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Spacial AttractionReview | Home & Studio Recording, Apr 1986TC Electronics TC1210This offering from TC Electronics proves to be more than just another chorus/flanger, as Simon Croft discovers. |
Korg DW6000Review | Electronics & Music Maker, Mar 1985Programmable Digital Waveform PolysynthAn intriguing new synth design that tries to combine digital waveform generation with analogue control. Does it achieve its objectives? Dan Goldstein thinks it does - just. |
Intelligent MusicReview | Music Technology, Mar 1987Software for Apple MacintoshAfter the Jam Factory comes "M", an advanced music composition and manipulation system for the Mac. Jim Burgess investigates a variation on the theme of MIDI recording. |
MIDI: Past, Present & FutureFeature | Topic: MIDI | Sound On Sound, Jun 1992The Musical Instrument Digital Interface has revolutionised the way we write and record music. Martin Russ delves deep into MIDI's 10-year history, explains its many recent changes and additions, and looks ahead to see what the future will hold. |
Zlatna Panega ACS100Review | Electronics & Music Maker, Apr 1985Tucked away in one corner of the Frankfurt Music Fair was an astonishing sound-sampling device with origins in Eastern Europe. Paul White and Dan Goldstein have managed to get their hands on the first model to appear in the West. |
The drumKATReview | Music Technology, Sep 1992MIDI Percussion ControllerThe indisputable leader of the gang |
Jon LordInterview | Electronics & Music Maker, Aug 1982Established as a top keyboard player in Deep Purple and Whitesnake, our interview analyses the music of his new LP ‘Before I Forget’. |
The Shape of Things to ComeNews | Sound On Sound, Sep 1988More news of forthcoming new products to tempt you to dig deeper into your pockets. |
Touching BassInterview | Music Technology, May 1992As Mr Fingers and Fingers Inc, Chicago-based Larry Heard was instrumental in creating the house music movement. Simon Trask talks tech with him on the release of his first LP on a major label. |
Akai S1100EXReview | Sound On Sound, Sep 1992S1100 Expansion UnitIf a single S1100 isn't enough for you, Akai's S11OOEX offers an easy way to expand your sampling power. David Mellor meets an ideal partner for his main studio sampler. |
Autumn AlmanacShow Report | Music UK, Sep 1983An Avalanche of new gear will be hitting the shops soon, following the British Music Fair. MUSIC U.K. brings you a complete look at what's on the way |
Premium Bond?Review | In Tune, Jun 1985 |
Take a StandReview | Electronics & Music Maker, Jun 1985There's no point having a mass of electronic keyboards if you've got nothing to mount them on, but how many keyboard stands are available, and what do they offer? Trish McGrath stands up to the lot of them in an extensive survey. |
Artistic LicenseInterview | Music Technology, Dec 1989Well established as sampling innovators, the Art Of Noise have just released their fourth LP. David Bradwell talks to the Art's JJ Jeczalik about Fairlights and fairplay. |
Quinsoft TraxReview | Sound On Sound, Aug 1990Recording Studio ManagerDavid Mellor looks at a low-cost suite of Atari-based software applications to make your studio run more smoothly and more profitably. |
Vince Clarke’s Wall Of SoundInterview | Music Technology, Jun 1993Here’s your ticket to Amsterdam, Vince will meet you at the studio and show you all his favourite classic synths. A dream? No, a reality, thanks to Ian Masterson and Music Technology. Ian gets an exclusive guided tour around Erasure’s secret analogue powerhouse, just for you. You can almost taste the Amstel beer |
Totally WiredFeature | Topic: Maintenance / Repair / Modification | Making Music, Jul 1987Leads & WiresFind out about the rubber on the outside, the wire on the inside, the music goes round and round... |
My Ideal SequencerFeature | Topic: Computing, Design, Development & Manufacture, Sequencing | Sound On Sound, Oct 1988Just for a change, David Mellor does the impossible and reviews a product that does not exist! Perhaps one day it might, but for now this 'ideal' MIDI sequencer program lives only in the imagination of the author. |
Shock TreatmentInterview | Music Technology, Jun 1987Take three musicians who like to remain anonymous, four film-makers and a stunning live show, and you've got one of the most original - if unsung - bands in Britain today. |
SaxonInterview | Making Music, Sep 1986shrugs and knock 'n' knowallWrenched from video filming (with a ballerina no less) and quizzed on gear and blushes. |