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Musical Micro SurveyFeature | Topic: Buyer's Guide, Computing | Electronic Soundmaker & Computer Music, Mar 1984Concise guide |
ShortcutsGroup: Quality Control |
Keynote ChameleonReview | Music Technology, Dec 1989Patch LibrarianTired of swapping Atari disks to edit parameters on different synths - or of paying for a variety of editors? Send for a universal synth editor. Ian "Mr Universe" Waugh flexes Chameleon's muscles. |
The Digital Muse ProdigyReview | Music Technology, Apr 1990Software for the Atari STSon of TDM's Virtuoso ST sequencing software, the budget Prodigy retains many of its parent's best features. Ian Waugh checks out the fastest little sequencer in the west. |
Dynaware BalladeReview | Music Technology, Mar 1990IBM PC SoftwareThis combined sequencer and tone editor for the IBM PC will work happily with Roland's MT32 and LAPC1. Ian Waugh looks into a serious PC music system. |
Dr T's/Virtual Sounds SamplemakerReview | Music Technology, Feb 1989From the American Dr Ts comes an Atari ST program capable of additive, FM, AM and multiwaveform synthesis as well as sample editing. Chris Meyer asks if facilities are everything. |
Roland R5Review | Music Technology, Jul 1989Human Rhythm ComposerNigel Lord ruminates over the future of the drum machine as he checks out the budget version of Roland's flagship R8 Human Rhythm Composer. To be human or not to be human, that is the question. |
Absolute PrecisionReview | Electronic Soundmaker & Computer Music, Jul 1985UMI-2BSequencing interface for the BBC |
Voyetra Technologies Sequencer Plus IIIReview | Music Technology, May 1988Software for the IBM PCTurning his back on the Atari ST, Ian Waugh boots up a comprehensive sequencing package for the IBM PC (and compatibles). If you thought the Atari ST and Macintosh had it all their own way, read again. |
Wave For WindowsGroup: Quality ControlDirect-to-disk recording systemPC-based direct-to-disk recording is getting better... and cheaper. Ian Waugh looks at one of the latest systems to emerge. |
Hybrid Arts EZ-Score PlusReview | Music Technology, Apr 1988Software for the Atari STThe first of a series of scoring programs for the Atari ST. Aaron Hollas checks out its extensive editing facilities and its compatibility with the company's sequencing programs. |
GuitaristicsReview | Micro Music, Feb 1990Phil Brammer strums his way through this educational guitar program |
DR T'S X-ORReview | Music Technology, Nov 1989With the novelty wearing off dedicated software synth editors, the race is on to come up with the definitive generic editor. Ian Waugh test-drives Dr T's entry. |
PG Music Band-In-A-BoxReview | Music Technology, Jul 1991Apple Mac/IBM PC/Atari ST SoftwareAs technology tears down barriers, people rebuild them. Ian Waugh investigates a composition program that delivers all the traditional elements of music at the touch of a button. |
Natural synthesisGroup: Control RoomYamaha VL1mVirtual synthesis in a box |
Digigram ProscoreReview | Music Technology, Jan 1991Software for the Atari STThe elite of ST scorewriting software is C-Lab's Notator and Steinberg's Cubase; their prices reflect this status. Ian Waugh makes the French connection and finds a cost-effective alternative. |
Tascam 246 - an Un-Reel MachineReview | Home & Studio Recording, Jan 1986 |
Chip ChatGroup: Computer MusicianThe Texas TMS 5220 Speech Chip comes under scrutiny. |
The Man Behind The Radio!Interview | Sound On Sound, Apr 1988As a founding member of Germany’s pioneering electronic group, Can, and a former Stockhausen pupil, Holger Czukay has long been associated with the avant-garde electronic music scene in Europe. His past work includes collaborations with Brian Eno, the Eurythmics and David Sylvian, with whom he has recently completed a new album. Mark Prendergast reports. |
Datamusic Fractal MusicReview | Music Technology, Oct 1991Atari ST SoftwareRecently we looked at the theoretic applications of fractal maths in music. This month Ian Waugh composes a complex number with this ST software... |
EMR Studio 24+Review | Music Technology, Oct 1989Still suffering from a dearth of software, the powerful Acorn Archimedes computer has yet to gain acceptance in music circles - will this sequencer help it on its way? Ian Waugh checks it out. |
Roland CD5Review | Music Technology, May 1989CD ROM PlayerExpensive it maybe, but CD ROM storage is one way of making a sampler a much more powerful instrument. And if you're using a Roland S550, it may not be as expensive as you think, as Simon Trask discovers. |