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U Got The LookReview | Sound On Sound, Aug 1989Roland U20 KeyboardIs the U20 just a revamped U110 with a keyboard or does it have what it takes to de-throne the Korg M1? Paul Ireson finds out. |
The Programmable Digital Sound Generator - Part 5Group: Computer MusicianPart 5: Sound Systems RevisitedOur series on Clef Products' synth add-on for the BBC Micro comes to a conclusion. Alan Boothman ties up the loose ends. |
Public LibraryFeature | Music Technology, Apr 1988Public Domain SoftwareAs some readers write in to complain about the price of commercial music software, Ian "tightwad" Waugh is busy taking advantage of the software available free in the public domain. |
A Composer For Our TimeInterview | Sound On Sound, Aug 1989Mark J. Prendergast interviews California-born musician Terry Riley, the influential inventor of 'minimalist' music. |
Powertran PSI 4002 AmpReview | Sound International, Dec 1978George Chkiantz assembles his very own Powertran PSI 4002 amp. Now it's your turn. |
Beauty And The BeatFeature | Topic: Home Studio, Sequencing | Electronic Soundmaker & Computer Music, Nov 1984The SystemSystem feature; sound collage with the CSQ600. |
Roland R70 Drum MachineReview | Music Technology, Jul 1992Human Rhythm ComposerAnd the beat goes on - not least with Roland's latest drum machine, the R70. Simon Trask checks the pulse of the company that gave us the TR808, and are now giving it to us again. |
The Shape Of Things To ComeNews | Sound On Sound, Jun 1987Our regular monthly exploration of upcoming new products in the field of hi-tech music and recording technology. |
Ibanez FX PedalsGroup: Review |
The Route To The TopReview | Sound On Sound, Apr 1990XRI Systems XR400 MIDI MateIs your MIDI system just an accident waiting to happen? Here's an easy way of bringing order to your present tangled mess of MIDI connections. Martin Russ checks out XRI Systems' clever XR400 MIDI Mate. |
Sample and Hold Composition TechniqueFeature | Topic: Synthesis & Sound Design | Polyphony, Jul/Aug 1981 |
Akai EX90RReview | Music Technology, Mar 1988Reverb UnitA budget reverb unit for budget studios - although big studios might like it too. John Renwick plugs it in and gets a pleasant ringing in his ears. |
Ensoniq SQ1Review | Music Technology, Oct 1990Personal Music StudioThe term workstation is officially in demise - to prove it, Ensoniq's SQ1 is dubbed a Personal Music Studio. Simon Trask investigates the best-specified workstation to date. |
Sample + SynthesisFeature | Topic: Synthesis & Sound Design | Sound On Sound, Nov 1991Programming ClinicMost of the current generation of digital synthesizers use a blend of sampling and synthesis techniques to produce their sounds — a powerful combination, but perhaps less easily understood than analogue synthesis. Synth guru Craig Anderton offers some hints and tips on how to get the best out of 'S+S' instruments. |
Steal YourselfFeature | Topic: Tuition / Technique | One Two Testing, Jul 1985guitar boss shows how to steal licks from Buddy Holly, Scotty Moore, Les Paul, Jimi Hendrix, Hank Marvin and Roger McGuinn |
Live Sound - Part 4Feature Series | Topic: Live | Recording Musician, Feb 1993Getting The Best From Your LoudspeakersIn part four of our series on small PA systems, we look at the importance of loudspeaker positioning on stage. |
Painting by numbersGroup: Control RoomRoland SC88 Sound CanvasMost powerful Canvas yet |
Tape Echo EffectsFeature | Topic: Effects Processing, Recording | Home & Studio Recording, Feb 1984Studio Sound TechniquesTape echo techniques for reel-to-reel machines. |
Enter The Time DomainGroup: Echo Unit SupplementAdd Another Dimension to Your Sound! |
Falling Into LineReview | Home & Studio Recording, Mar 1986MTRs new 12:8:2 Series 2 in-line desk should solve a few cash flow problems for 8-track owners. |
Alesis MIDIFEXReview | Sound On Sound, Aug 1986Several months after the MIDIVERB turned the world of stereo digital reverb on its head, Alesis look set for a repeat performance with their latest unit - a combination of digital delay, reverb and stereo enhancer. Paul Gilby seems lost for words. |
Personal EffectsFeature | Topic: Effects Processing | Electronic Soundmaker & Computer Music, Nov 1983A survey of electronic treatments |
Michael BrookInterview | Sound On Sound, Jun 1992Canada DryMichael Brook, inventor of the Infinite Guitar, is a guitarist, composer and producer with a good deal of talent and a taste for the unusual. Paul Tingen met him to talk about his forthcoming Cobalt Blue album. |