From darkest Wales comes a powerful new PA mixer/amp that can also double as a sub-mixer for a bank of keyboards. Paul White has been using it for just that.

Signal Processors — the saga continues

More signal processors from Phil 'DIY.V.O.R.C.E.' Walsh

Studio Test

A sampling kit for under £30. Curtis Schwartz discovers the noise of art

Tanrack modular effects rack

Modular effects for the home studio

Rotating Speaker Simulator

With acid jazz making the Hammond sound popular again the search is on for a practical alternative to the Leslie cabinet. Nick Magnus takes the CLS 222 for a spin.

MXR 1500 Digital Delay

The MXR 1500

Part two in our build-your-own-MIDI link for a BBC and DX21.

Ampcheck

Now, a combo for people with two ears and ten fingers. Like Jim Betteridge, in fact. Shame about the leg, though, Jim

Studio Test

Jim Betteridge explores every nuance of the MTR mixer, but still doesn't reveal what MTR stands for

8:4:2 mixer

The ergonomics of the small mixer redefined

Touch Switch Theory

Using Sequencers with Modular Systems

More about modular sequencing and the effects it can be used for. Steve Howell educates.

Make music with the ZX81

Hints, Tips & News From The World Of Music Software

This month, helpful hints for users of C-Lab and Opcode software.

State Variable Filter

Sound Sampler for Sinclair Spectrum

If you've got access to a Spectrum, sound sampling can be yours for under £200. Mike Drane reports on a revolutionary British development.

The Reverb Revolution Continues

Don't spend your Christmas money until you've read this! We bring you an exclusive in-depth review on Alesis' new secret weapon: a 16-bit, studio quality, digital reverb for little more than the cost of a spring unit.

A little lateral thinking from Paul White reveals new and better ways of getting signals to and from tape.