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The List

Feature | One Two Testing, Jul 1984
Edwyn Collins - Orange Juice

lists away

Practically FM - Part 5

Feature Series | Topic: Synthesis & Sound Design | Sound On Sound, Sep 1988

Part 5 of our series for FM synth owners, in which Martin Russ gives away even more secrets of FM programming. Operators at the ready!

Vision Effects Pedals

Review | International Musician & Recording World, Jul 1986
EffectsCheck

Visions of the future, from a man called Bass

Boss Micro Rack Additions

Group: Recording World

Review | International Musician & Recording World, Mar 1986
Studio Test

RPQ-10 PREAMP/EQ, RSD-10 DIGITAL SAMPLER/DELAY Two hot new additions to the home-effects range. Tony Reed reports

Hohner 335 Guitar

Group: Review

Review | Phaze 1, Jan 1989

Sound On Stage

Feature | Topic: Electronics / Build | Electronics & Music Maker, Nov 1983

Mixer front-ends for on-the-road musicians.

Illusions of Space

Interview | Recording Musician, Aug 1992
The Man Behind The Lexicon Sound

David Griesinger pioneered the research behind the Lexicon digital reverb sound. He discusses his ideas with Paul White.

More than Meets the Eye

Review | Home & Studio Recording, Sep 1986
Alesis Midifex

Now it can be told. This deceptively simple box of delay and reverb effects heralds a new era in push-button production treatments.

Wersi MK1

Review | Electronics & Music Maker, Jul 1986

Simon Trask gets a sneak preview of this German organ manufacturer's first venture into the pro-synth market.

What's New

News | Home & Studio Recording, Apr 1985

A rundown of the new products shown at the recent Frankfurt Music Fair.

ADA 2FX Digital Multieffects

Review | International Musician & Recording World, Mar 1985
Effectscheck

A veritable jamboree bag of effects in one rackmounting unit

Yamaha RTC1

Review | Sound On Sound, Nov 1989
Mixer Remote Control

In response to suggestions from engineers Yamaha have developed the RTC1, which provides remote control of up to four DMP7, DMP7D and/or DMP11 digital mixers. Terry Holton tries one out.

Sony DPS-D7 Digital Delay

Review | Sound On Sound, Nov 1991
The Return Of The Single Effects Unit?

David Mellor looks at an effects processor which can't produce three dozen effects simultaneously. Is this the start of a new trend?

Lexicon LXP1 Multi-Effects Processor

Review | Music Technology, Dec 1988
and MRC MIDI Remote Control

The 'Lexicon sound" for a less than Lexicon price? Matt Isaacson checks out a state-of-the-art reverb unit intended to help make Lexicon a household name.

Using Microphones

Feature | Topic: Microphones, Recording | Home & Studio Recording, Feb 1985
Recording The Piano

This month 'Recording The Piano'; where best to place microphones and what type to choose for optimum results.

Aural Examination

Feature | Topic: Effects Processing | Making Music, Feb 1987
Aural Exciters

Strange devices that MAKE YOU pay attention.

Sound Effects

Review | Electronics & Music Maker, Aug 1986
Alesis MIDIfex

Hot on the heels of the remarkable MIDIverb, the MIDIfex takes reverb-derived sound treatments a step further, while retaining a low price-tag. Paul White has the details.

In the first place

Editorial | Music Technology, May 1994

Korg SDD-2000 Echo/Sampler

Review | One Two Testing, Sep 1985

Yamaha DX-7 Synthesiser

Review | Music UK, Aug 1983

FM isn't just for your radio. Yamaha take it to digital keyboards. Prof. Dave Crombie expounds (his case comes up next week).

Hands On: Lexicon PCM70

Feature | Topic: Effects Processing | Sound On Sound, Jul 1992

David Mellor takes an acknowledged classic effects unit for a road test.

More GR-500 Comments and Mods

Feature | Topic: Maintenance / Repair / Modification | Polyphony, Jul/Aug 1981

The Shape of Things To Come

News | Sound On Sound, Jan 1987

A sampling delay/effects controller from TC Electronics, news of Roland's MKS100 'sampler in a box', a new range of micro effects from Akai, Audio Kinetics' Striper, Studiomaster Series III and Yamaha mixers are amongst the new crop of forthcoming products that you can read about here.

Sony DPS-M7

Review | Sound On Sound, May 1992
Digital Sonic Modulator

Following hot on the heels of the DPS-D7 and R7 digital delay and reverb units comes a third dedicated processor in Sony's DPS series — the DPS-M7. David Mellor wonders whether this marks the end of the line for multiple effects units.

Sound Bites

Feature | Topic: Effects Processing, Maintenance / Repair / Modification, Mixing | Sound On Sound, Aug 1993
Production Tips & Techniques

 

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