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Tape

Review | Topic: Tape, Vinyl, CD, DAT | One Two Testing, Jun 1985
Maxell UDII, Sony UCX-S, That's EM

three new chrome cassettes

Programmable Audio Patchbays

Review | Sound On Sound, Apr 1990
Peavey MAP8X4, Icon Research APB1

Ian Gilby takes a look at two different approaches to the design of a MIDI-controlled audio patchbay: the Peavey MAP8X4 and Icon Research APB1.

TOA 310D

Review | Home & Studio Recording, May 1987
Digital Delay

Programmable delay effects from Toa.

Session SG2100 Amp

Review | One Two Testing, Dec 1985

Stereo from one input

RSF Kobol Expander

Review | Electronics & Music Maker, Mar 1983

Auto Swell

Feature | Topic: Electronics / Build | Electronics & Music Maker, Nov 1981

Musicians! Build this superb swell/sustain touch pedal for only £9.

Tascam MM1

Review | Sound On Sound, Dec 1989
MIDI Mutable Mixer

Most small mixers simply don't have enough inputs for even a modest home recording setup. One that certainly does is the new 20:2 Tascam MM1, complete with MIDI mute automation. Tony Hastings checks it out.

Yamaha REX50

Review | Music Technology, Oct 1987
Digital Signal Processor

The latest signal processor from Yamaha may be aimed primarily at guitarists but the small studio owner might prefer to look at it as an adaptation of the SPX90. Rick Davies finds out it has a few new twists as well as a slimline price tag.

ATPL Symphony Keyboard

Group: Computer Musician

Review | Electronics & Music Maker, Mar 1985
Add-on for BBC Micro

David Ellis casts a critical eye over a new music keyboard for the BBC Micro that controls the computer's internal sound chip and is compatible with Acorn's Music 500 synth add-on.

Roland SBX-80 Sync Box

Review | International Musician & Recording World, May 1985
Sequencercheck

How to sync without a trace. Review by Curtis Schwartz

Datel Sound Sampler

Group: Computer Musician

Review | Electronics & Music Maker, Apr 1985
Hardware and Software for Sinclair Spectrum

E&MM new-boy Simon Trask gets his teeth into a Spectrum-based sampling system that retails for no more than £50.

Tascam 32

Review | Home & Studio Recording, Nov 1983
Tape Recorder

Ohm Tramp

Review | International Musician & Recording World, Feb 1985
Ampcheck

Paul Bacon (Egon's brother?) puts the 16watt demon through its paces

Music Maker Equipment Scene

News | Electronics & Music Maker, May 1983
Music

New products for the music business

Load Baring

Feature | Topic: Synthesizer Patches | One Two Testing, May 1985

two programmes for the DX7

Yamaha D1500 MIDI Digital Delay

Review | Home & Studio Recording, Nov 1984

Studiomaster Pro Line Gold

Review | Music Technology, Jan 1991
Mixing Desk

If you can't afford to be without a fully-featured mixing desk but can't afford the usual asking price, it could be that you haven't checked out Studiomaster's Pro Line Gold. Tim Goodyer has...

More than Meets the Eye

Review | Home & Studio Recording, Sep 1986
Alesis Midifex

Now it can be told. This deceptively simple box of delay and reverb effects heralds a new era in push-button production treatments.

ADA STD-1 Stereo Tapped Delay

Review | Home & Studio Recording, Mar 1985

Soundtracs 16-8-16 Mixer

Review | Home & Studio Recording, Jan 1984

Audio Architecture Function Junction Plus

Review | Music Technology, Sep 1990
Programmable MIDI Patchbay

When your MIDI setup starts to look more like NASA's mission control than a music studio, a MIDI patchbay is essential. Vic Lennard tests one of the best.

Tascam M1516 Mixer

Review | Sound On Sound, Jun 1992

Tascam's compact and versatile new M1516 desk is aimed squarely at the semi-pro 8-track market. The not-so compact but even more versatile Dave Lockwood checks it out.

Mixer Basics

Feature | Topic: Mixing | Recording Musician, Jan 1993

A step-by-step guide to the workings of a typical mixing console.

Phonic PMC 240A Mixing Desk

Review | Recording Musician, May 1993

This charming new mixer has a detachable bowl and three speed settings... what do you mean it's not that kind of mixer?

Digital Signal Processing - Part 1

Feature Series | Topic: Computing, Digital Audio, Effects Processing | Sound On Sound, Oct 1989
An introduction

PART 1: Digital Signal Processing is rapidly becoming more familiar to musicians and home recordists as digital effects become ever more commonplace. Nevertheless, the technology and principles behind it remain a mystery to most. In this new series Jim Grant offers a straightforward explanation of how DSPs work.

 

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