- Search looks for the phrase you typed.
- Advanced Mode looks for individual terms:
eg: +roland +"great synth" -juno
See the Search Help page for more details.
Results: 301 - 325 of 351 displayed.
mu:zines is the result of thousands of hours of effort, and will require many thousands more going forward to reach our goals of getting all this content online.
If you value this resource, you can support this project - it really helps!
New issues that have been donated or scanned for us this month.
All donations and support are gratefully appreciated - thank you.
Do you have any of these magazine issues?
If so, and you can donate, lend or scan them to help complete our archive, please get in touch via the Contribute page - thanks!
Ian BoddyInterview | Sound On Sound, Dec 1989Turning digital dreams into realityIan Boddy is one of this country's foremost independent 'electronic music' composers. David Hughes talks to him about the recording of his new CD 'Odyssey'. |
Kawai R100 Drum MachineReview | Sound On Sound, Jun 1987Kawai are quickly making a name for themselves in the hi-tech field thanks to good value products like the R100. Ian Waugh files his report. |
The ProducersInterview | Sound International, Jul 1978Tom Newman - tubular Tom raps with our own dread feller. |
Roland R70Review | Sound On Sound, Jun 1992Human Rhythm ComposerRoland's R70, their new top-of-the-range beat box, is the first drum machine to feature on-board digital effects. Ian Steele sits in judgement. |
Opcode VisionReview | Sound On Sound, Oct 1989Does Opcode's new Macintosh sequencer have what it takes to oust 'Performer' from the sequencer king's throne? Mike Collins enjoys finding out... |
Mark of the Unicorn PerformerReview | Sound On Sound, Nov 1986Software for Apple MacintoshOur resident Mac user Martin Russ steps his way enthusiastically through two of the best written software packages for the Apple Macintosh computer [in this part] - 'Performer', a comprehensive multitrack sequencing program. |
Klaus Schulze on ComposingInterview | Electronics & Music Maker, Mar 1983Rated as the world's top solo synth performer, Klaus explains how he composes on stage and in the studio |
Sequencer PlusReview | Sound On Sound, Nov 1987Want to make real music on your Amstrad PC? Ian Gilby takes you through one of the best designed, professional MIDI recording packages there is. Voyetra Technologies' Sequencer Plus runs on any IBM PC compatible computer and offers 64 tracks, sync-to-tape, a programmable tempo track, extensive note and MIDI editing facilities, and... you'll have to read the review to find out more. |
Action ReplayReview | Sound On Sound, Apr 1989Akai S1000PB 16bit Stereo Sample Player with SWM and Workstation DisksDo you find the idea of sampling your own sounds unappealing? Why not settle for a high quality replay-only sampler like the Akai S1000PB and spend the money you save on more library disks? Paul Ireson checks out the machine and Akai's newly launched set of Workstation and SWM disks. |
Getting The Holy Ghost AcrossInterview | Sound On Sound, Jul 1986Contractual hassles have kept musician/producer Bill Nelson hopping from one record label to another since the demise of Be-Bop Deluxe, yet he has still managed to record some exemplary albums using the facility of his 16-track home studio. Ian Gilby finds out how he put his new album together. |
HB EngraverReview | Music Technology, Jul 1989Macintosh Notation SoftwareDesktop music publishing becomes a serious proposition with this sophisticated notation software for the Apple Mac. Dan Goldstein notates his way around the dots. |
Gary MooreInterview | International Musician & Recording World, Nov 1985The blurred fingers of the guitar star focussed by the blurred gaze of Richard Walmsley |
Mixing metaphorsGroup: In SessionTim Barr catches up with the Detroit techno pioneer |
Greengate DS3Group: Computer MusicianSound Sampling System for Apple II/IIeMainframe's sound-sampling add-on for the Apple is now available to the general public. David Ellis puts the system through its paces. |
OSCar SynthesiserReview | Electronics & Music Maker, Aug 1983 |
Shape Of Things To ComeNews | Sound On Sound, Aug 1990Our colourful round-up of whats new in hi-tech music and recording. |
Studer DyaxisReview | Sound On Sound, May 1990Digital Audio Production SystemToday's high-end tools for the professional are tomorrows affordable tools for the musician in the street. David Mellor explores a Macintosh-based digital recording and editing system from a company best known for their analogue tape recorders. |
Deep VibrationsInterview | Music Technology, Aug 1991Turning their backs on pop notoriety to meet electronic experimentation head on, Sheffield's LFO are taking dance music into new areas. Simon Trask gets a new perspective on nostalgia. |
Dream SequenceInterview | Music Technology, Nov 1993The original ambient funsters have a new studio album all but ready, a live album on the way and a major recording deal in the offing. Jonathan Miller encounters Dr Alex Paterson and Thrash on the verge of a higher plane... |
Shape Of Things To ComeNews | Sound On Sound, Apr 1991Another colourful selection of new and improved instruments, equipment and software. |
Shape Of Things To ComeNews | Sound On Sound, Nov 1990All the latest hi-tech goodies, brought to you in glorious technicolour. |