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Alesis 1622 Mixer

Review | Sound On Sound, Mar 1990

Alesis are known, more than anything, for their digital signal processing expertise, yet their new mixer is an all analogue 16:2:2 design - but employing a revolutionary construction technique. Paul Ireson lends an ear.

The News from NAMM

Show Report | Home & Studio Recording, Aug 1986

A preview of some of the goodies soon to be hitting our shops.

Vital Vocals

Feature | Topic: Recording | Recording Musician, Jul 1992

A few simple rules to help you get professional-sounding vocal tracks every time.

The News

News | Making Music, Nov 1986

Tonight the hot instrumental news is read by someone with a megaphone. Strange.

Music Maker Equipment Scene

News | Electronics & Music Maker, Feb 1983

New Casio keyboards, video and instruments

Roland DEP3

Review | Music Technology, Jun 1987
Digital Effects Processor

A programmable reverb that also offers delay effects, or a multi-effects unit with reverb as its strongest suit? Paul White deciphers the latest box of treatment tricks.

Showdown

Show Report | In Tune, Jul/Aug 1985
ITs guide to the British Music Fair.

The News

News | Making Music, May 1987

here is

Talking Pictures

Feature | Topic: Video / Film / Picture | Home & Studio Recording, May 1986

Martin Sheehan explains the workings of audio/visual slide productions.

Roland Boss Pedals

Review | In Tune, Dec 1984

Test on the Best?

PS. I Love You

Review | Electronic Soundmaker & Computer Music, Aug/Sep 1984

Korg's PSS-50, your portable backing band

Sampling Perc!

Review | Sound On Sound, May 1986

Casio's first foray into the digital drum machine market, the RZ-1, offers all the usual rhythm features plus one extra - the facility to sample four of your own sounds. Mark Jenkins finds out if it matches his expectations.

Mixer Basics

Feature | Topic: Mixing | Recording Musician, Jan 1993

A step-by-step guide to the workings of a typical mixing console.

Phonic PMC 240A Mixing Desk

Review | Recording Musician, May 1993

This charming new mixer has a detachable bowl and three speed settings... what do you mean it's not that kind of mixer?

Star Wires

Feature | Topic: Maintenance / Repair / Modification | Sound On Sound, Feb 1992
The Wires and Wherefores of Connecting up Your Studio

If you're spending hundreds or even thousands of pounds on studio equipment, you might as well spend a little time to ensure that it's actually connected up properly. Wilf Smarties explains how to avoid hums, buzzes, earth loops, and all those other nasty shocks...

Messe Market!

Show Report | In Tune, Feb 1986

IN TUNE's sneak preview of the Frankfurt Fair

The Producers

Group: Recording World

Feature | International Musician & Recording World, Apr 1986

The anti-christ of studio recording, Dave Goodman, talks to Chas de Whalley

The Shape of Things to Come

News | Sound On Sound, Aug 1988

Three pages of forthcoming new products to tempt you to dig deeper into your pockets later on this year.

Speaks Volumes

Review | One Two Testing, Dec 1984
Books '84

instruments and playing in print

Vestax MR200

Review | Music Technology, Jun 1990

If you're already running a MIDI studio on a budget and want to add a handful of tape tracks, the Vestax MR200 could be the answer. Nigel Lord checks out a cassette multitracker that won't cost you much more than £300.

News

News | Music UK, Dec 1983

Marlin Spiked and loads more new goodies inside

New Gear On The Way

News | Music UK, Aug 1983
Sneak Preview

Next year's new gear - Mag gives sneak preview

The Hot 100

Review | Sound On Sound, Jul 1991
Yamaha EMP100 Multi-Effects Processor

The latest addition to Yamahas highly affordable 100 series, the EMP100, could prove to be its best buy yet. Paul Ireson explains why.

Alesis through the Looking Glass

Review | Home & Studio Recording, Mar 1986
Sheer XTC

A truly classy digital reverb at a sensible price.

Box! Clever

Interview | Music Technology, Aug 1987

An eponymous debut single took Living in a Box high in the singles charts. In a rare interview with this publicity-shy band, Tim Goodyer found technology an essential part of their success.

 

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