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Search results

Roost head and cab, Sessionette, Vox Escort.

Group: Amps

Review | One Two Testing, Jan 1983

Ibanez SDR1000 Digital Reverb

Review | Making Music, Nov 1986

Room EQ: Myth or Legend - Part 2

Feature Series | Topic: Acoustics, Effects Processing, Electronics / Build | Home & Studio Recording, Dec 1986

Ben Duncan, the sultan of solder, subjects the concept of room equalisation to further scrutiny.

Boss DE200 Delay

Review | Home & Studio Recording, Nov 1984

Eventide H3000 Ultra-Harmoniser

Review | Music Technology, Apr 1990
Signal Processor

Eventide call it their Ultra-harmoniser, but is it worthy to follow in the footsteps of their standard-setting model 910? Vic Lennard and technology in perfect harmony.

Lowden L27 F-N Electro Acoustic Guitar & GA 100 Acoustic Guitar Combo

Review | Music UK, Dec 1983

Loud an' Proud?....

Clear As A Bel

Review | Home & Studio Recording, Mar 1986

Bel BD320 sampling delay

Electro-Music Engineer

Feature | Topic: Electronics / Build | Electronics & Music Maker, May 1982
State Variable Filter

Welcome

Editorial | Sound On Sound, Dec 1985

Boss Micro Rack

Review | One Two Testing, Aug 1985

home recording FX regime

Gibson Switchmaster

Group: GuitarCheck

Review | International Musician & Recording World, Aug 1975

The Hot 100

Review | Sound On Sound, Jul 1991
Yamaha EMP100 Multi-Effects Processor

The latest addition to Yamahas highly affordable 100 series, the EMP100, could prove to be its best buy yet. Paul Ireson explains why.

Armed Struggle in Bath

Group: Sound Reports & Views

Feature | Topic: Live | Sound International, Feb 1979

BackLines

News | Phaze 1, Apr 1989
Tomorrow's Technology Today

Tascam G100 Guitar Amplifier

Review | Recording Musician, Mar 1993

Lex Is More

Review | Sound On Sound, Jan 1992
Lexicon LXP15 Effects Processor

The Lexicon name is synonymous with high quality effects and extensive MIDI control. Martin Russ finds the LXP15 well up to scratch.

Sweep Equaliser

Feature | Topic: Electronics / Build | Electronics & Music Maker, Nov 1982

A variable 2 band Equaliser with an exceptional ±30dB range that will transform cymbals, remove hums, improve vocals and clean up your instruments!

Hohner Harmonica Pickup Systems

Review | Electronics & Music Maker, Oct 1983

Cause An Effect

Feature | Topic: Effects Processing | Music Technology, May 1991

Effects processing is now an integral part of a recording studio - large or small. Aaron Hallas goes back to basics in this introduction to sound treatment.

Centre of Attraction

Show Report | Home & Studio Recording, Aug 1985
APRS Review

Now that our feet have finally recovered from walking round the show, we can tell you what impressed us most (after the free drinks and sweatshirts).

Pedals In The Studio

Feature | Topic: Effects Processing | Home & Studio Recording, Feb 1985

'Guitar-style' effects pedals are frowned upon by conscientious recordists but, surprisingly, some can yield very good results as we discovered.

Practically FM - Part 4

Feature Series | Topic: Synthesis & Sound Design | Sound On Sound, Aug 1988

Part 4 of our series for FM synth owners, in which Martin Russ gives away even more secrets of FM programming. Operators at the ready!

Industry Profile - MPC Electronics

Feature | Topic: Design, Development & Manufacture | Electronics & Music Maker, Dec 1983

Innovators of The Kit and the Music Percussion Computer, MPC explain their approach and hint at some new products to come.

Multisplit

Feature | Topic: Electronics / Build | Electronics & Music Maker, Jun 1982

A unique and versatile project that distributes, splits and matches signals.

The Best Guitar Breaks In The World

Feature | One Two Testing, May 1984

Nominated by Adrian Belew, Bill Nelson, Roddy Frame, Ted Nugent, Robert Smith, Dierdre Cartwright

 

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