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Search results
 Analogue Equipment Design - Part 2Feature Series | Topic: Design, Development & Manufacture, Electronics / Build | Home & Studio Recording, Feb 1986A Driver-Stage DissectionMore from that maestro of the multimeter, Ben Duncan. |
 Floor ShowReview | Recording Musician, Oct 1992Boss ME10 Multi-Effects UnitDesigned with live performance in mind, the Boss ME10 has a range of features which make it particularly effective in the studio. |
 Aria Professional MicrophonesReview | Electronics & Music Maker, Mar 1983 |
 SynbloFeature | Topic: Electronics / Build | Electronics & Music Maker, Jan 1983A unique breath controller that works with any electronic instrument |
 The Spectrum Synthesiser - Part 2Feature Series | Topic: Electronics / Build | Electronics & Music Maker, Apr 1981 |
 SDS DX7 Voice EditorGroup: Computer MusicianSoftware for Sinclair SpectrumGerry Queen gets ridiculously over-enthusiastic about a Sound Design Studio program that does for the Spectrum what Yamaha's own DX7 Voice Editor does for the CX5M. |
 Amdek Delay KitFeature | Topic: Electronics / Build | Electronics & Music Maker, Jul 1983Build and modify this versatile effects unit |
 Audix MicrophonesReview | Sound On Sound, Mar 1989Studio engineer Gareth Stuart puts this new VLM range of microphones through their collective paces. |
 Ibanez SDR1000+Review | Music Technology, Oct 1987Digital ReverbDigital reverberation continues its advance. Simon Trask puzzles over a unit that combines improved facilities and a lower price tag than its predecessor. |
 Manzanera MemoriesInterview | Topic: Tuition / Technique | Making Music, Jun 1986The guitars behind five Roxy Music classics, plus a Skill Centre special as Phil shows you the chords to 'Love Is The Drug'. |
 Hands On: Eventide H3000 SeriesFeature | Topic: Effects Processing | Sound On Sound, Apr 1993 |
 Boss DD2 Digital Delay PedalReview | Electronics & Music Maker, Jun 1984Boss have finally managed to get a fully-fledged digital delay unit into the compact dimensions of a pedal. Paul White finds out if the reduction in size has had any side-effects. |
 Eventide H3000 Ultra HarmonizerReview | Sound On Sound, Nov 1988From the shrill squeak of the soprano to the sepulchral tones of the basso profundo, the Eventide H3000 can create the full spectrum of human vocalisation out of the merest baritono ordinario. David Mellor gives it an aural test. |
 The User InterfaceFeedback | Topic: Computing | Sound On Sound, Aug 1988Martin Russ explores how the user interface influences the 'feel' of a program. |
 Project BlocksFeature | Topic: Electronics / Build | Electronic Soundmaker & Computer Music, Dec 1983Design and development |
 Bourne AcousticReview | One Two Testing, Feb 1984 |
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 Studio Of The MonthGroup: Recording WorldThe StrongroomTony Reed gives a hand at Strongroom Studio — almost |
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 Audio Electronics System SpeakerReview | Electronics & Music Maker, Sep 1984They look like Bose, they sound like Bose, but they're made in Britain and they're a lot cheaper. Paul White investigates. |
 Le Sequenceur PolyphoniqueReview | Electronics & Music Maker, Aug 1985The French answer to the MSQ100? A polyphonic sequencer with comprehensive interfacing facilities, and a few tricks up its sleeve gets the treatment from 'le docteur' Simon Trask. |
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 Sound Advice - Part 3Feature Series | Topic: Microphones | In Tune, Jul 1986Taking The MikeWhere to stick that mike! |
 TX81Z-EDReview | Micro Music, Oct/Nov 1989Ian Waugh looks at the new PC-based synth editor from Poke Systems |
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