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So You Want To Buy A Cassette MultitrackerFeature | Topic: Buyer's Guide | Electronics & Music Maker, Mar 1986Cassette Multitracking GuideA complete idiot's guide to buying a four-track cassette recorder, with hints on what features to look for, and a rundown of some of the most popular machines. |
Dream FactoryInterview | Music Technology, Apr 1991Arriving on the world stage, the Dream Warriors' unique musical style is giving Canadian hip hop American-style exposure. Simon Trask talks musical sentences. |
It's ImmaterialInterview | Music Technology, Sep 1990In the battleground that is the record business, one band have managed to find the space to be one of the most individual and resourceful of British talents. Nigel Lord talks uncommerciality in an Immaterial world. |
The Air and the FuryInterview | Electronics & Music Maker, Dec 1985Star of recording studio and airshow in conversation with Tim Goodyer. Is pop about to lose a hi-tech innovator, and display flying gain a star aviator? |
Revox A77Feature | Home & Studio Recording, Apr 1985The Old WorkhorseWe take a close look at this studio stalwart in all its various forms and point out what to look for when buying one second hand. |
Town House StudioFeature | Topic: Recording Studios | Sound International, Feb 1979'Now the Virgin returns,' quoth Virgil, and who are we to disagree? Mel Lambert takes a colourful look at Richard Branson's new London studio: a Town House for the Lord of the Manor. |
Sampling ExpandabilityReview | Music Technology, Sep 1987Akai S900 V2.0 & ASK90 and Steinberg SoundworksAlready a well-established sampler, the Akai S900 is on the receiving end of a series of software and firmware updates from Akai and Steinberg. Chris Jenkins boots them up. |
A Sense Of ScaleInterview | Music Technology, Dec 1987An English playwrite talks to Nicholas Rowland about the lure of electronic sampling techniques; the sounds of the theatre come of age. |
Just Can't StopInterview | Sound On Sound, Aug 1986'Are Friends Electric?' and 'Cars' will go down in the musical history books as classics of their genre but the writer of those hits, Gary Numan, has yet to match his early successes. Mark Jenkins met up with him during sessions for a forthcoming album at Rock City studios, Shepperton, only to discover that the Numan of today is finding it tough to get airplay for his recent work... |
Sydney Harbours RadicalsFeature | Music Technology, Feb 1988Sydney Music ConservatoriumMusic technology Australian style. To prove that there's more to the Australian music scene than the Fairlight, Jonathan Puckeridge pays a visit to the Sydney Music Conservatorium. |
The ProducersFeature | Recording Musician, Apr 1993A complete history of record production accompanied by quotations and anecdotes from no fewer than 18 of the world's leading producers. |
Ethnic FanfareInterview | Music Technology, Dec 1987American trumpeter extraordinaire talks to John Diliberto about horns, electronics and Indian ragas; '60s experimentation meets '80s chic. |
Getting into Video - Part 2Feature Series | Topic: Syncronisation, Video / Film / Picture | Sound On Sound, Oct 1989PART 2: Timecode - much talked about but little understood - is of increasing importance to musicians and recording engineers. Whether you are synchronising audio to video, or MIDI to multitrack, at least a working knowledge of SMPTE/EBU is required. In the second part of this series, David Mellor explains what timecode is and how it is used. |
Politics & PopFeature | Topic: Arranging / Songwriting, Marketing / Promotion, Music Business | Phaze 1, Feb 1989Are They A Good Mix?mixing the pop world's most powerful cocktail: should your music have a message? |
Staccato Fretless Bass & BodyReview | In Tune, Jun 1985 |
The Music SystemInterview | Electronics & Music Maker, Mar 1986The quiet man of systems music tells Simon Trask why his work is so often misunderstood - and why tomorrow's 'serious music' won't be possible without computers. |
Roland R8Review | Home & Studio Recording, Mar 1989The new Human Rhythm Composer goes where no TR808 has gone before, into previously uncharted territories of feel and nuance. |
Stranger in a Strange WorldInterview | Music Technology, Aug 1987Japan's most respected technopop pioneer has recently finished an album that breaks new ground for him - it involves live musicians. He discusses his new LP and his other projects with Paul Tingen. |
News Of The WorldInterview | Music Technology, Jul 1992Ryuichi Sakamoto was a founder of the YMO before becoming one of David Sylvian's favoured partners. Now, fresh from a Japanese and a series of film scores he tells Tim Goodyer about his latest LP. |
Django LiveInterview | Electronics & Music Maker, Oct 1986...Is one of Britain's most inventive jazz keyboard players, with a myriad of different strings to his performing bow, and an unusually open-minded approach to new technology. Simon Trask listens to what he has to say. |
Fender GuitarsReview | International Musician & Recording World, Oct 1985GuitarcheckThree of the new breed vetted by Dave Burrluck |
Hands On: Akai S1000 SamplerFeature | Topic: Sampling | Sound On Sound, Feb 1992There's an S1000 in every studio — almost. David Mellor presents an introduction to this popular sampler. |
Inside Views: J L CooperFeature | Topic: Design, Development & Manufacture | Sound On Sound, Oct 1987Another in our series that looks at hi-tech companies and design personnel working in the field of music and recording technology. This month Paul Gilby talks to Jim Cooper, President of J.L Cooper Electronics and the MIDI Manufacturers Association. |
Bigger ScienceInterview | International Musician & Recording World, Aug 1986Multi-media artist Laurie has come a long way since O Superman. But has the heart gone out of her Art? Mark Dery and Tony Reed find out |