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Roost head and cab, Sessionette, Vox Escort.Group: Amps |
Ibanez SDR1000 Digital ReverbReview | Making Music, Nov 1986 |
Room EQ: Myth or Legend - Part 2Feature Series | Topic: Acoustics, Effects Processing, Electronics / Build | Home & Studio Recording, Dec 1986Ben Duncan, the sultan of solder, subjects the concept of room equalisation to further scrutiny. |
Boss DE200 DelayReview | Home & Studio Recording, Nov 1984 |
Eventide H3000 Ultra-HarmoniserReview | Music Technology, Apr 1990Signal ProcessorEventide call it their Ultra-harmoniser, but is it worthy to follow in the footsteps of their standard-setting model 910? Vic Lennard and technology in perfect harmony. |
Lowden L27 F-N Electro Acoustic Guitar & GA 100 Acoustic Guitar ComboReview | Music UK, Dec 1983Loud an' Proud?.... |
Electro-Music EngineerFeature | Topic: Electronics / Build | Electronics & Music Maker, May 1982State Variable Filter |
WelcomeEditorial | Sound On Sound, Dec 1985 |
Gibson SwitchmasterGroup: GuitarCheck |
The Hot 100Review | Sound On Sound, Jul 1991Yamaha EMP100 Multi-Effects ProcessorThe latest addition to Yamahas highly affordable 100 series, the EMP100, could prove to be its best buy yet. Paul Ireson explains why. |
Armed Struggle in BathGroup: Sound Reports & Views |
Tascam G100 Guitar AmplifierReview | Recording Musician, Mar 1993 |
Lex Is MoreReview | Sound On Sound, Jan 1992Lexicon LXP15 Effects ProcessorThe Lexicon name is synonymous with high quality effects and extensive MIDI control. Martin Russ finds the LXP15 well up to scratch. |
Sweep EqualiserFeature | Topic: Electronics / Build | Electronics & Music Maker, Nov 1982A variable 2 band Equaliser with an exceptional ±30dB range that will transform cymbals, remove hums, improve vocals and clean up your instruments! |
Hohner Harmonica Pickup SystemsReview | Electronics & Music Maker, Oct 1983 |
Cause An EffectFeature | Topic: Effects Processing | Music Technology, May 1991Effects processing is now an integral part of a recording studio - large or small. Aaron Hallas goes back to basics in this introduction to sound treatment. |
Centre of AttractionShow Report | Home & Studio Recording, Aug 1985APRS ReviewNow that our feet have finally recovered from walking round the show, we can tell you what impressed us most (after the free drinks and sweatshirts). |
Pedals In The StudioFeature | Topic: Effects Processing | Home & Studio Recording, Feb 1985'Guitar-style' effects pedals are frowned upon by conscientious recordists but, surprisingly, some can yield very good results as we discovered. |
Practically FM - Part 4Feature Series | Topic: Synthesis & Sound Design | Sound On Sound, Aug 1988Part 4 of our series for FM synth owners, in which Martin Russ gives away even more secrets of FM programming. Operators at the ready! |
Industry Profile - MPC ElectronicsFeature | Topic: Design, Development & Manufacture | Electronics & Music Maker, Dec 1983Innovators of The Kit and the Music Percussion Computer, MPC explain their approach and hint at some new products to come. |
MultisplitFeature | Topic: Electronics / Build | Electronics & Music Maker, Jun 1982A unique and versatile project that distributes, splits and matches signals. |
The Best Guitar Breaks In The WorldFeature | One Two Testing, May 1984Nominated by Adrian Belew, Bill Nelson, Roddy Frame, Ted Nugent, Robert Smith, Dierdre Cartwright |