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Funds donated this month: £22.00

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Search results

Three Imaginary Boys

Interview | International Musician & Recording World, Feb 1985

Horning In...

Feature | Topic: Home Studio, Recording | Electronic Soundmaker & Computer Music, Jan 1985
Ambient Corporation

Forget the Fairlights, ditch the D.D.L.'s — ES&CM reader Graeme Robinson shows how you can beat it with the big boys, using just a couple of multitracks.

News

News | Micro Music, Apr/May 1989

What's new in the world of the Micro Musician

Vive La Difference!

Group: The SOS Guide To Going Live

Feature | Topic: Live, Mixing | Sound On Sound, Mar 1992
Choosing Mixers For Live Sound

All mixers are fundamentally the same, aren't they? Dave Lockwood explains the differences between mixers designed for studio and stage.

Hugh Padgham

Interview | Home & Studio Recording, Jan 1985
Producer Extraordinaire

The genius behind the 'Phil Collins drum sound' reveals how he got started in the industry, his production philosophy and life at The Townhouse.

Soundcraft Series 200 8-4-2 Mixer

Review | Home & Studio Recording, Feb 1984

The Big Ten - 1984

Group: The Big Ten

Retrospective | International Musician & Recording World, Mar 1985

Amplifier News

Group: Frankfurt

News | One Two Testing, Feb 1984

Studio Glossary

Feature | Home & Studio Recording, Dec 1983

An explanation of terms.

Stereo Width Tricks

Feature | Topic: Effects Processing | Recording Musician, Jan 1993

Masterly tricks for simulating stereo from mono or for stretching stereo beyond the boundaries of your loudspeakers!

Yamaha FX500

Review | Sound On Sound, Mar 1990
Multi-Effects Processor

The best things come in small packages, decides Paul Ireson as he puts this budget six-effects-at-once processor through its paces.

Feelers On The Dealers

Feature | Topic: Retail | International Musician & Recording World, Jan 1985
Holiday Music

Billy Punter enjoys a Holiday in Leytonstone

Making Tracks

Review | Home & Studio Recording, Dec 1986
Tascam Porta Two

This month's cover feature, the brand new Tascam Porta 2. Bristling with features, this 6-channel, 4-track portable studio still falls within an attractive price bracket.

Roland TR707

Review | Home & Studio Recording, Sep 1985

A digital rhythm machine ideally suited to life in the studio.

Letters

Feedback | Polyphony, Nov/Dec 1978

Blabber

News | One Two Testing, Oct 1985

would we lie to you

Dynacord DRP16 Digital Reverb

Review | Home & Studio Recording, Dec 1984

Hot News - Keyboards/Electro-Music

News | In Tune, Apr 1985

JHS Digitec Delay

Review | One Two Testing, May 1984

We release a sample

Seaside Shuffler

Interview | One Two Testing, Oct 1986

Songs from the North

Master Or Servant

Review | Sound On Sound, May 1993
Studiomaster P7 In-Line Mixer

Boss RPS-10 Pitch Shifter/Delay

Group: Recording World

Review | International Musician & Recording World, Sep 1986
Studio Test

Jim Betteridge finds himself in harmony with the latest addition to the Microrack range

And Then There Were Three

Review | Home & Studio Recording, Jul 1986
Toa K4, K1 and J3 Mics

Three new microphones make their stand and acquit themselves well.

Korg Mono/Poly

Review | Electronics & Music Maker, Apr 1982

Yamaha R1000 Digital Reverb

Review | Home & Studio Recording, Jan 1984

 

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