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The Cannes ScamFeature | Topic: Marketing / Promotion, Music Business | One Two Testing, Apr 1986How to crash the industry's annual bash |
Practical Studio Design - Part 3Feature Series | Topic: Construction / Build | Sound On Sound, Oct 1993Building And Improving Walls And Partitions |
Synthesiser UpdateNews | Electronics & Music Maker, Dec 1982Roland Juno 60, Roland SH-101, Korg Trident II |
Tom Hidley - Studio DesignerInterview | Topic: Acoustics, Recording Studios | Sound On Sound, Sep 1986Over a 25 year period, Tom Hidley has designed and built more than 400 of the world's top recording studios. Recognised as an undisputed 'master' of his craft, his acoustic design concepts have changed the face of studios and the music that is made within their walls. In a rare interview, he talks openly about his design philosophy and his most current 'ground-breaking' project to Paul Gilby. |
Optikinetics Solar 250Group: Quality Controlsound-animated projectorA bass down-beat triggers wheel-rotated effects, but this sound-to-light projector system is a lot more flexible than in the old green-for bass, red-for-treble disco days. |
And Now For Something Completely DifferentInterview | Home & Studio Recording, Mar 1985An interesting interview with Andre Jacquemin who just happens to be the man responsible for the recording of the Monty Python madness that's surfaced on film and vinyl over the last decade or so. |
Testbench - Carlsbro Super Stingray Combo AmpGroup: SoundCheck |
The Press GangFeature | Topic: Humour | Making Music, Jun 1986Who do these music press writers think they are? A big joke, that's what we make of it. |
Personalise Your Drum Machine SoundsFeature | Topic: Drum Programming, Mixing | Sound On Sound, Jun 1993Masterclass - Drum Machines |
JMS ScorewriterReview | Electronics & Music Maker, Jan 1986A new software package for the Commodore 64 that puts step-time sequencing, recording and scorewriting in an elegant perspex box. Ian Waugh finds it transparently appealing. |
Steve ReichInterview | Sound On Sound, Sep 1991Despite an outward contempt for technology, Steve Reich has exploited it to create some of the century's seminal works of modern music, and will rely on the latest in digital electronics for his current project. Mark J. Prendergast tries to make sense of it all. |
Musical BooksInterview | Sound On Sound, Jan 1992Although Michael Nyman's name and music became known through Peter Greenaway's extraordinary films, Prospero's Books may see not just the peak but also the end of their creative partnership. But Nyman has other strings to his bow, as Mark J. Prendergast discovers. |
Re:MixIndex Audio | The Mix, Mar 1995mixed-mode CD tracklistThe words behind the sounds on this month's CD and CD-ROM |
Studio Of The MonthGroup: Recording WorldThe Music WorksPatrick Hunt gives Music Works the once over |
Strat OperationGroup: Stratocaster SupplementBy Dave Gregory, XTC. |
Reflex ActionInterview | Electronic Soundmaker & Computer Music, Jul 1984The Fishman guide to DIY synths |
Pilgrim Acoustic 6 String GuitarReview | Music UK, Jan 1983A British handmade acoustic for £195? — The Pilgrim made us suspicious - we checked it ruthlessly. |
Ensoniq MirageReview | International Musician & Recording World, Apr 1985KeyboardCheckThe big sampling surprise from Frankfurt gets the Curtis Schwartz seal of approval |
On Tour With The Who's Road CrewFeature | Topic: Live | International Musician & Recording World, Dec 1975with MEH and the roadies of rock's greatest band. |
The Musical MicroFeature | Topic: Computing, Sampling | International Musician & Recording World, Mar 1985Budget digital sampling at the flick of a switch or two |
Down home mixdownGroup: In SessionPower Station, NYCWe visit the world-renowned studio, and talk to owner and producer Tony Bongiovi. |