- Search looks for the phrase you typed.
- Advanced Mode looks for individual terms:
eg: +roland +"great synth" -juno
See the Search Help page for more details.
Results: 226 - 250 of 636 displayed.
mu:zines is the result of thousands of hours of effort, and will require many thousands more going forward to reach our goals of getting all this content online.
If you value this resource, you can support this project - it really helps!
New issues that have been donated or scanned for us this month.
All donations and support are gratefully appreciated - thank you.
Do you have any of these magazine issues?
If so, and you can donate, lend or scan them to help complete our archive, please get in touch via the Contribute page - thanks!
Alchemy in the UKReview | Micro Music, Jun/Jul 1989Sample editing was never so simple thanks to this Mac package |
HB EngraverReview | Music Technology, Jul 1989Macintosh Notation SoftwareDesktop music publishing becomes a serious proposition with this sophisticated notation software for the Apple Mac. Dan Goldstein notates his way around the dots. |
BeeBMIDI - Part 8Group: Computer MusicianJay Chapman goes through the rest of the functions our own DX editing program, DX7ED, is capable of executing. |
Ian Boddy: PhoenixInterview | Sound On Sound, Dec 1986THE STORY OF AN INDEPENDENT RECORDThe story of how one of this country's lesser-known synthesists took the bold step of forming his own record label to independently release his fourth album 'Phoenix'. Paul Gilby documents the process. |
Going For BrokeFeature | Topic: Live, Marketing / Promotion, Music Business, Performing | Phaze 1, Aug 1989forming your first band and don't know what to do? Read on... |
The Science of MomentsInterview | One Two Testing, Mar 1984Flattening the earth, contextualising the computer. |
Punter At LargeFeature | Topic: Buyer's Guide, Retail | International Musician & Recording World, Dec 1985A super-spy comes clean, but the questions go on |
Music MadnessInterview | Music Technology, Apr 1987Is hip hop an unending stream of monotonous, empty rhythms, or the brightest star in the use of modern musical technology? Tim Goodyer cross-questions MC Tee and DJ Mantronik. |
Strange ChangesInterview | Music Technology, Dec 1991MT fans and stars of the underground rave scene, Bizarre Inc regularly party down with high technology. Simon Trask meets the men and discusses hardcore issues. |
Consenting AdultsInterview | Electronic Soundmaker & Computer Music, Dec 1984Bronski Beat reveal all in The Garden, as their new album, Age of Consent, storms the charts. |
Making the Most of... - Part 5Feature Series | Topic: Recording | Home & Studio Recording, Sep 1985Drum Machines and Electronic PercussionMartin Sheehan looks at recording drum machines and electronic percussion |
Getting into Video - Part 2Feature Series | Topic: Syncronisation, Video / Film / Picture | Sound On Sound, Oct 1989PART 2: Timecode - much talked about but little understood - is of increasing importance to musicians and recording engineers. Whether you are synchronising audio to video, or MIDI to multitrack, at least a working knowledge of SMPTE/EBU is required. In the second part of this series, David Mellor explains what timecode is and how it is used. |
"We'll fix it in the bits..."Group: Sound AdviceDigital voice editingHow to swing the on-screen scalpel |
Casio MG MIDI GuitarReview | Music Technology, Dec 1987Pitch-to-MIDI conversion without the complication of a free-standing conversion unit; Simon Trask finds new freedom in Casio's guitar controller. |
The ProducersGroup: Recording WorldChas de Whalley records the thoughts of David Bowie's young, gifted and black producer, Derek Bramble |
Mixdown Lowdown - Part 2Feature Series | Topic: Mixing | Music Technology, Dec 1986In the second part of our series on getting the most from the mix, Paul White offers some advice on using outboard signal processors to their best, er, effect. |
Khemistry klassGroup: In SessionWrexham's master remixers spill the beans |
Thomas LangInterview | Music Technology, Apr 1993Declaring IndependenceThey've been on CBS, they run their own company called Dry Communications, and they've learned a thing or two: they are a band called Thomas Lang. Phil Ward meets the Scousers with a Dry sense of humour. |
Competition PositionsCompetition | Topic: Live, Marketing / Promotion, Performing | Phaze 1, Jun 1989are rock competitions worth their salt? if you fancy your chances, read on... |
A&RFeature | Topic: Music Business | One Two Testing, Sep 1984what the record companies think they want |
How Men Are NowInterview | Music Technology, Jan 1987The Luxury Gap boys pat themselves on the back after recording their fourth album, 'Pleasure One'. Tim Goodyer finds out how it was done, and discovers the threesome may soon be playing their first-ever concerts. |
Lab Notes: Computer Music Without the ComputerFeature | Topic: Computing, Electronics / Build, Maintenance / Repair / Modification | Polyphony, Oct 1976or: What to do 'til your processor arrives. |
UltravoxInterview Audio | Electronics & Music Maker, Apr 1981 |
Loop The LoopReview | Electronic Soundmaker & Computer Music, Jun 1985Loop Create software for the Greengate DS:3.New looping software for the Greengate DS:3. |