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The Music NetworkFeature | Topic: Computing | Sound On Sound, May 1989SOS OnlinePaul Gilby reports on activities on Europe's new electronic communications system for musicians. |
Re:MixIndex Audio | The Mix, Mar 1995mixed-mode CD tracklistThe words behind the sounds on this month's CD and CD-ROM |
Vision OneFeature | Sound On Sound, Dec 1985Off The RecordProfessional photographer David Kirby's fascination with audio resulted in him setting up his own audio-visual studio based around a Fostex A8 recorder and Tascam 133 cassette deck. Here he outlines how he works with it. |
MIDI Futures at the BBCFeature | Topic: Recording Studios, Video / Film / Picture | Sound On Sound, Feb 1989The unique demands on the BBC Radiophonic Workshop have placed it in the forefront of developments in high technology music. Their latest development- a new style of MIDI suite - is an innovation not only in terms of the technology that's employed, but also in the geography’ of the working environment. Richard Elen takes an exclusive first look at the new studio. |
Strike That ChordInterview | Music Technology, Jun 1987He was once the driving force behind Genesis, Yes and King Crimson, but now this brilliant percussionist has turned his attention to jazz - and new technology. Tim Goodyer talks to him. |
Mac NotesFeature | Topic: Computing | Sound On Sound, Sep 1992Kendall Wrightson reports from the Mac front line. |
Computers in MusicFeature | Topic: Computing | Sound On Sound, Oct 1989The Big FivePaul Gilby opens our music software special with his thoughts on the 'big five' micros that are currently vying for the musician's money. |
News - Drums/PercussionNews | In Tune, Apr 1985 |
Window of opportunityGroup: Control RoomSound Station SamplerInexpensive sampling for PC owners |
Home Studio RecordistFeature | Topic: Home Studio | Home & Studio Recording, Apr 1984Kevin HookKevin Hook describes his home recording set-up. |
Stagefright - Part 2Feature Series | Topic: Live, Performing | Electronics & Music Maker, Aug 1984Ian Boddy concludes his look at how to take electronic music on the road by examining his own live set-up and how it's put to use in a concert situation. |
A Hell of AMASReview | Micro Music, Jun/Jul 1989Darrin Williamson looks at an Amiga sampling package and MIDI interface all in one |
The Famous FiveFeature | International Musician & Recording World, Nov 1986Paul Trynka trains a tearful eye on the handful of basses closest to his heart |
Sabian/Pearl CymbalsGroup: News and Reviews |
Roland CR 5000 and CR 8000 Rhythm UnitsReview Audio | Electronics & Music Maker, Dec 1981 |
PA ColumnFeature | Topic: Live | International Musician & Recording World, Nov 1985Lloyd Cole and the Commotions take the high road to Glasgow; Stuart Gillan gets the lowdown |
PatchworkFeature Downloads | Topic: Synthesizer Patches | Electronics & Music Maker, Mar 1986The readers' synth sound page, with patches for SCI Pro One, Yamaha DX7 and Casio CZ 101 instruments, plus reviews of anew DX RAM pack and another collection of sounds for sampling. |
When the Levy Breaks...Feature | Topic: Music Business, Tape, Vinyl, CD, DAT | Home & Studio Recording, Jun 1985Rivalled only by War and Peace for its length and emotional content, this article by our own Neville Unwin presents both sides of the 'blank tape levy' argument. |
Tokai Bass & GuitarReview | Music UK, May 1983TOKAI Bass & Guitar in Deja vu trial — where have we met before? |
Tape Track FormatsFeature | Topic: Tape, Vinyl, CD, DAT | Home & Studio Recording, Jul 1984A rundown on the various 'head' formats available on tape recorders and the reasons for their existence. |
Projects UKFeature | Topic: Education, Recording Studios | Sound On Sound, Apr 1990Local community arts centres often house some sort of sound studio, and these can be the only way interested members of the public gain first-hand experience of recording and hi-tech equipment. David Hughes reports on one such North-East based facility. |