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Four Bar GateReview | Home & Studio Recording, Sep 1986Symetrix 544 Expander/GateGates are invaluable, expanders are indispensable... and four in one are irresistible. |
Tom Hidley - Studio DesignerInterview | Topic: Acoustics, Recording Studios | Sound On Sound, Sep 1986Over a 25 year period, Tom Hidley has designed and built more than 400 of the world's top recording studios. Recognised as an undisputed 'master' of his craft, his acoustic design concepts have changed the face of studios and the music that is made within their walls. In a rare interview, he talks openly about his design philosophy and his most current 'ground-breaking' project to Paul Gilby. |
Talking DirtyGroup: Roland Newslink - Summer 86Everything you wanted to know about distortion |
BeeBMIDI Monitor - Part 1Feature Series | Topic: Computing, MIDI | Electronics & Music Maker, Oct 1985E&MM's latest piece of MIDI software is a program that intercepts MIDI communication between instruments and displays it on a computer monitor for all to see. Introduction by Jay Chapman. |
New OrderInterview | Micro Music, Jan 1990Leslie Bunder talks to Steve Morris from top Indie band New Order |
LovedInterview | Music Technology, Jan 1990IN THE LAND OF THE RISING SUNFrom indie rock to sampled success - this band have used technology to change their sound and get themselves into the charts. David Bradwell talks technology, samples and football to Beloved people. |
Too Good To Be True?Review | Sound On Sound, Mar 1992Passport AudioTraxMIDI and hard disk recording on the Mac for only £260? It sounds too good to be true, but Paul Wiffen pinches himself and finds he is awake! |
Lexicon MRCReview | Sound On Sound, Mar 1989MIDI Remote ControllerLexicon's MRC unit is much more than a fancy remote controller for their PCM70 and LXP1 signal processors - it also provides analogue-like controls for easy editing of DX synth parameters and manipulation of virtually any MIDI controller data. Martin Russ checks out the power behind the buttons. |
The Sensuous Envelope FollowerFeature | Topic: Synthesis & Sound Design | Polyphony, Nov 1977 |
Waxing LyricalInterview | Music Technology, Sep 1991When you come across a hi-tech band who won't even use commercial synths for fear of being imitated, they must have something special to protect. Simon Trask pays a visit to Leeds to check out the mysterious Nightmares on Wax. |
New ROManticsFeature | Topic: Computing, Tape, Vinyl, CD, DAT | Music Technology, Nov 1993The MT guide to CD-ROMEntertainment format of the future, or simply a handy digital storage medium? Ian Waugh writes the (Yellow) book on CD-ROM. |
Dave Bristow on the Yamaha DX7Feature | Topic: Synthesis & Sound Design | Electronics & Music Maker, Jul 1983Yamaha DX KeyboardsDave Bristow, Yamaha’s keyboard consultant, explains how to play and programme these new FM synthesisers |
Axxess MIDI Mapper 2.0Review | Music Technology, May 1988MIDI ProcessorThis American MIDI processor is possibly the most sophisticated processor currently on the market. Matt Isaacson tries out its bewildering array of facilities. |
Big Band & Studio 24Review | Sound On Sound, Jan 1989Martin Russ orchestrates his way through two fascinating ST programs from French software house, Digigram. |
Touching BassInterview | Music Technology, May 1992As Mr Fingers and Fingers Inc, Chicago-based Larry Heard was instrumental in creating the house music movement. Simon Trask talks tech with him on the release of his first LP on a major label. |
E-mu SP1200Review | Sound On Sound, Oct 1987Sampling Percussion SystemNot just a sampling drum machine, more a solid state tape recorder! As things start to heat up at the top end of the drum machine market, David Mellor gives E-mu's successor to their popular SP-12 a thorough pounding. |
Which One Would You Choose?Review | Topic: Recording | Sound On Sound, Mar 1988Three 4-tracksIs it possible to get expensive sounds from inexpensive equipment or is the poor person's multitrack merely an expensive toy? David Mellor looks at three entry-level recorders - Tascam Porta 05, Fostex X30, and Yamaha MT2X - and asks 'Which one would you choose?'. |
Boss CE-300 Super ChorusReview | Home & Studio Recording, Mar 1985 |
20th Century Americans - Terry Riley - Part 3Interview Series | Music Technology, Mar 1993The life of (Terry) Riley |
JCD Feeling PartnerReview | Music Technology, Apr 1992Atari ST SoftwareOne emerging trend in software sequencing is that of endowing your computer with musical "intelligence". Ian Waugh contends that machines can have feelings too. |
BeeBMIDI Monitor - Part 2Feature Series | Topic: Computing, MIDI | Electronics & Music Maker, Nov 1985The second, and final part of Jay Chapman's Monitor program for E&MM's own BBC-MIDI interface. This month's instalment gives the program listing and explains how it was written. |
Advanced Music SynthesisFeature | Topic: Synthesis & Sound Design | Electronics & Music Maker, Oct 1983Envelope Generators - Part 2 |
Simmons SPM8:2Review | Home & Studio Recording, May 1987MIDI Programmable MixerA programmable mixer that will find a good home in a home studio. |
Apple HyperCardReview | Music Technology, Jan 1988Software for the Apple MacintoshA computer program that teaches you how to use your gear? Jim Burgess checks out a package for the Apple Macintosh that threatens to make the users' manual a thing of the past. |