk Recorders - Part 12Feature Series | Topic: Digital Audio, Recording | Sound On Sound, Apr 1989An Alternative To TapeFrom the analogue to the digital era, magnetic tape has been the prime production medium for recorded music for several decades. David Mellor examines new developments in recording and speculates where they might lead. |
RealTime Intelligent SequencerReview | Sound On Sound, Aug 1989Offering 256 tracks, direct screen manipulation of events, and the facility to alter any type of data whilst your sequence keeps playing, RealTime looks set to make a big name for itself very quickly. Martin Russ took a real shine to it - will you? |
Getting Your Priorities RightFeature | Topic: Buyer's Guide, Home Studio | Home & Studio Recording, Nov 1986Your kindly editor investigates ways in which the newcomer to recording might spend his money effectively rather than just quickly. |
Recording Techniques - Part 4Feature Series | Topic: Recording | Sound On Sound, Mar 19904-Track RecordingPART 4: David Mellor takes a first step into the wide world of multitrack recording with an explanation of cassette-based 4-track techniques. |
Denon DR-M33 Cassette DeckReview | Home & Studio Recording, Dec 1985Ben Duncan looks at this cassette recorder to see if it can cope with life in the studio. |
Software SupportFeature | Topic: Computing, Sequencing | Sound On Sound, Dec 1988Hints, Tips & News From The World Of Music SoftwareHints, tips and news about your favourite music software. |
Winter 1992 NAMM Show ReportShow Report | Sound On Sound, Mar 1992NAMM veteran Craig Anderton with news from the biggest and best music show in the US. |
Iconix SoftwareReview | Music Technology, Aug 1987Software for the Atari STThe first release from a British company called System Exclusive is a 128-track sequencer for the Atari ST. Simon 'ST Trask (and his assistant, 'Mouse') find it both powerful and flexible. |
Microillusions Music-XReview | Music Technology, Oct 1989Commodore's Amiga computer is the beneficiary of this impressive - and colourful - sequencing package. Ian Waugh welcomes the illusion. |
Using The Fostex 4050 AutolocatorReview | Sound On Sound, Apr 1988Fostex’s SMPTE reading/writing, MIDI syncing, auto-locating, remote transport control unit recently underwent a serious internal re-examination. Ed Jones assesses the newly implemented features and describes their practical application. |
The CollectorInterview | Music Technology, Jul 1987There can be few musicians who've amassed such a huge collection of synthesisers as the ex-Buggles keyboardist. Paul Wiffen talks to him about his machines, and finds he still finds a use for most of them. |
Demo to Vinyl - Part 3Feature Series | Topic: Marketing / Promotion, Music Business | Home & Studio Recording, Oct 1986The saga goes on outlining the hazards that befall anyone trying to get an ounce of sense out of a record company. |
Doing A Video - Part 2Feature Series | Topic: Video / Film / Picture | One Two Testing, May 1984Cheap images, part two |
Six AppealReview | Recording Musician, Mar 1993Vestax MR66 6-Track Recorder and RMC88 Studio MixerPut these two together and you have a flexible recording and mixing system. |