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Messe MagicShow Report | Music Technology, Mar 1987Frankfurt Musikmesse 1987While for those with a taste for the European, we present a similarly in-depth account of the '87 Musikmesse. If it hit the headlines in Frankfurt, you'll read about it here. |
A&R SA200 Power AmpReview | Home & Studio Recording, Feb 1985 |
Yello - The Colour of ArtInterview | Music Technology, Jan 1989Dieter Meier is a writer, painter, performance artist and an ex-professional gambler; he's also the face and voice in front of one of the most influential bands of the '80s. Tim Goodyer joins the Swiss race. |
No Presets AllowedInterview | Sound On Sound, Aug 1986Hans Zimmer is the complete antithesis of the serious German synthesist - he smiles a lot for a start! As co-founder of Lillie Yard studio and the proud owner of a surviving Moog Series 8 modular synth, his approach to sound synthesis is a refreshingly traditional one eschewing the very thought of ever using an unmodified factory preset on any of his work! Ralph Denyer explains why. |
Downstairs At EricsInterview | Electronics & Music Maker, Mar 1984Founder member of Depeche Mode and Yazoo, Vince Clarke is joined here by Eric Radcliffe, his partner in a new band, The Assembly, air their views on writing and recording in the 1980's. |
The A-Z of Analogue - Part 2Feature Series | Topic: Vintage Instruments | Music Technology, Sep 1993Part 2, ARP to Buchla. Buchla? Yep, Buchla |
Inside TEAC JapanFeature | Topic: Design, Development & Manufacture | Sound On Sound, Nov 1990Ian Gilby pays a visit to TEAC headquarters in Tokyo, gets blown away by Dolby S noise reduction, and learns some little-known facts about a company destined to play a continued part in the development of recording technology. |
Machine HeadInterview | Music Technology, Jul 1991The line between man and machine is blurred; today there exists an entity whose purpose is to make music. Simon Trask discovers that its sights are locked on the dance charts and it absolutely will not stop. |
Dream StateInterview | Music Technology, Jan 1991After inspiring a generation of experimental musicians to explore synthetic soundscapes, Tangerine Dream found new relevance in 1990's ambient house movement. Simon Trask enters the Dream state. |
Cabinets SurveyFeature | Topic: Buyer's Guide | International Musician & Recording World, Jul 1975Choosing the right cabinet for the right job can be difficult. IM surveys what's available. |
Past MastersGroup: In SessionSound MasteringAce Records' re-mastering engineers reveal the secrets of acoustic restoration |
Electro-Music EngineerFeature | Topic: Maintenance / Repair / Modification | Electronics & Music Maker, Apr 1982Cables |
The Japanese Music FairShow Report | Electronics & Music Maker, Jan 1982A report on this popular annual event. |
Frankfurt Show ReportShow Report | Home & Studio Recording, Mar 1989All that was new and all that was interesting at the this year's sojourn into Germany. |
The 12th Harrogate International Festival of SoundShow Report | Electronics & Music Maker, Nov 1981This recent event had plenty to interest the hi-fi enthusiast. |
Analogue Equipment Design - Part 1Feature Series | Topic: Design, Development & Manufacture, Electronics / Build | Home & Studio Recording, Dec 1985for Rock 'n' RollBen Duncan looks at the design philosophy behind a modern power amplifier. If you don't understand it just be seen reading it and it will improve your credibility. |
The Cocteau TwinsInterview | Sound On Sound, Jul 1989A voice, a few guitars, a bit of processing, and a hell of a lot of inspiration. Mark J. Prendergast investigates... |
IMS ReportShow Report | Music Technology, Sep 1991Every news bulletin tells us more about "the recession" - but how badly is it affecting the music biz? Ian Waugh reports from the front line at the International Music Show. |
Third Generation CMF AmplifiersReview | Home & Studio Recording, Dec 1984 |
Modular Effects Rack Project - Part 1Feature Series | Topic: Electronics / Build | Home & Studio Recording, Dec 1984A major new series describing the design and construction of a high quality modular effects rack. This first instalment deals with the Sub Rack assembly, Power Unit and the first module: the Pro-Gate. |