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A Composer For Our TimeInterview | Sound On Sound, Aug 1989Mark J. Prendergast interviews California-born musician Terry Riley, the influential inventor of 'minimalist' music. |
The Shocking TruthFeature | Topic: Maintenance / Repair / Modification | One Two Testing, Oct 1984electrocution for beginners |
A Heart To Heart With Feargal SharkeyInterview | International Musician & Recording World, Feb 1986The cousin of Kevin tells Richard Walmsley of his life as a lone tone |
PROMIDIReview | Sound On Sound, Nov 1988Direct-to-Disk Studio SystemHere's a computer-based sequencer with a difference - PROMIDI records direct-to-disk, lets you structure your music any way you please, and runs on low-cost PC compatible computers. Ian Gilby investigates... |
Sound Absorbers - Part 1Feature Series | Topic: Acoustics | Home & Studio Recording, Sep 1984AcousticsThe function of 'sound absorbers' and how to build a sound absorbent wall box. |
Dr T's FingersReview | Music Technology, Oct 1988Atari ST SoftwareThe latest sequencer from the Dr T's stable takes interactive composition by the horns. Ian Waugh examines the software and the merits of mathematical music making. |
The Intelligent OneReview | Sound On Sound, Dec 1987Studiomaster IDP1 Dynamics ProcessorWhat is an 'Intelligent Dynamics Processor' and why have it MIDI controllable? David Mellor answers these and other probing questions as he explores the IDP1 from mixer manufacturer, Studiomaster. |
Recording Techniques - Part 2Feature Series | Topic: Microphones, Recording | Sound On Sound, Jan 1990PART 2: Microphones. David Mellor cuts through the mythology of microphone techniques with some practical advice. |
Yamaha MSS1 SynchroniserReview | Sound On Sound, Apr 1988For a company that is usually in the forefront of musical technology development to be so late in introducing their SMPTE/MIDI processor is quite remarkable. Is the Yamaha MSS1 worth the wait, or is it just a case of 'me too' marketing techniques? David Mellor champs at the timecode bit. |
Tinder Is The NightInterview | International Musician & Recording World, Apr 1986The how of the Banshees, transcribed by Richard Walmsley |
Recording RoutesFeature | Topic: Education | Sound On Sound, Jan 1986Where do you go to learn more about the subjects covered in this magazine? The answer is the Gateway School of Recording & Music Technology. Ralph Denyer investigates. |
C-Lab Human TouchReview | Sound On Sound, Nov 1989Dave Lockwood reviews this aptly named add-on audio triggering unit for C-Lab's highly popular Creator/Notator sequencing system. |
Musictronics MEX D50/D550 ExpansionReview | Music Technology, Feb 1990When your favourite keyboard starts to look a little out of date, do you remain faithful to it or sell it? If it's a D50 you could give it multitimbrality, more waveforms and extra memories. Gordon Reid installs the MEX. |
Yamaha TG55Review | Music Technology, Mar 1990Tone GeneratorIt's not simply an SY77 in a rack, more an alternative application of Yamaha's latest synthesiser technology - Ian Waugh gives the TG55 a full workout. |
Birthday BoysFeature | Making Music, Apr 1987And A Happy Birthday To UsCome to our party, have some jelly, read some of our best bits, and wish us a happy first birthday, hip hip... |
Hands On: Apple Macintosh ComputersFeature | Topic: Computing | Sound On Sound, Mar 1993 |
Triple 'X' RatingReview | Sound On Sound, Oct 1986Dbx 'X' ProcessorsApart from noise reduction systems, dbx make a studio quality range of 'budget' signal processors. Engineer Gareth Stuart put three of them - the 163X compressor/limiter, 263X de-esser, and 463X noise gate/expander - through their paces. |
Training and EducationFeature | Topic: Education, Recording | Sound On Sound, Jun 1992For Recording EngineeringEducated sound engineer David Mellor assesses the value of training for a career in recording. |
A Deeper WaveFeature | Topic: Synthesis & Sound Design | Music Technology, Aug 1987Wavetable SynthesisMany of today's popular digital synthesisers use variations on "wavetable synthesis". Chris Meyer explains what this mystical but powerful method is all about. |
Roland D70Review | Sound On Sound, Jul 1990Super LA SynthesizerThe D50 was never going to be an easy act to follow, but a successor to the title of Roland's flagship has now arrived. Richard Lamont puts it to the test. |
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