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The Help File

Feedback | The Mix, Dec 1994
Where everything clicks

If it doesn’t work, it’s in the help file

Sequential MAX

Review | Electronics & Music Maker, Jan 1985
Preset Polysynth

They call it a computer peripheral and MIDI expander, you'll probably think of it as a preset version of the SixTrak. Exclusive review of SCI's new baby by Dan Goldstein.

Blancmange

Interview | Electronics & Music Maker, Mar 1984

With their second album just released, Neil Arthur and Stephen Luscombe take a rest to talk here about the trials of their rise to fame, and their musical and equipment plans for the future. Dan Goldstein (a trifle agog) listens in...

Return to Zero - Part 4

Feature Series | Topic: Recording | Home & Studio Recording, May 1985
Noise Problems

Just when you thought noise was a thing of the past... Gremlins are back - in a studio near you.

Mission control - Part 2

Group: Control Room

Review Series | The Mix, Feb 1995
Yamaha ProMix 01

The second part of our in-depth review

Roland R8

Review | Music Technology, Feb 1989
Human Rhythm Composer

Since the days of the TR808, Roland have set standards for many other drum machines; now they're concentrating on the human angle. Simon Trask tests the "Human Rhythm Composer".

Prokit 62 Mixer

Review | Sound International, Nov 1978
Equipment

Mel Lambert takes the Prokit Mixer kit to the ends of the earth (well, Kensington) and finishes up with saved ackers and a useful board.

A Room Of My Own: Workshy

Interview | Sound On Sound, Feb 1993
Chrysta Jones & Mike McDermot

Vesta Fire RV-2 & Vesta Kozo RV-3

Review | Home & Studio Recording, Jan 1985
Dual Reverberation Devices

Patchwork

Feature | Music Technology, Oct 1990

A wide selection of sound libraries from Sound Source Unlimited, Roland and Stiletto come under the scrutiny of the Patchwork reviewers.

Software Support

Feature | Topic: Computing, Sequencing | Sound On Sound, May 1991
Hints, Tips & News From The World Of Music Software

More hints and tips from the software manufacturers themselves, this month: C-Lab, Steinberg and Voyetra.

Overtones

Feature | One Two Testing, Sep 1985

do you have to be a politician to have a hit

New Coats

Feature | Topic: Maintenance / Repair / Modification | One Two Testing, Jul 1984
Spraying

why guitars go lovely colours

Peavey 308S Monitors

Review | Music Technology, Sep 1991
Studio Monitors

Why choose between "flat" studio monitors and hi-fi speakers when you can have one pair for both jobs? Nigel Lord cranks up Peavey's 308s's.

Music & Pictures - Part 5

Feature Series | Topic: Composing for Business, Video / Film / Picture | Sound On Sound, Apr 1986
Getting Started

This month film music composer Robin Lumley discloses his own route to fame and fortune in an effort to get you started on yours...

Alligator Ebony A60 & A175 Combos

Review | International Musician & Recording World, Mar 1986
AmpCheck

Martin Brassel on the units in Alligator's move up-market.

Walk the dinosaur

Group: Control Room

Review | The Mix, Sep 1994
Yamaha QY300

The Walkstation grows up

Shadow Guitar To MIDI Converter

Review | Sound On Sound, Sep 1986

The 'guitar synthesizer' appears to be going through a new lease of life at present, with many manufacturers releasing guitar-based synth controlling devices that make good use of MIDI's powers of expression. Ian Gilby tries out one such model: the Shadow GTM-6.

Sampling Techniques - Part 4

Feature Series | Topic: Sampling | Sound On Sound, Mar 1993
How To Get The Most From Your Sampler

Analogue Synths

Feature | Topic: Vintage Instruments | Sound On Sound, Aug 1991
In The Digital Age

The digital revolution has not quite killed off the analogue synthesizer, and vintage or vintage-style instruments have an enduring appeal. Julian Colbeck looks at why this should be so.

Tascam Porta 05

Review | Music Technology, Jan 1988
Personal Multitracker

The intrepid Nicholas Rowland continues his search for the ultimate in personal multitrackers; armed only with a blank cassette and a bedroom's worth of gear, he tackles Tascam's latest budget baby.

Writing Music for a Documentary

Feature | Topic: Composing for Business, Video / Film / Picture | Sound On Sound, Nov 1988

Composing music for television can be both exciting and frustrating, as Ian Assersohn and Stephen Frost of Sequenza Music Production discovered when they began writing music for a documentary film about India.

Patchwork

Review | Music Technology, Mar 1991

Acoustic drum samples from producer Bob Clearmountain rub shoulders with Mega Beats drum machine samples, while SSU sounds for the Yamaha SY77 complete the lineup in this month's Patchwork.

Gary Numan

Interview | Electronics & Music Maker, Dec 1983

One of the most successful, certainly the most consistent, of Britain's electronic musicians, Gary Numan has succeeded in taking his eclectic and compelling music into the mass market. Gary talks of his songwriting and recording techniques, his past career, and what he plans for the future

RAP Attack

Review | Electronics & Music Maker, Dec 1985
RAP Software

An ingenious Spectrum/Commodore program that lets you combine whole hordes of MIDI drum machines into compatible systems. Simon Trask gives it the thumbs-up.

 

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