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Revox C278Review | Sound On Sound, Aug 1989For A Few Dollars More...What price a reputation? The Revox brand name is well established and very well respected, but the new model C278 8-track costs a lot more than the Fostex and Tascam equivalents. David Mellor asks whether it is worth the extra. |
A Room Of My Own: Red SunInterview | Sound On Sound, Nov 1992Niki Patriarchaea & Yale Del Fabbro AKA Red Sun |
The CodebreakerFeature | Topic: Electronics / Build | Electronic Soundmaker & Computer Music, Aug 1985Build a sync to MIDI interface |
Incoming DataNews | Music Technology, Jun 1993 |
HometapingGroup: Recording WorldPatrick WilsonA commercial outlook and a complex setup. We invade Patrick Wilson's home studio |
Improve Your InstrumentFeature | Topic: Humour, Maintenance / Repair / Modification | One Two Testing, Oct 1985Really, really serious and totally brilliant ways to...yours to cut out and lose |
TinTin AdulationInterview | One Two Testing, Oct 1985Stephen Duffy & Stephen Streetcocksure ex-tintin ex-duran talks tech |
Lost in TranceInterview | Music Technology, Apr 1994Currently opening the show for the Megadog Midi Circus, Toby Marks (aka Banco de Gaia) is living proof that one man and a rack full of gear can get an audience to its feet and keep it there. And as Phil Ward discovers, Toby enjoys meeting people, likes to travel and drives a small red van. |
The Zillion Dollar MenInterview | International Musician & Recording World, Mar 1986Will the new-look ABC find success as easy as 1-2-3? Or will their latest Lexicon of Love lose something in the translation? Philip Bashe finds out. |
Art Of The StateInterview | Sound On Sound, Oct 1992Instrumental music doesn't sell, the UK dance scene is totally bereft of life, and dance bands never produce decent albums. Wrong, wrong, wrong — and 808 State are back with proof. Nigel Humberstone talked to Manchester's finest during the recording of Gorgeous, their third album. |
Sub CultureInterview | Music Technology, Jul 1993Forsaking guitars and drums for a wall of keyboards and racked modules, Sub Sub turned a home studio into a hit factory. ‘Ain’t No Love (Ain’t No Use)’ peaked at Number 3 and took everyone by surprise - except Phil Ward, who heard the single pre-release and contacted the band immediately. |
Holger CzukayInterview | Electronics & Music Maker, May 1982An in depth interview with this amazing character who is now recognised as one of the world's most inventive and original electro-musicians. |
The Lore of the JungleInterview | International Musician & Recording World, Jun 1985The Police skinsman explored darkest Africa recently and came back with samples, songs and stories galore. Adrian Deevoy takes the missionary position. |
Painter In SoundInterview | Sound On Sound, Aug 1986Best known as a top Flamenco guitarist, Juan Martin has recently released a sensitive album that combines classical guitar with the ethereal textures of Mark Isham's synthesizers. Robin Lumley questions him about this unlikely collaboration and discovers the best ways of miking up classical guitars into the bargain. |
The DMC StoryGroup: On The RecordTony Prince & The Disco Mix ClubThe ingenuity and foresight of DJ Tony Prince resulted in the creation of the DMC record label, the hub of the thriving UK dance remixing scene. Wilf Smarties talks to Tony about how and why the label was set up and persuades remixer Phil Kelsey to take us through a typical remix. |
Steve HillageInterview | Electronics & Music Maker, Jun 1983A journey through the musical world of this well respected guitarist |
Production Masterclass with Stephen TaylerInterview | Recording Musician, Feb 1993Recording Chris de BurghStephen Tayler tells Richard Buskin all about recording and mixing Chris de Burgh's recent single, 'By My Side'. |
The Shape of Things to ComeNews | Sound On Sound, Sep 1987A chance to catch up on the new products you may have missed at last month's British Music Fair. |
Message In A SampleInterview | Music Technology, May 1993Meat Beat Manifesto are to music what Andy Warhol was to art - but they've already been famous for longer than 15 minutes. Phil Ward follows them to a Peel session and to their studio in Swindon, and finds that Meat is not, in fact, necessarily murder. |
Bill NelsonInterview | Electronics & Music Maker, Aug 1983An in-depth interview with this multitalented musician/composer/producer who reveals the techniques used on his new LP and explains how to use the E-bow to best advantage |
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