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Totally Musical

Review | Sound On Sound, Jul 1986
Software for Apple Macintosh

Martin Russ reviews the superbly professional Southworth 'Total Music' software recorder for the Apple Macintosh computer.

Quartet

Review | Micro Music, Mar 1990

Andrew Banner explores the possibilities of internal sound sequencing on the Atari ST

All Revved Up

Review | Home & Studio Recording, Mar 1986

The Yamaha REV1, possibly the most sophisticated digital reverb on the market.

News

News | Micro Music, Jan 1990

The latest offering from Yamaha and Roland plus details of Atari's first sponsorship deal

Readers' Systems

Feature | Topic: Home Studio | Home & Studio Recording, Sep 1986
How to compete

Robin Clarke discusses his choice of recording equipment whilst explaining how he stayed within his budget.

Roland TB-303 Bass Line

Review | Electronics & Music Maker, Apr 1982

Simply The Best?

Review | Sound On Sound, Jun 1993
Roland JD990 Synthesizer

Is Roland's Super JD module simply the best synthesizer they've ever made? Read the review to find out...

Soundscape

Review | Sound On Sound, Sep 1993
Hard Disk Recording System For The PC

Why is there such a fuss about this British-made multitrack hard disk recorder? Read our review to find out...

Passport Audio Trax

Review | Music Technology, May 1992
Apple Macintosh Software

As the Apple Mac computer falls in price, attention is being focussed on less expensive software - like Audio Trax. Ian Waugh checks out a sequencer / audio recorder which won't break the bank.

The MAX Factor

Review | Electronic Soundmaker & Computer Music, Feb 1985

A multitracking keyboard for the computer musician.

SeqWin v2/MultiMedia

Group: Quality Control

Review | Music Technology, Jan 1994
for PC Windows 3.1

Looking to take your first steps in multimedia production? Cot a PC and an idea? What are you waiting for?

Tempo-Check

Review | Electronics & Music Maker, Jan 1982

Steinberg Cubeat

Review | Sound On Sound, Nov 1990

With Cubase and Notator fighting it out at the top end, Steinberg appear to have left Pro24 to defend its once dominant position in the mid-priced ST sequencer market. Now reinforcements are available with the release of Cubeat, a cut-down version of Cubase. David Hughes takes it into battle.

MIDI - The Absolute Basics - Part 2

Feature Series | Topic: MIDI, Sequencing | Recording Musician, Oct 1992
Sequencing

The theory and practice of MIDI sequencers, explained in simple terms.

Vesta Kaza RV-3

Review | One Two Testing, Mar 1985

reverberant improvements

Synth You've Been Gone

Review | Electronic Soundmaker & Computer Music, Feb 1985
SynthAxe

We return to bring you the latest news and developments on the astounding SynthAxe.

Recording Bass Guitar

Feature | Topic: Recording | Recording Musician, May 1993

What's to know? You just wipe the rust off the strings, plug it into the desk and bob's your uncle. Don't you? Er... not quite.

Twister

Feature | Sound On Sound, Aug 1987
Programmable Automation Computer

New writer Roger Jackson reveals how this mid-priced programmable automation computer can be used to automate mixes on any manufacturer's mixing desk.

Shape of Things to Come

News | Sound On Sound, Jun 1990

Another glimpse of forthcoming products from the hi-tech music and recording worlds.

AHB Keymix

Review | Sound On Sound, Jul 1986

Who wants a programmable modular mixer and three-band sweep EQ system that offers full MIDI control of channel routing/muting and all fits neatly into a 19-inch rack? "I do!" shouts Paul Gilby. Read why...

What's The Big Idea?

Review | Sound On Sound, Apr 1993
Big Noise Cadenza V2 For Windows

Inside Views: E-mu Systems

Feature | Topic: Design, Development & Manufacture | Sound On Sound, Apr 1987

Continuing our series that looks at hi-tech companies and design personnel working in the field of music and recording technology, Paul Gilby talks to Marco Alpert, Director of Marketing & Sales for E-mu Systems of America - the company behind the Emulator and Emax samplers.

Ensoniq EPS

Preview | Music Technology, Aug 1988
Sampler

It's nearly three years since Ensoniq struck it rich with the Mirage sampler. Simon Trask previews Ensoniq's new sampler and asks "can they repeat their success with the EPS?"

OSC Advanced Sound Generator

Review | Electronics & Music Maker, Mar 1985
Computer Music System

Gerry Queen brings us an exclusive preview of what will be Britain's first custom-designed computer music system - from the people who brought you the OSCar monosynth. It's capable of combining analogue, digital and sampled sound sources, and it's cheap.

Technically Speaking

Feedback | Topic: Computing | Making Music, Jan 1987

A perceptive reader enquires of the Beeb Micro if it can A to D. Andy Honeybone Pens to Paper.

 

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