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Tony ViscontiInterview | Home & Studio Recording, Oct 1985Paul White talks to Tony Visconti about his career, his production methods and his plans for the future. |
Home Taping: Tom RobinsonGroup: Recording WorldTony Reed gets Turbot charged |
Hit and MissReview | Electronics & Music Maker, Dec 1985Roland Electronic DrumsPaul White picks up his sticks and puts Roland’s electronic kit through its paces. Can it hold its head up against some stiff competition? |
Live EndFeature | Topic: Live | Sound On Sound, Mar 1993Miranda Sex Garden: Sampling The Nation's PA Systems |
ART Multiverb IIIReview | Music Technology, Aug 1990ART Multi-fx ProcessorAs even the most modest MIDI studio becomes a powerful tool for the creation and recording of music, sound processing becomes a more essential part of it. Tim Goodyer checks out ART's latest multi-fx processor. |
Is Small Beautiful?Review | Electronics & Music Maker, Jan 1986Rebis SamplerThe world’s best-known builder of modular studio effects has just introduced its entry in the sampling steeplechase. But will it fall at the first hurdle? Paul White has the answer. |
The Synthetic Realism Of Jean-Michel JarreInterview | Sound On Sound, May 1990Since heralding in a new musical era in 1976 with the release of his innovative synthesizer-based opus, 'Oxygene', Jean-Michel Jarre has gone on to sell almost 34 million records worldwide. Currently embarking on a new album project, as well as planning a series of concerts to welcome in the new decade, Richard Buskin visited Jarre in his home studio to talk about the technology behind his music. |
Alesis Micro EffectsReview | Sound On Sound, Mar 1988David Hughes tries out three new low-cost companions to the Alesis Microverb - the Micro Enhancer, Micro Gate, and Micro Limiter. Are they the Accessit range of the Eighties? |
Rebis Effects RackReview | Home & Studio Recording, Sep 1984 |
Deeply CompressedReview | Sound On Sound, Nov 1986Drawmer LX20 expander/compressorDrawmer noise gates and compressors have become the undisputed industry standard in the field of sound recording, and their latest unit looks set to make it a hat-trick. The dual channel LX20 offers comprehensive compression/expansion facilities at a budget price. Engineer Gareth Stuart assesses its performance. |
Lost in TranceInterview | Music Technology, Apr 1994Currently opening the show for the Megadog Midi Circus, Toby Marks (aka Banco de Gaia) is living proof that one man and a rack full of gear can get an audience to its feet and keep it there. And as Phil Ward discovers, Toby enjoys meeting people, likes to travel and drives a small red van. |
A Room Of My Own: The BeatmastersInterview | Sound On Sound, Dec 1992 |
Echoes From The Observatory - Part 1Interview Series | Home & Studio Recording, Dec 1984Bill lays bare his recording techniques and reveals the innermost secrets of his home studio 'The Echo Observatory' which has recently been upgraded to 16 track status. Now being used to record tracks fora forthcoming Nelson masterpiece. |
Stranger than fictionGroup: In SessionAt the controls with one of Britain’s freshest guitar bands |
Alphadac 16 Synthesiser ControllerFeature Audio | Topic: Electronics / Build | Electronics & Music Maker, Jul 1981 |
Behringer Rack EffectsReview | Sound On Sound, Dec 1992 |
London College of FurnitureFeature | Topic: Education | Sound On Sound, May 1989Technology & EducationAre you looking for an engineering career in the audio industry? Perhaps a musical technology course at the London College of Furniture might set you on the right path. Course tutor Tim Orr explains why... |
The French ConnectionInterview | Electronic Soundmaker & Computer Music, Mar 1985Jean Michel Jarre explains his current views on music, synthesisers and synthesis in an in-depth interview. |
Patrick LeonardInterview | Sound On Sound, Aug 1991Patrick Leonard has a surprisingly low profile for the producer and cowriter of many of Madonna's biggest hits, but his production work and nascent solo career suggest that wider recognition is on the way. Paul Tingen meets a man of many talents and strong views. |
Heavy fretting - Part 4Group: Sound AdviceBrian O' Shaughnessy advises on recording acoustic guitar |
SynbalFeature | Topic: Electronics / Build | Electronics & Music Maker, Feb 1983The first of two versatile electronic percussion modules |
Paradise Re-FoundFeature | Topic: Recording Studios | Sound On Sound, Feb 1989Southlands StudioPaul Ireson goes in search of paradise and finds it in the newly renamed and refitted Southlands Studio in Chiswick, London. |
Paul HardcastleInterview | Sound On Sound, Sep 1991Success On The SidePaul Hardcastle, despite his low profile of late, has been a busy man. Paul Ireson reports. |