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Akai S1000Review | Music Technology, Dec 1988Digital SamplerFollowing in the footsteps of their successful S900 sampler, Akai's new baby looks likely to set new standards in sampling hardware. Simon Trask's thrilled to bits. |
EucornReview | Micro Music, Dec 1989Ronald Alpier takes us through a music package for the Archimedes with a difference |
Roland R8Review | Music Technology, Feb 1989Human Rhythm ComposerSince the days of the TR808, Roland have set standards for many other drum machines; now they're concentrating on the human angle. Simon Trask tests the "Human Rhythm Composer". |
Akai MPC60Review | Music Technology, Apr 1988From the ashes of the ill-fated Linn 9000, Roger Linn and Akai have brought forth the MPC60. Simon Trask takes a look at this powerful drum machine and sequencer. |
E-mu SP1200Review | Sound On Sound, Oct 1987Sampling Percussion SystemNot just a sampling drum machine, more a solid state tape recorder! As things start to heat up at the top end of the drum machine market, David Mellor gives E-mu's successor to their popular SP-12 a thorough pounding. |
The segue with the silver tongueGroup: Control RoomCD player 3-way testDenon, Pioneer, Vestax lock lasers |
Soft OptionsReview | Recording Musician, Nov 1992Steinberg Cubase Lite and C-Lab Notator Alpha SequencersCubase Light and Notator Alpha are both streamlined versions of their more costly counterparts, designed to make MIDI sequencing on the Atari ST more approachable. |
ToolboxNews | The Mix, Jun 1995Sounds, samples, & software upgrades for the modern studioSoftware, sounds and samples |
Personal Composer System/2Review | Sound On Sound, Dec 1988Jay Chapman sinks his teeth into one of the most complex and sophisticated scorewriting and sequencing programs on the market - Jim Miller's Personal Composer for PC compatible computers. |
Roland R8 Rhythm ComposerReview | Sound On Sound, Feb 1989Paul Ireson beats a path to the door of Roland's new flagship drumbox and finds a groovy kind of love. |
LandscapeGroup: Alternatives to 'Product'The Rhythm SectionLandscape's bassist and drummer recount their reasons for choosing to form their own label to Ralph Denyer. |
Beat On The CheapReview | Electronic Soundmaker & Computer Music, Feb 1984Budget BeatsA beat on the cheap? |
Inside MIDIGroup: MIDI Supplement - Part TwoAnd following on from that, David Ellis takes an in-depth look at how the MIDI system works, and the sort of potential it encompasses. |
TDM VirtuosoReview | Music Technology, Oct 1989From a new British company comes a new Atari ST software sequencer that looks set to rival Notator and Cubase for power and versatility. The virtuous Nigel Lord boots it up. |
Incoming DataNews | Music Technology, Oct 1992 |
Fairlight CMI ReviewReview Audio | Electronics & Music Maker, Jun 1981 |
Ensoniq SQ1Review | Music Technology, Oct 1990Personal Music StudioThe term workstation is officially in demise - to prove it, Ensoniq's SQ1 is dubbed a Personal Music Studio. Simon Trask investigates the best-specified workstation to date. |
Yamaha X-series MIDI SystemReview | Electronics & Music Maker, May 1985TX816 Rack, QX1 Digital Sequencer, KX88 Master KeyboardAt last, a detailed appraisal of Yamaha's state-of-the-art MIDI system. FM rack, digital keyboard recorder and master keyboard come under David Ellis' careful scrutiny. |
Peavey DPM3Review | Sound On Sound, May 1990Composition CentreAnnounced over a year ago, the all-American DPM3 has finally landed on our shores. Martin Russ takes the wraps off Peavey's much publicised first foray into the hi-tech keyboard market. |
ToolboxNews Audio | The Mix, Nov 1994Sounds, samples, & software upgrades for the modern studioSoftware, samples and gadgets for the modern musician |
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