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Revox C278

Review | Sound On Sound, Aug 1989
For A Few Dollars More...

What price a reputation? The Revox brand name is well established and very well respected, but the new model C278 8-track costs a lot more than the Fostex and Tascam equivalents. David Mellor asks whether it is worth the extra.

A Room Of My Own: Red Sun

Interview | Sound On Sound, Nov 1992
Niki Patriarchaea & Yale Del Fabbro AKA Red Sun

The Codebreaker

Feature | Topic: Electronics / Build | Electronic Soundmaker & Computer Music, Aug 1985

Build a sync to MIDI interface

Incoming Data

News | Music Technology, Jun 1993

Hometaping

Group: Recording World

Feature | Topic: Home Studio | International Musician & Recording World, Jan 1985
Patrick Wilson

A commercial outlook and a complex setup. We invade Patrick Wilson's home studio

Improve Your Instrument

Feature | Topic: Humour, Maintenance / Repair / Modification | One Two Testing, Oct 1985
Really, really serious and totally brilliant ways to...

yours to cut out and lose

TinTin Adulation

Interview | One Two Testing, Oct 1985
Stephen Duffy & Stephen Street

cocksure ex-tintin ex-duran talks tech

Lost in Trance

Interview | Music Technology, Apr 1994

Currently opening the show for the Megadog Midi Circus, Toby Marks (aka Banco de Gaia) is living proof that one man and a rack full of gear can get an audience to its feet and keep it there. And as Phil Ward discovers, Toby enjoys meeting people, likes to travel and drives a small red van.

The Zillion Dollar Men

Interview | International Musician & Recording World, Mar 1986

Will the new-look ABC find success as easy as 1-2-3? Or will their latest Lexicon of Love lose something in the translation? Philip Bashe finds out.

Art Of The State

Interview | Sound On Sound, Oct 1992

Instrumental music doesn't sell, the UK dance scene is totally bereft of life, and dance bands never produce decent albums. Wrong, wrong, wrong — and 808 State are back with proof. Nigel Humberstone talked to Manchester's finest during the recording of Gorgeous, their third album.

Sub Culture

Interview | Music Technology, Jul 1993

Forsaking guitars and drums for a wall of keyboards and racked modules, Sub Sub turned a home studio into a hit factory. ‘Ain’t No Love (Ain’t No Use)’ peaked at Number 3 and took everyone by surprise - except Phil Ward, who heard the single pre-release and contacted the band immediately.

Holger Czukay

Interview | Electronics & Music Maker, May 1982

An in depth interview with this amazing character who is now recognised as one of the world's most inventive and original electro-musicians.

The Lore of the Jungle

Interview | International Musician & Recording World, Jun 1985

The Police skinsman explored darkest Africa recently and came back with samples, songs and stories galore. Adrian Deevoy takes the missionary position.

Painter In Sound

Interview | Sound On Sound, Aug 1986

Best known as a top Flamenco guitarist, Juan Martin has recently released a sensitive album that combines classical guitar with the ethereal textures of Mark Isham's synthesizers. Robin Lumley questions him about this unlikely collaboration and discovers the best ways of miking up classical guitars into the bargain.

The DMC Story

Group: On The Record

Interview | Topic: Music Business | Sound On Sound, Nov 1993
Tony Prince & The Disco Mix Club

The ingenuity and foresight of DJ Tony Prince resulted in the creation of the DMC record label, the hub of the thriving UK dance remixing scene. Wilf Smarties talks to Tony about how and why the label was set up and persuades remixer Phil Kelsey to take us through a typical remix.

Steve Hillage

Interview | Electronics & Music Maker, Jun 1983

A journey through the musical world of this well respected guitarist

Production Masterclass with Stephen Tayler

Interview | Recording Musician, Feb 1993
Recording Chris de Burgh

Stephen Tayler tells Richard Buskin all about recording and mixing Chris de Burgh's recent single, 'By My Side'.

Re-Vox

Interview | Music Technology, Mar 1993

Ultravox: New improved formula

The Shape of Things to Come

News | Sound On Sound, Sep 1987

A chance to catch up on the new products you may have missed at last month's British Music Fair.

Message In A Sample

Interview | Music Technology, May 1993

Meat Beat Manifesto are to music what Andy Warhol was to art - but they've already been famous for longer than 15 minutes. Phil Ward follows them to a Peel session and to their studio in Swindon, and finds that Meat is not, in fact, necessarily murder.

Bill Nelson

Interview | Electronics & Music Maker, Aug 1983

An in-depth interview with this multitalented musician/composer/producer who reveals the techniques used on his new LP and explains how to use the E-bow to best advantage

 

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