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Symetrix 525Review | Home & Studio Recording, Feb 1986Dual Compressor/limiter GateA compressor/limiter with programme dependent characteristics. |
Aria R504 Four Track Cassette DeckReview | One Two Testing, Apr 1984 |
Analogue-To-Digital ConversionFeature | Topic: Digital Audio | Sound On Sound, Apr 1991Why isn't everybody happy with 16-bit sampling? Why are 20 bits better than 16? Kendall Wrightson looks at the technology in the latest generation of analogue-to-digital convertors. |
Yamaha DMP7 MixerPreview | Music Technology, Feb 1987Just weeks before it makes its European debut, Dan Goldstein previews the small mixing console that could change the way we think about signal processing, sequencing, and recording as a whole. |
Technart TUK 200Review | Music Technology, Jun 1989Pitch-to-MIDI Conversion SystemThe search for an alternative to the keyboard as a MIDI controller continues - with a system from a new British company called Technart. Debbie Poyser tracks down the TUK 200. |
Repeat PerformanceReview | Home & Studio Recording, Dec 1985Possibly the cheapest rack mounting digital delay in the known universe. Paul White examines the DX99RM DDL from John Hornby Skewes. |
The Route To The TopReview | Sound On Sound, Apr 1990XRI Systems XR400 MIDI MateIs your MIDI system just an accident waiting to happen? Here's an easy way of bringing order to your present tangled mess of MIDI connections. Martin Russ checks out XRI Systems' clever XR400 MIDI Mate. |
Alesis MIDIverb IIIReview | Sound On Sound, Jan 1990This latest release from the purveyors of low-cost signal processing is more a reverb unit with supplementary effects than a full-function multi-effects processor. Paul Ireson journeys into deep space to check it out. |
Fostex MN-15 Mixer/CompressorReview | Home & Studio Recording, Sep 1984 |
Volume PedalFeature | Topic: Electronics / Build | Electronics & Music Maker, Jan 1982Build this low cost, novel Hall Effect pedal accessory |
Effects Link FX-1Feature | Topic: Electronics / Build | Electronics & Music Maker, Oct 1981Here's the first of our special effects boxes. |
MF1 Sync UnitFeature | Topic: Electronics / Build, Syncronisation | Electronics & Music Maker, Apr 1982Control your sequencers and drum machines from tape. |
Mackie Designs CR1604 MixerReview | Music Technology, Jun 1992One of the nerve centres of any studio is its mixing desk - but how do you choose a mixer which is both affordable and expandable? Tim Goodyer discovers a desk which is built to last and to grow - and cost very little. |
Fostex 160 MultitrackerReview | Music Technology, Dec 1986Four-track Cassette RecorderA new mid-price four-track machine from the people Tascam love to hate. Paul White finds it to be elegant, well designed, and startlingly good value. |
Black To The FutureReview | Home & Studio Recording, Nov 1986Fostex 160 MultitrackerWhat can I say... it's black, it lights up... they've done it again — another winner. |
Universal Trigger InterfaceFeature | Topic: Electronics / Build | Electronics & Music Maker, Jul 1982A unique E&MM design which allows interfacing between all commercially available synthesisers, sequencers and micros. |
Tubular StealReview | Recording Musician, Apr 1993Drawmer 1960 Dual Valve CompressorValves and chips combine to produce a compressor that is flexible, flattering and very friendly. But then it's built in Yorkshire, so it should be. |
Clarion & FostexGroup: RecordingClarion XD5500 4-track, XA5500 mixer. Fostex X-15 |
dbx SNR1Review | Music Technology, Jun 1989Noise Reduction SystemThere are more sources of noise in a studio than recording tape -and a noise reduction unit ought to be able to cope with all of it, right? Vic Lennard thinks he's found one that does. |
Boss DE200 DelayReview | Home & Studio Recording, Nov 1984 |
Phase Linear 4000 AmpGroup: SoundCheck |
HistoryGroup: Effective FXthe electronics behind the noises |