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Alesis 1622 MixerReview | Sound On Sound, Mar 1990Alesis are known, more than anything, for their digital signal processing expertise, yet their new mixer is an all analogue 16:2:2 design - but employing a revolutionary construction technique. Paul Ireson lends an ear. |
The News from NAMMShow Report | Home & Studio Recording, Aug 1986A preview of some of the goodies soon to be hitting our shops. |
Vital VocalsFeature | Topic: Recording | Recording Musician, Jul 1992A few simple rules to help you get professional-sounding vocal tracks every time. |
The NewsNews | Making Music, Nov 1986Tonight the hot instrumental news is read by someone with a megaphone. Strange. |
Music Maker Equipment SceneNews | Electronics & Music Maker, Feb 1983New Casio keyboards, video and instruments |
Roland DEP3Review | Music Technology, Jun 1987Digital Effects ProcessorA programmable reverb that also offers delay effects, or a multi-effects unit with reverb as its strongest suit? Paul White deciphers the latest box of treatment tricks. |
Talking PicturesFeature | Topic: Video / Film / Picture | Home & Studio Recording, May 1986Martin Sheehan explains the workings of audio/visual slide productions. |
PS. I Love YouReview | Electronic Soundmaker & Computer Music, Aug/Sep 1984Korg's PSS-50, your portable backing band |
Sampling Perc!Review | Sound On Sound, May 1986Casio's first foray into the digital drum machine market, the RZ-1, offers all the usual rhythm features plus one extra - the facility to sample four of your own sounds. Mark Jenkins finds out if it matches his expectations. |
Mixer BasicsFeature | Topic: Mixing | Recording Musician, Jan 1993A step-by-step guide to the workings of a typical mixing console. |
Phonic PMC 240A Mixing DeskReview | Recording Musician, May 1993This charming new mixer has a detachable bowl and three speed settings... what do you mean it's not that kind of mixer? |
Star WiresFeature | Topic: Maintenance / Repair / Modification | Sound On Sound, Feb 1992The Wires and Wherefores of Connecting up Your StudioIf you're spending hundreds or even thousands of pounds on studio equipment, you might as well spend a little time to ensure that it's actually connected up properly. Wilf Smarties explains how to avoid hums, buzzes, earth loops, and all those other nasty shocks... |
The ProducersGroup: Recording WorldThe anti-christ of studio recording, Dave Goodman, talks to Chas de Whalley |
The Shape of Things to ComeNews | Sound On Sound, Aug 1988Three pages of forthcoming new products to tempt you to dig deeper into your pockets later on this year. |
Vestax MR200Review | Music Technology, Jun 1990If you're already running a MIDI studio on a budget and want to add a handful of tape tracks, the Vestax MR200 could be the answer. Nigel Lord checks out a cassette multitracker that won't cost you much more than £300. |
New Gear On The WayNews | Music UK, Aug 1983Sneak PreviewNext year's new gear - Mag gives sneak preview |
The Hot 100Review | Sound On Sound, Jul 1991Yamaha EMP100 Multi-Effects ProcessorThe latest addition to Yamahas highly affordable 100 series, the EMP100, could prove to be its best buy yet. Paul Ireson explains why. |
Alesis through the Looking GlassReview | Home & Studio Recording, Mar 1986Sheer XTCA truly classy digital reverb at a sensible price. |
Box! CleverInterview | Music Technology, Aug 1987An eponymous debut single took Living in a Box high in the singles charts. In a rare interview with this publicity-shy band, Tim Goodyer found technology an essential part of their success. |