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Promoting The SoundtrackInterview | Sound On Sound, May 1986Janet Angus traces the career of this enterprising sound engineer which ranges from recording Mike Oldfield's 'Tubular Bells' and designing Virgin record stores, to his current pre-occupation with improving the quality of film soundtracks. |
Tascam 644 MIDIstudioReview | Sound On Sound, Oct 1989David Mellor gets to grips with a multitrack cassette recorder, an autolocator, a 16-channel mixer, a MIDI-to-tape synchroniser and a MIDI mute processor - all rolled into one compact box called the Tascam 644. |
The Performing Art - Part 3Feature Series | Topic: MIDI, Performing | Music Technology, Apr 1990A synth is only as good as its sounds - and that goes for any synth controller too - sax, violin, guitar... Ollie Crooke And Simon Thomas look at sound programming for MIDI controllers. |
Synths For SaleFeature | Topic: Buyer's Guide | Electronic Soundmaker & Computer Music, Feb 1985Secondhand synthsA buyers guide for the second hand market. |
Recording MusicianFeature | Topic: Home Studio | Recording Musician, Dec 1992Paul WardPaul is a key figure in the Surreal to Real independent record company and has achieved success with his instrumental compositions. RM visits his home studio. |
Software SupportFeature | Topic: Computing, Sequencing | Sound On Sound, Nov 1991Hints, Tips & News From The World Of Music SoftwareMore hints and tips and tips from the software manufacturers themselves. This month: C-Lab, Steinberg, Dr T, Opcode. |
Lab Notes: MUS1Feature | Topic: Computing | Polyphony, Apr/May 1978With the New Miracle Ingredient - STG |
Jack Of All TradesReview | Home & Studio Recording, May 1986Yamaha SPX90Is it a reverb? Is it a sampler? Yes and no; it's Yamaha's new digital Jack of all trades and it offers surprising value for money. |
Steve HillageInterview | Electronics & Music Maker, Jun 1983A journey through the musical world of this well respected guitarist |
Non-Stop Electronic CabaretInterview | Music Technology, Jun 1992Having helped establish the direction of British electronic experimental music in the early-'80s and helped guide it through the dance explosion, Cabaret Voltaire have released a new album. Tim Goodyer finds out why the tracks sound strangely familiar. |
Patchbay StudioFeature | Topic: Recording Studios | Sound On Sound, Jan 1990Bringing A Dream To LifeThere can be few home recordists who haven't spent a few idle moments thinking about how nice it would be to run their own professional 24-track studio, Mick Belford of Patchbay explains how determination can turn such a dream into reality. |
And Now For Something Completely DifferentInterview | Home & Studio Recording, Mar 1985An interesting interview with Andre Jacquemin who just happens to be the man responsible for the recording of the Monty Python madness that's surfaced on film and vinyl over the last decade or so. |
Sound Control: Alesis QuadraverbReview | Sound On Sound, Mar 1989Four simultaneous effects and real-time MIDI control are features found on several recent effects processors, but the Alesis Quadraverb is the first to bring both together in a single unit. Paul Ireson lends an ear. |
Almost BlueGroup: In SessionThe The's Matt Johnson talks about production, outwitting the lawyers... and hillbilly blues |
More Power Amplifier SurgeryFeature | Topic: Maintenance / Repair / Modification | Electronics & Music Maker, Jun 1983Repairing MOSFET Power AmplifiersPower Amp Surgery |
Music Maker Equipment SceneNews | Electronics & Music Maker, Mar 1983MusicMusic, new products from Yamaha and Roland |
Perfect BeatInterview | Sound On Sound, Feb 1986As their hit single 'Perfect Beat' proves, Bronski Beat are more than capable of producing enjoyable, dynamic electronic pop. Mark Jenkins talks in depth to Bronski's Larry Steinbachek about how they encompass modern technology in their recordings and live performances. |
MIDI Futures at the BBCFeature | Topic: Recording Studios, Video / Film / Picture | Sound On Sound, Feb 1989The unique demands on the BBC Radiophonic Workshop have placed it in the forefront of developments in high technology music. Their latest development- a new style of MIDI suite - is an innovation not only in terms of the technology that's employed, but also in the geography’ of the working environment. Richard Elen takes an exclusive first look at the new studio. |
The Heart Of The BassInterview | Music Technology, Nov 1990From his formative days experimenting with Torchsong, William Orbit has made good through his remixes and a new outfit called Bass-o-matic. Tim Goodyer watches time catch up with a techno-prophet. |
Nuclear VisionGroup: Control RoomOpcode Studio VisionIntegrated sequencing/d-t-d recording |
The Art Of Recording Electronic InstrumentsFeature | Topic: Recording | Sound On Sound, Aug 1991Recording acoustic instruments is a fine art, but electronic instruments present their own set of problems. Craig Anderton explains how to do it properly. |
Simon BozwellInterview | Home & Studio Recording, Mar 1986Simon is both a musician and a producer. This month he talks to Paul White about, amongst other things, his work doing 12" remixes for Nik Kershaw. |
The Sound of SuccessInterview | Music Technology, Apr 1987Still in his early 30s, yet a man who's worked with The Police, Genesis, Bowie and McCartney, Padgham is one of the most successful young producers in the world. Paul Tingen coaxes him into revealing a few secrets. |