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Totally MusicalReview | Sound On Sound, Jul 1986Software for Apple MacintoshMartin Russ reviews the superbly professional Southworth 'Total Music' software recorder for the Apple Macintosh computer. |
QuartetReview | Micro Music, Mar 1990Andrew Banner explores the possibilities of internal sound sequencing on the Atari ST |
All Revved UpReview | Home & Studio Recording, Mar 1986The Yamaha REV1, possibly the most sophisticated digital reverb on the market. |
NewsNews | Micro Music, Jan 1990The latest offering from Yamaha and Roland plus details of Atari's first sponsorship deal |
Readers' SystemsFeature | Topic: Home Studio | Home & Studio Recording, Sep 1986How to competeRobin Clarke discusses his choice of recording equipment whilst explaining how he stayed within his budget. |
Roland TB-303 Bass LineReview | Electronics & Music Maker, Apr 1982 |
Simply The Best?Review | Sound On Sound, Jun 1993Roland JD990 SynthesizerIs Roland's Super JD module simply the best synthesizer they've ever made? Read the review to find out... |
SoundscapeReview | Sound On Sound, Sep 1993Hard Disk Recording System For The PCWhy is there such a fuss about this British-made multitrack hard disk recorder? Read our review to find out... |
Passport Audio TraxReview | Music Technology, May 1992Apple Macintosh SoftwareAs the Apple Mac computer falls in price, attention is being focussed on less expensive software - like Audio Trax. Ian Waugh checks out a sequencer / audio recorder which won't break the bank. |
The MAX FactorReview | Electronic Soundmaker & Computer Music, Feb 1985A multitracking keyboard for the computer musician. |
SeqWin v2/MultiMediaGroup: Quality Controlfor PC Windows 3.1Looking to take your first steps in multimedia production? Cot a PC and an idea? What are you waiting for? |
Tempo-CheckReview | Electronics & Music Maker, Jan 1982 |
Steinberg CubeatReview | Sound On Sound, Nov 1990With Cubase and Notator fighting it out at the top end, Steinberg appear to have left Pro24 to defend its once dominant position in the mid-priced ST sequencer market. Now reinforcements are available with the release of Cubeat, a cut-down version of Cubase. David Hughes takes it into battle. |
MIDI - The Absolute Basics - Part 2Feature Series | Topic: MIDI, Sequencing | Recording Musician, Oct 1992SequencingThe theory and practice of MIDI sequencers, explained in simple terms. |
Synth You've Been GoneReview | Electronic Soundmaker & Computer Music, Feb 1985SynthAxeWe return to bring you the latest news and developments on the astounding SynthAxe. |
Recording Bass GuitarFeature | Topic: Recording | Recording Musician, May 1993What's to know? You just wipe the rust off the strings, plug it into the desk and bob's your uncle. Don't you? Er... not quite. |
TwisterFeature | Sound On Sound, Aug 1987Programmable Automation ComputerNew writer Roger Jackson reveals how this mid-priced programmable automation computer can be used to automate mixes on any manufacturer's mixing desk. |
Shape of Things to ComeNews | Sound On Sound, Jun 1990Another glimpse of forthcoming products from the hi-tech music and recording worlds. |
AHB KeymixReview | Sound On Sound, Jul 1986Who wants a programmable modular mixer and three-band sweep EQ system that offers full MIDI control of channel routing/muting and all fits neatly into a 19-inch rack? "I do!" shouts Paul Gilby. Read why... |
Inside Views: E-mu SystemsFeature | Topic: Design, Development & Manufacture | Sound On Sound, Apr 1987Continuing our series that looks at hi-tech companies and design personnel working in the field of music and recording technology, Paul Gilby talks to Marco Alpert, Director of Marketing & Sales for E-mu Systems of America - the company behind the Emulator and Emax samplers. |
Ensoniq EPSPreview | Music Technology, Aug 1988SamplerIt's nearly three years since Ensoniq struck it rich with the Mirage sampler. Simon Trask previews Ensoniq's new sampler and asks "can they repeat their success with the EPS?" |
OSC Advanced Sound GeneratorReview | Electronics & Music Maker, Mar 1985Computer Music SystemGerry Queen brings us an exclusive preview of what will be Britain's first custom-designed computer music system - from the people who brought you the OSCar monosynth. It's capable of combining analogue, digital and sampled sound sources, and it's cheap. |
Technically SpeakingFeedback | Topic: Computing | Making Music, Jan 1987A perceptive reader enquires of the Beeb Micro if it can A to D. Andy Honeybone Pens to Paper. |