Global Search

- Search looks for the phrase you typed.
- Advanced Mode looks for individual terms:

eg: +roland +"great synth" -juno

See the Search Help page for more details.





Help Support The Things You Love

mu:zines is the result of thousands of hours of effort, and will require many thousands more going forward to reach our goals of getting all this content online.

If you value this resource, you can support this project - it really helps!

Donations for January 2025
Issues donated this month: 0

New issues that have been donated or scanned for us this month.

Funds donated this month: £22.00

All donations and support are gratefully appreciated - thank you.


Magazines Needed - Can You Help?

Do you have any of these magazine issues?

> See all issues we need

If so, and you can donate, lend or scan them to help complete our archive, please get in touch via the Contribute page - thanks!

Search results

Sound Advice

Feedback | Sound On Sound, Jan 1988

Our regular column devoted to readers' hints and tips about their recording equipment, instruments, software and playing techniques.

Microdeal Replay Professional

Review | Music Technology, Apr 1990
Atari ST Sampler

Turning your ST into a sampler is one way of getting into sampling on the cheap. Ian Waugh sounds out an improved version of Microdeal's successful Replay sampler.

Roni Music Sweet 16

Group: Quality Control

Review | Music Technology, Dec 1993
sequencer for the Atari ST, TT and Falcon

A 16-track package from weden for the ST, TT or Falcon. Any resemblance to Creator is not coincidental

In The Mix

Review | Electronics & Music Maker, Aug 1986
AHB Keymix

Simon Trask takes an in-depth look qt a computer-controlled modular mixer. Does MIDI programmability represent the future of the mixing console?

Technically Speaking

Feature | Topic: Computing, MIDI | Making Music, Apr 1987

Fast Forward

News | Home & Studio Recording, Mar 1986
and Frankfurt firsts

Ensoniq VFX Synthesizer

Review | Sound On Sound, Jun 1989

Unheralded even by rumours and speculation, Ensoniq's new VFX synthesizer has arrived. Prior to a full review next month, Paul Ireson offers his first impressions of what could turn out to be the most sought after synth of 1989.

Outside Of C - Part 6

Group: One Two Training

Feature Series | Topic: Music Theory, Tuition / Technique | One Two Testing, Jan 1986
Keyboard Training

spinning the circle of fifths

Passport Trax

Review | Music Technology, Dec 1990

This cost-effective sequencing package from Passport comes ready to run on all the popular music computers. Ian Waugh checks out the newest relative in the MasterTracks family.

Casio VZ1

Review | Music Technology, Sep 1988
iPD Digital Synthesiser

Casio's latest synthesiser employs the successor to the company's own PD synthesis system - interactive Phase Distortion. Bob O'Donnell investigates a new phase in synthesis.

Quinsoft Trax

Review | Music Technology, Jun 1990
Software for the Atari ST

If you and your studio are in business together, money management can be a big problem. Tim Goodyer checks out a useful accounts program and a host of studio utilities written with the musician in mind.

Build It Yourself

Feature | Topic: Electronics / Build | Electronic Soundmaker & Computer Music, Jun 1984

At last the instructions

Lab Notes

Feature | Topic: Computing, Electronics / Build | Polyphony, Jul 1976
Computer Drums

Hollis Trackman II

Review | Music Technology, Dec 1989

Perhaps the fastest-evolving Atari sequencing software is Hollis Research's Trackman which has just reached version II. Ian Waugh gets back on track.

Synthworks D-110

Review | Micro Music, Dec 1989

Rob Beattie harnesses the power of the ever popular LA expander range with this Editor/Librarian package from Steinberg

Guide To Electronic Music Techniques

Feature | Topic: Synthesis & Sound Design, Synthesizer Patches | Electronics & Music Maker, Mar 1982
Patchwork

AHB CMC 24

Review | Home & Studio Recording, May 1985

Masterbits Vocal Sample CD

Review | Sound On Sound, Sep 1990

Despite the technological revolution that has changed the way almost everything else in music is produced, you still need a singer to record vocals — or do you? David Hughes looks at a sample CD that opens the door to a new way of laying down backing vocals.

Vox Populi

Review | Electronic Soundmaker & Computer Music, Sep 1985
Microvox Mimic Digital Sound Editor

High-spec sampler for the CBM 64

Sonic Images Sample CDs

Review | Sound On Sound, May 1990

There may be few instruments in the world that have not yet been sampled, but there is still an infinite number of ways it can be done. David Mellor auditions the Sonic Images sample library volumes 2 and 3.

The Music Network

Feature | Topic: Computing | Sound On Sound, May 1989
SOS Online

Paul Gilby reports on activities on Europe's new electronic communications system for musicians.

Aria Ironman/Bladerunner Guitars

Review | One Two Testing, Nov 1985

explorer-esque

TechTalk - Part 1

Interview Series | Topic: Synthesis & Sound Design | Electronics & Music Maker, Sep 1985

John Chowning, inventor of FM synthesis and the man indirectly responsible for Yamaha's DX synths, receives an interrogation from Simon Trask. In the event, our man scarcely gels a word in edgeways.

Big Band & Studio 24

Review | Sound On Sound, Jan 1989

Martin Russ orchestrates his way through two fascinating ST programs from French software house, Digigram.

On The Net

News | Topic: Computing | The Mix, Jan 1995

Info and addresses for the networked musician

 

muzines_logo_02

Small Print

Terms of usePrivacy