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Alchemy in the UK

Review | Micro Music, Jun/Jul 1989

Sample editing was never so simple thanks to this Mac package

HB Engraver

Review | Music Technology, Jul 1989
Macintosh Notation Software

Desktop music publishing becomes a serious proposition with this sophisticated notation software for the Apple Mac. Dan Goldstein notates his way around the dots.

BeeBMIDI - Part 8

Group: Computer Musician

Feature Series | Electronics & Music Maker, Apr 1985

Jay Chapman goes through the rest of the functions our own DX editing program, DX7ED, is capable of executing.

Ian Boddy: Phoenix

Interview | Sound On Sound, Dec 1986
THE STORY OF AN INDEPENDENT RECORD

The story of how one of this country's lesser-known synthesists took the bold step of forming his own record label to independently release his fourth album 'Phoenix'. Paul Gilby documents the process.

Going For Broke

Feature | Topic: Live, Marketing / Promotion, Music Business, Performing | Phaze 1, Aug 1989

forming your first band and don't know what to do? Read on...

The Science of Moments

Interview | One Two Testing, Mar 1984

Flattening the earth, contextualising the computer.

Punter At Large

Feature | Topic: Buyer's Guide, Retail | International Musician & Recording World, Dec 1985

A super-spy comes clean, but the questions go on

Music Madness

Interview | Music Technology, Apr 1987

Is hip hop an unending stream of monotonous, empty rhythms, or the brightest star in the use of modern musical technology? Tim Goodyer cross-questions MC Tee and DJ Mantronik.

Strange Changes

Interview | Music Technology, Dec 1991

MT fans and stars of the underground rave scene, Bizarre Inc regularly party down with high technology. Simon Trask meets the men and discusses hardcore issues.

Consenting Adults

Interview | Electronic Soundmaker & Computer Music, Dec 1984

Bronski Beat reveal all in The Garden, as their new album, Age of Consent, storms the charts.

Making the Most of... - Part 5

Feature Series | Topic: Recording | Home & Studio Recording, Sep 1985
Drum Machines and Electronic Percussion

Martin Sheehan looks at recording drum machines and electronic percussion

Getting into Video - Part 2

Feature Series | Topic: Syncronisation, Video / Film / Picture | Sound On Sound, Oct 1989

PART 2: Timecode - much talked about but little understood - is of increasing importance to musicians and recording engineers. Whether you are synchronising audio to video, or MIDI to multitrack, at least a working knowledge of SMPTE/EBU is required. In the second part of this series, David Mellor explains what timecode is and how it is used.

"We'll fix it in the bits..."

Group: Sound Advice

Feature | Topic: Digital Audio | The Mix, Sep 1994
Digital voice editing

How to swing the on-screen scalpel

Casio MG MIDI Guitar

Review | Music Technology, Dec 1987

Pitch-to-MIDI conversion without the complication of a free-standing conversion unit; Simon Trask finds new freedom in Casio's guitar controller.

The Producers

Group: Recording World

Interview | International Musician & Recording World, Jan 1985

Chas de Whalley records the thoughts of David Bowie's young, gifted and black producer, Derek Bramble

Mixdown Lowdown - Part 2

Feature Series | Topic: Mixing | Music Technology, Dec 1986

In the second part of our series on getting the most from the mix, Paul White offers some advice on using outboard signal processors to their best, er, effect.

Khemistry klass

Group: In Session

Interview | The Mix, Aug 1994

Wrexham's master remixers spill the beans

Thomas Lang

Interview | Music Technology, Apr 1993
Declaring Independence

They've been on CBS, they run their own company called Dry Communications, and they've learned a thing or two: they are a band called Thomas Lang. Phil Ward meets the Scousers with a Dry sense of humour.

Competition Positions

Competition | Topic: Live, Marketing / Promotion, Performing | Phaze 1, Jun 1989

are rock competitions worth their salt? if you fancy your chances, read on...

A&R

Feature | Topic: Music Business | One Two Testing, Sep 1984

what the record companies think they want

How Men Are Now

Interview | Music Technology, Jan 1987

The Luxury Gap boys pat themselves on the back after recording their fourth album, 'Pleasure One'. Tim Goodyer finds out how it was done, and discovers the threesome may soon be playing their first-ever concerts.

Lab Notes: Computer Music Without the Computer

Feature | Topic: Computing, Electronics / Build, Maintenance / Repair / Modification | Polyphony, Oct 1976
or: What to do 'til your processor arrives.

Ultravox

Interview Audio | Electronics & Music Maker, Apr 1981

Loop The Loop

Review | Electronic Soundmaker & Computer Music, Jun 1985
Loop Create software for the Greengate DS:3.

New looping software for the Greengate DS:3.

Arts & Krafts

Interview | Music Technology, Dec 1992

Ralf Hutter: This year's model

 

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