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Professional Conduct

Review | Electronics & Music Maker, Feb 1986
Steinberg Pro 16 Sequencer

It’s been a while coming, but now the Commodore 64 has a software package to rival the BBC’s UMI. Simon Trask checks out an incredible MIDI sequencer, and lists what it can do.

Digidesign Sound Tools

Review | Sound On Sound, Aug 1989

With a Macintosh computer and Digidesign's new CD-quality digital audio system, you can cut, splice, and create extended remixes to your heart's content. Paul D. Lehrman discovers what it is like to go tapeless in the studio.

Multitasking

Feature | Topic: Computing | Music Technology, May 1988

Wishing you could do more than one thing at a time may be as close as you'll ever get to doing it, but your computer is another story altogether. Harvey P Newquist III explains multitasking and some of its uses.

Brother PDC100 Pro Disk Composer

Review | Music Technology, Feb 1992
MIDI Sequencer

Conflict between hardware and software sequencing intensifies - can dedicated sequencers still compete with the flexibility of a computer? Simon Trask experiences Brotherly love.

Software Support

Feature | Topic: Computing, Sequencing | Sound On Sound, Nov 1988
Hints, Tips & News From The World Of Music Software

Spurred on by the successful reaction to our previous Steinberg and Dr.T support pages, we bring you a regular new column of hints, tips and news from the world of music software.

Evolution Synthesis EVS1

Review | Music Technology, Nov 1990
Synthesiser Expander Module

Looking for a digital complement to analogue gear or another expander to take the pressure off the rest of your rack? Ian Waugh discovers sonic flexibility at a price you can afford.

Trackman Sequencer

Review | Sound On Sound, Dec 1988

Following on from last month's preview, Paul Ireson provides a thorough rundown of this easy-to-use, 32-track, pattern-based sequencer for the Atari ST.

Way Down Yonder...

Show Report | Electronics & Music Maker, Aug 1985

...in New Orleans, Paul Wiffen takes time out to visit the NAMM show, and returns bearing news of the Series III Fairlight, the Emulator SP12 and the OSC Advanced Sound Generator, and more.

Oberheim Strummer

Review | Music Technology, Nov 1991
Keyboard to Guitar Chord Converter

Latest in Oberheim's Perf/X series is a unit designed to bridge the gap between keyboard and guitar. Simon Trask perfects his Jimi Hendrix impression.

Cheetah MQ8

Review | Music Technology, Feb 1990
Sequencer

Latest in their line of cost-effective gear is Cheetah's MQ8 sequencer. Simon Trask investigates a budget sequencer that incorporates some of the features of the Zyklus MIDI Performance System.

Hi-Tech Xpansion

Review | Electronics & Music Maker, Apr 1985

As Yamaha's 'X' range of hi-tech hardware continues to grow, Dan Goldstein and Trish McGrath present an exclusive appraisal of two of the range's most affordable additions, the TX7 FM Expander and QX7 MIDI Keyboard Recorder.

FM 4-Operator Editors

Review | Music Technology, Jul 1988

Two software packages that offer a generic approach to sound creation on Yamaha's four-operator FM synths. Ian Waugh boots up Dr T's 4-Op Deluxe and the Soundbits 4X4.

Akai S1100

Review | Music Technology, May 1991
Digital Stereo Sampler

Having set the music industry standard in sampling with their S1000, Akai are now taking moving pictures into their stride. Simon Trask gets frame-accurate on the S1100.

Korg M1

Review | Music Technology, Jul 1988
Music Workstation

This synth/sequencer/drum machine with digital effects is the first instrument in Korg's new workstation series. Simon "Mansell" Trask takes it for a test drive.

Trade Winds - BMF 1989

Show Report | Music Technology, Sep 1989
British Music Fair Show Report

This year's British Music Fair attracted hordes of equipment-hungry punters eager to see what the future of music might hold. Simon Trask was there asking the same question.

The Art of Updating

Review | Sound On Sound, Aug 1990
Art Multiverb III & SGE Mach II

Art seem to update their range of multi-effects processors faster than everyone else. Dave Lockwood checks out two of their very latest incarnations.

Fostex DCM100 and Mixtab

Review | Sound On Sound, Nov 1992
MIDI-Controlled Mixing System

2B Or Not 2B

Review | Electronics & Music Maker, Nov 1985
UMI 2B Software

The 1B version was good, but Simon Trask has spent a month with its successor, and reckons it deserves its reputation as the most professional sequencing package designed round a home computer.

Linn 9000

Review | Electronics & Music Maker, Apr 1985
Digital Drum Machine and Keyboard Recorder

The people who introduced the world to the concept of digital drums have now applied their expertise to MIDI keyboard recording. Paul Wiffen gives his verdict.

Kurzweil Mark 5

Review | Music Technology, Jun 1993
Digital Piano

Just how close can technology come to matching a real concert pianoforte? Only one man can address this question: the maestro himself, Simon Trask

Toolbox

News | The Mix, Jun 1995
Sounds, samples, & software upgrades for the modern studio

Software, sounds and samples

 

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