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Musical Micro Survey

Feature | Topic: Buyer's Guide, Computing | Electronic Soundmaker & Computer Music, Mar 1984

Concise guide

Shortcuts

Group: Quality Control

Review | Music Technology, Nov 1993

Keynote Chameleon

Review | Music Technology, Dec 1989
Patch Librarian

Tired of swapping Atari disks to edit parameters on different synths - or of paying for a variety of editors? Send for a universal synth editor. Ian "Mr Universe" Waugh flexes Chameleon's muscles.

The Digital Muse Prodigy

Review | Music Technology, Apr 1990
Software for the Atari ST

Son of TDM's Virtuoso ST sequencing software, the budget Prodigy retains many of its parent's best features. Ian Waugh checks out the fastest little sequencer in the west.

Dynaware Ballade

Review | Music Technology, Mar 1990
IBM PC Software

This combined sequencer and tone editor for the IBM PC will work happily with Roland's MT32 and LAPC1. Ian Waugh looks into a serious PC music system.

Vivace Software

Review | Music Technology, Dec 1992
Software For the Atari ST

High scoring on the ST

Dr T's/Virtual Sounds Samplemaker

Review | Music Technology, Feb 1989

From the American Dr Ts comes an Atari ST program capable of additive, FM, AM and multiwaveform synthesis as well as sample editing. Chris Meyer asks if facilities are everything.

Roland R5

Review | Music Technology, Jul 1989
Human Rhythm Composer

Nigel Lord ruminates over the future of the drum machine as he checks out the budget version of Roland's flagship R8 Human Rhythm Composer. To be human or not to be human, that is the question.

Absolute Precision

Review | Electronic Soundmaker & Computer Music, Jul 1985
UMI-2B

Sequencing interface for the BBC

Voyetra Technologies Sequencer Plus III

Review | Music Technology, May 1988
Software for the IBM PC

Turning his back on the Atari ST, Ian Waugh boots up a comprehensive sequencing package for the IBM PC (and compatibles). If you thought the Atari ST and Macintosh had it all their own way, read again.

Wave For Windows

Group: Quality Control

Review | Music Technology, May 1994
Direct-to-disk recording system

PC-based direct-to-disk recording is getting better... and cheaper. Ian Waugh looks at one of the latest systems to emerge.

Hybrid Arts EZ-Score Plus

Review | Music Technology, Apr 1988
Software for the Atari ST

The first of a series of scoring programs for the Atari ST. Aaron Hollas checks out its extensive editing facilities and its compatibility with the company's sequencing programs.

Guitaristics

Review | Micro Music, Feb 1990

Phil Brammer strums his way through this educational guitar program

DR T'S X-OR

Review | Music Technology, Nov 1989

With the novelty wearing off dedicated software synth editors, the race is on to come up with the definitive generic editor. Ian Waugh test-drives Dr T's entry.

PG Music Band-In-A-Box

Review | Music Technology, Jul 1991
Apple Mac/IBM PC/Atari ST Software

As technology tears down barriers, people rebuild them. Ian Waugh investigates a composition program that delivers all the traditional elements of music at the touch of a button.

Fractal Music Software

Review | Music Technology, Nov 1992
Software for the Atari ST

Music by design?

Natural synthesis

Group: Control Room

Review Audio | The Mix, Dec 1994
Yamaha VL1m

Virtual synthesis in a box

Digigram Proscore

Review | Music Technology, Jan 1991
Software for the Atari ST

The elite of ST scorewriting software is C-Lab's Notator and Steinberg's Cubase; their prices reflect this status. Ian Waugh makes the French connection and finds a cost-effective alternative.

Tascam 246 - an Un-Reel Machine

Review | Home & Studio Recording, Jan 1986

Chip Chat

Group: Computer Musician

Feature | Topic: Computing, Electronics / Build | Electronics & Music Maker, Jan 1984

The Texas TMS 5220 Speech Chip comes under scrutiny.

The Man Behind The Radio!

Interview | Sound On Sound, Apr 1988

As a founding member of Germany’s pioneering electronic group, Can, and a former Stockhausen pupil, Holger Czukay has long been associated with the avant-garde electronic music scene in Europe. His past work includes collaborations with Brian Eno, the Eurythmics and David Sylvian, with whom he has recently completed a new album. Mark Prendergast reports.

Datamusic Fractal Music

Review | Music Technology, Oct 1991
Atari ST Software

Recently we looked at the theoretic applications of fractal maths in music. This month Ian Waugh composes a complex number with this ST software...

Armadillo

Review | Micro Music, Feb 1990

Baz Watts looks into the Armadillo sampler for the Arc

EMR Studio 24+

Review | Music Technology, Oct 1989

Still suffering from a dearth of software, the powerful Acorn Archimedes computer has yet to gain acceptance in music circles - will this sequencer help it on its way? Ian Waugh checks it out.

Roland CD5

Review | Music Technology, May 1989
CD ROM Player

Expensive it maybe, but CD ROM storage is one way of making a sampler a much more powerful instrument. And if you're using a Roland S550, it may not be as expensive as you think, as Simon Trask discovers.

 

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