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Roland JX1

Review | Music Technology, Jul 1991
Performance Synthesiser

If you'd begun to believe that you needed a degree to use any modern synth, think again: think JX1. Simon Trask discovers the truth behind the Japanese "Think SynX Concept" adverts.

Lowrey MX-1 Instrument Review

Review Audio | Electronics & Music Maker, May 1981

Arms and The Man

Interview | International Musician & Recording World, Jan 1986

A fly on the wall account of a mega-group amidst a mega-tour. Michael Smolen does the buzzing

The A-Z Of Analogue - Part 3

Feature Series | Topic: Vintage Instruments | Music Technology, Oct 1993

Part 3, Chadacre to Crumar

Studiomaster Series II Mixer

Review | Sound On Sound, Jun 1987

Studiomaster were one of the first established mixer manufacturers to incorporate MIDI facilities in one of their desks and to mate it to a personal computer. Mark Badger assesses whether the marriage is successful.

Who's That Bloke With Wix?

Interview | Sound On Sound, May 1993

Shape Of Things To Come

News | Sound On Sound, Sep 1990

Another colourful bonanza of hot new products served up to delight you

Soul Sonic Force

Interview | Music Technology, Feb 1990
Prince Paul

Already an established musical force from his work with Stetsasonic, Prince Paul has gone on to produce De La Soul's brilliant debut LP. Steven Daly talks technology and sampling ethics with a Prince.

PA Column

Feature | Topic: Live | International Musician & Recording World, Sep 1985
Live Aid

Gig of the century, report of the millenium by Jim Betteridge

Idol Hands

Interview | International Musician & Recording World, Jul 1986

William Tells all to Philip Bashe

Wot, No Keyboards? - Part 3

Feature Series | Topic: MIDI, Performing, Sequencing | Sound On Sound, Nov 1993
The Alternative MIDI Controllers Session

The segue with the silver tongue

Group: Control Room

Review | The Mix, Sep 1994
CD player 3-way test

Denon, Pioneer, Vestax lock lasers

The Allen & Heath Headline

Feature | Topic: Design, Development & Manufacture | Sound International, Jun 1979

...comes just above the Allen & Heath contents page blurb. Which tells the prospective Allen & Heath reader that on page 57 is Mel Lambert's story of mixer manufacturer Allen & Heath.

Multitrack Media

Feature | Topic: Tape, Vinyl, CD, DAT | Recording Musician, Apr 1993

Analogue tape, digital tape or hard disk? All have strengths and weaknesses, some of which are more obvious than others; this comprehensive overview unscrews the inscrutable.

Personal Keyboards

Review | Electronic Soundmaker & Computer Music, Jan 1984

The cheap alternative?

Beat On The Cheap

Review | Electronic Soundmaker & Computer Music, Feb 1984
Budget Beats

A beat on the cheap?

Peter Gabriel - Passion

Feature | Topic: Recording Studios | Sound On Sound, Sep 1989

Mark J. Prendergast explores the recording process that surrounded Peter Gabriel's new album 'Passion' and takes a peep inside Gabriel's Real World studio complex.

A Day In The Life Of... A Tour - Part 2

Feature Series | Topic: Live | Sound International, Apr 1979

The backstage view of the mammoth Tull operation from Tony Freeman, one of those without whom... nervous times among the cigarette stubs.

A format too far?

Group: Control Room

Review | The Mix, Jan 1995
DCC vs. MiniDisc

Is either format any good?

Incoming Data

News | Music Technology, Nov 1992

The Linn LM-1 Drum Computer

Review Audio | Electronics & Music Maker, Sep 1981

Yamaha C1 - Part 2

Review Series | Sound On Sound, Jul 1989
Music Software

In the second part of his review of the new Yamaha C1 music computer, Ian Gilby provides a rundown of the different types of music programs available for the C1 and explores the sequencing and MIDI utility program's that are bundled free with the computer.

The Orb

Interview | Sound On Sound, May 1993
It Came From Outer Space

Showdown '86

Show Report | In Tune, Jul 1986
ITs Guide To The British Music Fair

Karlheinz Stockhausen

Feature | Sound On Sound, May 1992
Electronics Into Light

Karlheinz Stockhausen has had a profound influence on modern music from the 1950s onwards, and pioneered the use of electronics to create genuinely new music. Mark J. Prendergast reviews his career.

 

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