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UMI-4M MIDI Composition SystemReview | Sound On Sound, Sep 1988Are 8 bits still viable? Martin Russ temporarily abandons his Atari ST for a look at the latest version of this music sequencer package for the BBC micro. |
Strawberry RipplesInterview | International Musician & Recording World, Mar 1985The prettiest people in Pop meet the ugliest person in journalism |
Stack In A Rack - Part 2Review Series | Electronics & Music Maker, Aug 1986Tanrak SystemIan Waugh concludes our appraisal of Tantek's budget modular FX system, and reveals there's plenty more to come in the near future. |
Power StationReview | Sound On Sound, Jul 1993Roland JV1000 Music WorkstationDoes Roland's flagship workstation live up to its promise? |
TC Electronics Stage Effects UnitsReview | International Musician & Recording World, Sep 1985EffectscheckThere is nothing like a Dane, as Dave Burrluck found |
All About Additive - Part 1Feature Series | Topic: Synthesis & Sound Design | Music Technology, Apr 1988In the first of a two-part series, Chris Meyer looks into the workings of additive synthesis and how it can be used to accurately mimic naturally-occurring sounds. |
Teac A-3440Feature | Home & Studio Recording, May 19854 Channel Multitrack Tape DeckNow it can be told. Martin Sheehan tells reporters of his secret life with a Teac A3440. |
Roland D-50 - Part 1Review Series | Sound On Sound, May 1987Is the future Linear?Does Roland's new LA synthesizer mean the end of FM is in sight? Martin Russ falls in love with the world's first ever Linear Arithmetic synthesizer whilst trying to find out... |
Yamaha MIDI Event ProcessorReview | Sound On Sound, Jul 1986This new multi-function unit lets you physically access and modify hex code MIDI signals amongst other things. Jay Chapman discovers it may be rather more useful than most would think. |
Yamaha SE200 and SE300Review | International Musician & Recording World, Mar 1985GuitarcheckDo we really need more Strat copies? Dave Burrluck ponders the question |
Sister WayneInterview | International Musician & Recording World, Jul 1985Wayne Hussey divulges all about the gear behind the Gothic grind |
NAMM ReportShow Report | Micro Music, Apr/May 1989Paul Wiffen goes stateside to find out what new products we can look forward to from the U.S of A |
Casio CZ-230SReview | International Musician & Recording World, Jul 1986SynthCheck'Jack of all trades, master of none'? Tony Mills explains himself |
Alesis QuadraverbReview | Home & Studio Recording, Mar 1989The long-awaited new box from Alesis gives the user access to up to four simultaneous high quality effects. |
Digidesign SoftSynthReview | Music Technology, Nov 1987Software for the Atari STSimultaneously making the transition from Mac to Atari ST and crossing the Atlantic, this software package gives sampling a new slant. Chris Jenkins boots it up. |
Roland U20Review | Music Technology, Aug 1989RS-PCM KeyboardRoland's U110 sample reading module proved popular enough to make a second appearance, complete with keyboard, in the U20 - but there's more. Simon Trask checks out Roland's RS-PCM keyboard. |
Delay TechnologyFeature | Topic: Effects Processing | Home & Studio Recording, Aug 1984Flanging, phasing, echo and reverb etc. all described in full. |
Roland MV30 Studio MReview | Music Technology, Mar 1991Music Production SystemIs it a bird, is it a plane? No, it's a multitimbral synth module, it's a sequencer, it's an automated mixer... Simon Trask puzzles over Roland's Studio M. |
Voice Frequency to Voltage ConverterFeature | Topic: Electronics / Build | Polyphony, Nov/Dec 1978 |