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Search results
 SONUS Sequencer & Data EditorsReview | Music Technology, Jul 1987Software for the Commodore 64In an exclusive review, Rick Davies tests three Commodore-based packages from an American company whose programs are new to the UK. Do they stand up against stiff competition? |
 Kit Wolven on Heavy MetalInterview | Home & Studio Recording, May 1987HM from the control room chair. |
 Record TalkbackInterview | Electronic Soundmaker & Computer Music, Jun 1984 |
33 Recording TipsGroup: Recording WorldWhat to do to get tip-top tapes from our master of the mastering, Steve Toke |
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 Yamaha Portasound MK100Review | Electronics & Music Maker, Jul 1984Programmable Personal KeyboardA personal keyboard that lets the musician think for himself, from the people who make more of them than anybody else. But is it really more than just a toy? Vince S. Hill thinks he knows the answer. |
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 Cubase 2.0Review | Sound On Sound, Dec 1990Steinberg's flagship sequencer, Cubase, has seen two major revisions since we first reviewed it. David Hughes looks at what's new. |
 Mac Attack!Review | Sound On Sound, Oct 1990Steinberg Cubase Macintosh SequencerSteinberg's Cubase, the company's flagship ST sequencer, has now been ported over to the Macintosh to compete against the likes of Performer and Vision. How does it stack up against the big guns of the Mac sequencer world? Mike Collins sits in judgement. |
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 Cole's LawInterview | International Musician & Recording World, Feb 1986Ricky Gordon fires questions at hot Cole |
 Electro-Music EngineerFeature | Topic: Design, Development & Manufacture | Electronics & Music Maker, Feb 1983PPGPPG designers interviewed |
 Tama Superstar 9040Review | Sound International, Jun 1978Peter Randall bashes a Tama Superstar into shape. |
 The Studio That Tom BuiltGroup: Roland Newslink - Autumn 85Turbo-charged recording techniques |
 Honey, I Shrunk The MonitorsReview | Recording Musician, Mar 1993Revox Mk1 NF Near Field MonitorsThese tiny speakers are ideal for the task of home studio, near-field monitoring. |
 Making the Most of... - Part 16Feature Series | Topic: Effects Processing, Mixing | Home & Studio Recording, Sep 1986A Bad JobThis month we take a look at salvage techniques. What to do when you have to re-mix someone else's less than ideal master tape. |
 Facts And FibbersFeature | Topic: Humour | One Two Testing, Dec 1982Marvel at previously unrevealed secrets of famous musical instruments and their inventors. |
 Patrick MorazInterview | Electronics & Music Maker, Jan 1983Talking about improvisation and The Moody Blues |
 Roland M160 Line MixerReview | Sound On Sound, Apr 1988If you're on the look-out for a compact 16-channel mixer which could do double duty in your home studio as well as on-stage, then the rack-mount M160 will definitely be of interest to you. Ian Gilby checks it out. |
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 Atari NotesFeature | Topic: Computing | Sound On Sound, Dec 1992 |
 The War of The WorldsInterview | Sound International, Oct 1978The ProducersWe wish Wayne's Wells world war well: Richard 'Way With The Words' Elen interviews Jeff 'War Of The Worlds' Wayne. |
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 How It Works - Noise Reduction - Part 4Feature Series | Topic: Effects Processing, Recording, Sound Fundamentals | Sound On Sound, Jun 1987David Mellor continues our 'How It Works' series with an investigation of the many ways available to help silence your recordings! |
International Music ShowShow Report | Sound On Sound, Sep 1991Paul Ireson on this year's International Music Show. |
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