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Four Bar Gate

Review | Home & Studio Recording, Sep 1986
Symetrix 544 Expander/Gate

Gates are invaluable, expanders are indispensable... and four in one are irresistible.

Tom Hidley - Studio Designer

Interview | Topic: Acoustics, Recording Studios | Sound On Sound, Sep 1986

Over a 25 year period, Tom Hidley has designed and built more than 400 of the world's top recording studios. Recognised as an undisputed 'master' of his craft, his acoustic design concepts have changed the face of studios and the music that is made within their walls. In a rare interview, he talks openly about his design philosophy and his most current 'ground-breaking' project to Paul Gilby.

Talking Dirty

Group: Roland Newslink - Summer 86

Feature | Topic: Advertisement Feature, Effects Processing | International Musician & Recording World, Jun 1986

Everything you wanted to know about distortion

BeeBMIDI Monitor - Part 1

Feature Series | Topic: Computing, MIDI | Electronics & Music Maker, Oct 1985

E&MM's latest piece of MIDI software is a program that intercepts MIDI communication between instruments and displays it on a computer monitor for all to see. Introduction by Jay Chapman.

New Order

Interview | Micro Music, Jan 1990

Leslie Bunder talks to Steve Morris from top Indie band New Order

Loved

Interview | Music Technology, Jan 1990
IN THE LAND OF THE RISING SUN

From indie rock to sampled success - this band have used technology to change their sound and get themselves into the charts. David Bradwell talks technology, samples and football to Beloved people.

Too Good To Be True?

Review | Sound On Sound, Mar 1992
Passport AudioTrax

MIDI and hard disk recording on the Mac for only £260? It sounds too good to be true, but Paul Wiffen pinches himself and finds he is awake!

Lexicon MRC

Review | Sound On Sound, Mar 1989
MIDI Remote Controller

Lexicon's MRC unit is much more than a fancy remote controller for their PCM70 and LXP1 signal processors - it also provides analogue-like controls for easy editing of DX synth parameters and manipulation of virtually any MIDI controller data. Martin Russ checks out the power behind the buttons.

The Sensuous Envelope Follower

Feature | Topic: Synthesis & Sound Design | Polyphony, Nov 1977

Waxing Lyrical

Interview | Music Technology, Sep 1991

When you come across a hi-tech band who won't even use commercial synths for fear of being imitated, they must have something special to protect. Simon Trask pays a visit to Leeds to check out the mysterious Nightmares on Wax.

New ROMantics

Feature | Topic: Computing, Tape, Vinyl, CD, DAT | Music Technology, Nov 1993
The MT guide to CD-ROM

Entertainment format of the future, or simply a handy digital storage medium? Ian Waugh writes the (Yellow) book on CD-ROM.

Dave Bristow on the Yamaha DX7

Feature | Topic: Synthesis & Sound Design | Electronics & Music Maker, Jul 1983
Yamaha DX Keyboards

Dave Bristow, Yamaha’s keyboard consultant, explains how to play and programme these new FM synthesisers

Axxess MIDI Mapper 2.0

Review | Music Technology, May 1988
MIDI Processor

This American MIDI processor is possibly the most sophisticated processor currently on the market. Matt Isaacson tries out its bewildering array of facilities.

Big Band & Studio 24

Review | Sound On Sound, Jan 1989

Martin Russ orchestrates his way through two fascinating ST programs from French software house, Digigram.

Touching Bass

Interview | Music Technology, May 1992

As Mr Fingers and Fingers Inc, Chicago-based Larry Heard was instrumental in creating the house music movement. Simon Trask talks tech with him on the release of his first LP on a major label.

E-mu SP1200

Review | Sound On Sound, Oct 1987
Sampling Percussion System

Not just a sampling drum machine, more a solid state tape recorder! As things start to heat up at the top end of the drum machine market, David Mellor gives E-mu's successor to their popular SP-12 a thorough pounding.

Which One Would You Choose?

Review | Topic: Recording | Sound On Sound, Mar 1988
Three 4-tracks

Is it possible to get expensive sounds from inexpensive equipment or is the poor person's multitrack merely an expensive toy? David Mellor looks at three entry-level recorders - Tascam Porta 05, Fostex X30, and Yamaha MT2X - and asks 'Which one would you choose?'.

Boss CE-300 Super Chorus

Review | Home & Studio Recording, Mar 1985

20th Century Americans - Terry Riley - Part 3

Interview Series | Music Technology, Mar 1993

The life of (Terry) Riley

Pitchrider 2000

Review | One Two Testing, Jul 1985

American pitch-to MIDI

JCD Feeling Partner

Review | Music Technology, Apr 1992
Atari ST Software

One emerging trend in software sequencing is that of endowing your computer with musical "intelligence". Ian Waugh contends that machines can have feelings too.

BeeBMIDI Monitor - Part 2

Feature Series | Topic: Computing, MIDI | Electronics & Music Maker, Nov 1985

The second, and final part of Jay Chapman's Monitor program for E&MM's own BBC-MIDI interface. This month's instalment gives the program listing and explains how it was written.

Advanced Music Synthesis

Feature | Topic: Synthesis & Sound Design | Electronics & Music Maker, Oct 1983
Envelope Generators - Part 2

Simmons SPM8:2

Review | Home & Studio Recording, May 1987
MIDI Programmable Mixer

A programmable mixer that will find a good home in a home studio.

Apple HyperCard

Review | Music Technology, Jan 1988
Software for the Apple Macintosh

A computer program that teaches you how to use your gear? Jim Burgess checks out a package for the Apple Macintosh that threatens to make the users' manual a thing of the past.

 

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