- Search looks for the phrase you typed.
- Advanced Mode looks for individual terms:
eg: +roland +"great synth" -juno
See the Search Help page for more details.
Results: 451 - 475 of 505 displayed.
mu:zines is the result of thousands of hours of effort, and will require many thousands more going forward to reach our goals of getting all this content online.
If you value this resource, you can support this project - it really helps!
New issues that have been donated or scanned for us this month.
All donations and support are gratefully appreciated - thank you.
Do you have any of these magazine issues?
If so, and you can donate, lend or scan them to help complete our archive, please get in touch via the Contribute page - thanks!
Knobular SynthesisReview | Sound On Sound, Apr 1991Roland JD800 Programmable SynthesizerAlready a strong contender for hot keyboard of the year, Roland's new JD800 puts analogue-style knobs and sliders back on the front panel of a modern digital synth. Julian Colbeck goes "wow"! |
Fast ForwardNews | The Mix, Sep 1994No hype, no waffle - just tomorrow's products todayTomorrow’s hot products previewed |
APRS 86 Exhibition PreviewGroup: Recording WorldWhat to expect at the Big Show in June |
Shape of Things to ComeNews | Sound On Sound, Aug 1989Read all about the Emu Systems Proteus, the new Alesis MIDI Disk recorder, Yamaha MT3X multitracker, and lots more! |
Oberheim CycloneReview | Music Technology, Mar 1989MIDI Performance EffectThe arpeggiator is still regarded by many as "the poor man's sequencer", but Oberheim may be about to change that with a small grey box called Cyclone. Simon Trask blows hot and cold. |
Video ManualsReview | Sound On Sound, Sep 1990Ian Gilby collates the more interesting responses to his editorial request for manufacturers and retailers to look towards the 'video manual' as a complement to printed equipment manuals. |
Paradise FoundFeature | Topic: Recording Studios | Electronics & Music Maker, Nov 1985Paradise StudiosSynth players in search of Heaven need look no further than West London, where a recording studio puts the emphasis firmly on hi-tech musical equipment, but doesn't charge people the Earth to use it. Simon Trusk pays Paradise a visit. |
Hot House FlowersShow Report | Music Technology, Oct 1990BMF REPORTThe excessive heat in London's Olympia gave the latest hi-tech gear a run in the "who's hottest" stakes at this year's British Music Fair. Simon Trask sweats it out. |
Shape Of Things To ComeNews | Sound On Sound, Apr 1991Another colourful selection of new and improved instruments, equipment and software. |
The Struggle For FreedomInterview | Music Technology, Jul 1987Not quite a household name, but an American jazz fusion guitarist whose attitude to improvisation and performing with new technology is starting a quiet revolution. Dan Goldstein gets the lowdown. |
Sampling KeyboardsGroup: The MIDI Connection Supplement |
Casio FZ-1 Sampling KeyboardReview | Sound On Sound, Jun 1987Leading The Field?Casio caused a furore at February's Frankfurt Music Fair when they unveiled the world's first 'affordable' 16-bit sampling keyboard with onboard graphic editing display - the FZ-1. Mark Jenkins visits the Casio factory to bring you a comprehensive preview of this remarkable instrument. |
Message In A SampleInterview | Music Technology, May 1993Meat Beat Manifesto are to music what Andy Warhol was to art - but they've already been famous for longer than 15 minutes. Phil Ward follows them to a Peel session and to their studio in Swindon, and finds that Meat is not, in fact, necessarily murder. |
Roland D-50 - Part 1Review Series | Sound On Sound, May 1987Is the future Linear?Does Roland's new LA synthesizer mean the end of FM is in sight? Martin Russ falls in love with the world's first ever Linear Arithmetic synthesizer whilst trying to find out... |
Oberheim Matrix 12Review | Electronics & Music Maker, Jun 1985Programmable 12-Voice Multi-timbral PolysynthThe world's most awesome analogue polysynth finally gets the attention it deserves, as Simon Trask finds out just what you can do with two Xpanders and a row of black-and-white keys. |
Alesis QuadraverbReview | Home & Studio Recording, Mar 1989The long-awaited new box from Alesis gives the user access to up to four simultaneous high quality effects. |
A Deeper WaveFeature | Topic: Synthesis & Sound Design | Music Technology, Aug 1987Wavetable SynthesisMany of today's popular digital synthesisers use variations on "wavetable synthesis". Chris Meyer explains what this mystical but powerful method is all about. |
Shape of Things to ComeNews | Sound On Sound, Mar 1990Your chance to check out some of the new products launched at January’s NAMM |
The A-Z of Analogue - Part 2Feature Series | Topic: Vintage Instruments | Music Technology, Sep 1993Part 2, ARP to Buchla. Buchla? Yep, Buchla |
Jimi Barber, Stones Guitar RoadieInterview | Music UK, Dec 1982Stones Guitar Man Jimi Barber talks to Tony Bacon |
Akai S900 SamplerReview | Electronics & Music Maker, Jul 1986Akai's super-sampler carries on where their S612 left off. Paul Wiffen finds its ease of use belies its sophistication. |