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Pipe Dreams

Review | Sound On Sound, Jun 1993
Bars & Pipes Professional 2 Amiga Sequencing Software

Ian Boddy

Interview | Sound On Sound, Dec 1989
Turning digital dreams into reality

Ian Boddy is one of this country's foremost independent 'electronic music' composers. David Hughes talks to him about the recording of his new CD 'Odyssey'.

Kawai R100 Drum Machine

Review | Sound On Sound, Jun 1987

Kawai are quickly making a name for themselves in the hi-tech field thanks to good value products like the R100. Ian Waugh files his report.

The Producers

Interview | Sound International, Jul 1978

Tom Newman - tubular Tom raps with our own dread feller.

20/20 Vision

Review | Sound On Sound, Jan 1993
Opcode Vision 1.4

Roland R70

Review | Sound On Sound, Jun 1992
Human Rhythm Composer

Roland's R70, their new top-of-the-range beat box, is the first drum machine to feature on-board digital effects. Ian Steele sits in judgement.

Opcode Vision

Review | Sound On Sound, Oct 1989

Does Opcode's new Macintosh sequencer have what it takes to oust 'Performer' from the sequencer king's throne? Mike Collins enjoys finding out...

Mark of the Unicorn Performer

Review | Sound On Sound, Nov 1986
Software for Apple Macintosh

Our resident Mac user Martin Russ steps his way enthusiastically through two of the best written software packages for the Apple Macintosh computer [in this part] - 'Performer', a comprehensive multitrack sequencing program.

Klaus Schulze on Composing

Interview | Electronics & Music Maker, Mar 1983

Rated as the world's top solo synth performer, Klaus explains how he composes on stage and in the studio

Sequencer Plus

Review | Sound On Sound, Nov 1987

Want to make real music on your Amstrad PC? Ian Gilby takes you through one of the best designed, professional MIDI recording packages there is. Voyetra Technologies' Sequencer Plus runs on any IBM PC compatible computer and offers 64 tracks, sync-to-tape, a programmable tempo track, extensive note and MIDI editing facilities, and... you'll have to read the review to find out more.

Action Replay

Review | Sound On Sound, Apr 1989
Akai S1000PB 16bit Stereo Sample Player with SWM and Workstation Disks

Do you find the idea of sampling your own sounds unappealing? Why not settle for a high quality replay-only sampler like the Akai S1000PB and spend the money you save on more library disks? Paul Ireson checks out the machine and Akai's newly launched set of Workstation and SWM disks.

Getting The Holy Ghost Across

Interview | Sound On Sound, Jul 1986

Contractual hassles have kept musician/producer Bill Nelson hopping from one record label to another since the demise of Be-Bop Deluxe, yet he has still managed to record some exemplary albums using the facility of his 16-track home studio. Ian Gilby finds out how he put his new album together.

HB Engraver

Review | Music Technology, Jul 1989
Macintosh Notation Software

Desktop music publishing becomes a serious proposition with this sophisticated notation software for the Apple Mac. Dan Goldstein notates his way around the dots.

Gary Moore

Interview | International Musician & Recording World, Nov 1985

The blurred fingers of the guitar star focussed by the blurred gaze of Richard Walmsley

Dearly Beloved

Interview | Music Technology, Mar 1993

Jon and Helena Marsh in their natural habitat

Mixing metaphors

Group: In Session

Interview Audio | The Mix, Jun 1995

Tim Barr catches up with the Detroit techno pioneer

Greengate DS3

Group: Computer Musician

Review | Electronics & Music Maker, Oct 1984
Sound Sampling System for Apple II/IIe

Mainframe's sound-sampling add-on for the Apple is now available to the general public. David Ellis puts the system through its paces.

OSCar Synthesiser

Review | Electronics & Music Maker, Aug 1983

Shape Of Things To Come

News | Sound On Sound, Aug 1990

Our colourful round-up of whats new in hi-tech music and recording.

Studer Dyaxis

Review | Sound On Sound, May 1990
Digital Audio Production System

Today's high-end tools for the professional are tomorrows affordable tools for the musician in the street. David Mellor explores a Macintosh-based digital recording and editing system from a company best known for their analogue tape recorders.

Deep Vibrations

Interview | Music Technology, Aug 1991

Turning their backs on pop notoriety to meet electronic experimentation head on, Sheffield's LFO are taking dance music into new areas. Simon Trask gets a new perspective on nostalgia.

Dream Sequence

Interview | Music Technology, Nov 1993

The original ambient funsters have a new studio album all but ready, a live album on the way and a major recording deal in the offing. Jonathan Miller encounters Dr Alex Paterson and Thrash on the verge of a higher plane...

Shape Of Things To Come

News | Sound On Sound, Apr 1991

Another colourful selection of new and improved instruments, equipment and software.

Shape Of Things To Come

News | Sound On Sound, Nov 1990

All the latest hi-tech goodies, brought to you in glorious technicolour.

Oceanic

Interview | Sound On Sound, Sep 1993
Fun In The Waves

 

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