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TOA 310D

Review | Sound On Sound, May 1987
The Triple Delay

Engineer Gareth Stuart passes judgement on this high quality digital delay line with a difference. But what difference? You'll have to read our review to find out...

Workbench

Feature | Topic: Effects Processing, Electronics / Build | International Musician & Recording World, Jun 1985

The basics of processors propounded by Phil 'DIYners card' Walsh

Workbench

Feature | Topic: Electronics / Build | International Musician & Recording World, Jul 1986
Go Active!

Phil Walsh promotes an active life

Effective Automators

Review | Sound On Sound, Mar 1988
Akai MB76 Programmable Mix Bay, PEQ6 Programmable Equaliser

Used together, the Akai MB76 Mix Bay and PEQ6 Equaliser can bring a limited but useful degree of automation to the MIDI-based home studio. Ian Gilby explains how.

Jack In A Box

Review | Sound On Sound, Mar 1993
Anatek SMP16 MIDI/Audio Patchbay

Anatomy Of A Studio - Part 1

Feature Series | Topic: Sound Fundamentals | Home & Studio Recording, Jun 1984
The Mixer

A brand new series that delves into the intricacies of studio equipment. Part 1: The Mixer.

Workbench

Feature | Topic: Electronics / Build, Maintenance / Repair / Modification | International Musician & Recording World, Dec 1986
Modifying The Midiverb

Phil 'D.I.Y., Cap'n, but the engines canna take it' Walsh with a mod to turn your Midiverb into a great live tool

Carlsbro Stingray Electro-Acoustic

Review | Electronics & Music Maker, Sep 1982

The Porta Two has Landed

Review | Sound On Sound, Dec 1986
Tascam Porta Two

Gareth Stuart has been bouncing, syncing and generally laying down tracks with Tascam's new mid-priced 4-track Ministudio. Find out what he thought of it.

Red devil

Group: Control Room

Review | The Mix, Jun 1995
Focusrite Red 2

Thoroughbred EQ

Cause An Effect

Feature | Topic: Effects Processing | Music Technology, May 1991

Effects processing is now an integral part of a recording studio - large or small. Aaron Hallas goes back to basics in this introduction to sound treatment.

BeeBMIDI - Part 8

Group: Computer Musician

Feature Series | Electronics & Music Maker, Apr 1985

Jay Chapman goes through the rest of the functions our own DX editing program, DX7ED, is capable of executing.

Fender Amp Mod

Feature | Topic: Maintenance / Repair / Modification | Polyphony, Jul/Aug 1981

Practically MIDI - Part 6

Feature Series | Topic: Electronics / Build, MIDI | Sound On Sound, Feb 1988

Martin Russ takes out his soldering iron and creates the MIDI Monitor - an unbelievably useful gadget for anyone with a MIDI set-up of any kind.

Testbench - DJ PowerMaster Stereo 200

Group: SoundCheck

Review | International Musician & Recording World, Jun 1975

Dynacord PDD14

Review | Electronics & Music Maker, May 1984
Programmable Digital Delay

First of several new products from Dynacord is this rack-mounting digital delay line. Paul White managed to find time to review it.

AGM Electron Echo

Review | Home & Studio Recording, Nov 1984

TAC Scorpion 16:8:2 Mixing Console

Review | Home & Studio Recording, Sep 1985

A British mixer built to survive.

Phaser Module

Feature | Topic: Electronics / Build | Electronic Soundmaker & Computer Music, Mar 1984

Build an effects system

Space Race

Review | Sound On Sound, Apr 1991
Roland M480 & M240R Rackmount Line Mixers

The competition to squeeze the maximum number of inputs and effects busses into the smallest possible rack space continues, as Kendall Wrightson discovers.

Rockman IIB & Ultralight

Review | Electronics & Music Maker, Oct 1983
Portable Amp designed by Tom Scholz

The Barry Box

Review | Music Technology, Mar 1987

Not quite a name, not quite a musical instrument, but a useful tool for sampling and investigating sound with the help of a BBC B computer, a couple of controls, and some friendly advice from Uncle Ian Waugh.

The Blacet Syn-Bow

Review | Electronics & Music Maker, Oct 1981

If you don't play keyboards, this instrument will appeal to you.

SPL Vitalizer

Review | Sound On Sound, May 1992
The Vital Ingredient

By using elements of equalisation combined with established psychoacoustic principles, the SPL Vitalizer enhances the entire audio spectrum. Paul White reviews the unit that is now a vital ingredient of his mixes.

Korg DRV1000 Digital Reverb

Review | Music Technology, Jan 1987

The Japanese fight back in the battle to design cheap digital reverb, with an all-preset rack-mounting machine for under £350. Don Goldstein has the details.

 

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