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Promoting The Soundtrack

Interview | Sound On Sound, May 1986

Janet Angus traces the career of this enterprising sound engineer which ranges from recording Mike Oldfield's 'Tubular Bells' and designing Virgin record stores, to his current pre-occupation with improving the quality of film soundtracks.

Tascam 644 MIDIstudio

Review | Sound On Sound, Oct 1989

David Mellor gets to grips with a multitrack cassette recorder, an autolocator, a 16-channel mixer, a MIDI-to-tape synchroniser and a MIDI mute processor - all rolled into one compact box called the Tascam 644.

The Performing Art - Part 3

Feature Series | Topic: MIDI, Performing | Music Technology, Apr 1990

A synth is only as good as its sounds - and that goes for any synth controller too - sax, violin, guitar... Ollie Crooke And Simon Thomas look at sound programming for MIDI controllers.

Metal, Machines & Music

Interview | Music Technology, Oct 1992

Die Krupps: hi-tech and heavy

Synths For Sale

Feature | Topic: Buyer's Guide | Electronic Soundmaker & Computer Music, Feb 1985
Secondhand synths

A buyers guide for the second hand market.

Recording Musician

Feature | Topic: Home Studio | Recording Musician, Dec 1992
Paul Ward

Paul is a key figure in the Surreal to Real independent record company and has achieved success with his instrumental compositions. RM visits his home studio.

Software Support

Feature | Topic: Computing, Sequencing | Sound On Sound, Nov 1991
Hints, Tips & News From The World Of Music Software

More hints and tips and tips from the software manufacturers themselves. This month: C-Lab, Steinberg, Dr T, Opcode.

Glassworks

Interview | Electronic Soundmaker & Computer Music, Mar 1984

Minimalist extraordinaire

Lab Notes: MUS1

Feature | Topic: Computing | Polyphony, Apr/May 1978
With the New Miracle Ingredient - STG

Jack Of All Trades

Review | Home & Studio Recording, May 1986
Yamaha SPX90

Is it a reverb? Is it a sampler? Yes and no; it's Yamaha's new digital Jack of all trades and it offers surprising value for money.

Steve Hillage

Interview | Electronics & Music Maker, Jun 1983

A journey through the musical world of this well respected guitarist

Non-Stop Electronic Cabaret

Interview | Music Technology, Jun 1992

Having helped establish the direction of British electronic experimental music in the early-'80s and helped guide it through the dance explosion, Cabaret Voltaire have released a new album. Tim Goodyer finds out why the tracks sound strangely familiar.

Patchbay Studio

Feature | Topic: Recording Studios | Sound On Sound, Jan 1990
Bringing A Dream To Life

There can be few home recordists who haven't spent a few idle moments thinking about how nice it would be to run their own professional 24-track studio, Mick Belford of Patchbay explains how determination can turn such a dream into reality.

And Now For Something Completely Different

Interview | Home & Studio Recording, Mar 1985

An interesting interview with Andre Jacquemin who just happens to be the man responsible for the recording of the Monty Python madness that's surfaced on film and vinyl over the last decade or so.

Sound Control: Alesis Quadraverb

Review | Sound On Sound, Mar 1989

Four simultaneous effects and real-time MIDI control are features found on several recent effects processors, but the Alesis Quadraverb is the first to bring both together in a single unit. Paul Ireson lends an ear.

Almost Blue

Group: In Session

Interview | The Mix, Mar 1995

The The's Matt Johnson talks about production, outwitting the lawyers... and hillbilly blues

More Power Amplifier Surgery

Feature | Topic: Maintenance / Repair / Modification | Electronics & Music Maker, Jun 1983
Repairing MOSFET Power Amplifiers

Power Amp Surgery

Music Maker Equipment Scene

News | Electronics & Music Maker, Mar 1983
Music

Music, new products from Yamaha and Roland

Perfect Beat

Interview | Sound On Sound, Feb 1986

As their hit single 'Perfect Beat' proves, Bronski Beat are more than capable of producing enjoyable, dynamic electronic pop. Mark Jenkins talks in depth to Bronski's Larry Steinbachek about how they encompass modern technology in their recordings and live performances.

MIDI Futures at the BBC

Feature | Topic: Recording Studios, Video / Film / Picture | Sound On Sound, Feb 1989

The unique demands on the BBC Radiophonic Workshop have placed it in the forefront of developments in high technology music. Their latest development- a new style of MIDI suite - is an innovation not only in terms of the technology that's employed, but also in the geography’ of the working environment. Richard Elen takes an exclusive first look at the new studio.

The Heart Of The Bass

Interview | Music Technology, Nov 1990

From his formative days experimenting with Torchsong, William Orbit has made good through his remixes and a new outfit called Bass-o-matic. Tim Goodyer watches time catch up with a techno-prophet.

Nuclear Vision

Group: Control Room

Review | The Mix, Dec 1994
Opcode Studio Vision

Integrated sequencing/d-t-d recording

The Art Of Recording Electronic Instruments

Feature | Topic: Recording | Sound On Sound, Aug 1991

Recording acoustic instruments is a fine art, but electronic instruments present their own set of problems. Craig Anderton explains how to do it properly.

Simon Bozwell

Interview | Home & Studio Recording, Mar 1986

Simon is both a musician and a producer. This month he talks to Paul White about, amongst other things, his work doing 12" remixes for Nik Kershaw.

The Sound of Success

Interview | Music Technology, Apr 1987

Still in his early 30s, yet a man who's worked with The Police, Genesis, Bowie and McCartney, Padgham is one of the most successful young producers in the world. Paul Tingen coaxes him into revealing a few secrets.

 

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