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Audio-Technica ATM63 & ATM41a MikesReview | In Tune, Apr 1985 |
MicroMIDIFeature | Topic: Computing, Electronics / Build | Electronics & Music Maker, May 1983Computer control for MIDI-equipped instruments |
Edwyn CollinsInterview | Making Music, Oct 1987 |
Emotional FoundationsInterview | Music Technology, Mar 1989The originator of acid house claims the secrets of good music are feel and emotion rather than a Roland Bassline and an Akai sampler. Simon Trask gets in the mood. |
The Excitement Mounts (in a 19" Rack Box)Review | Home & Studio Recording, Jan 1986Aphex Aural Exciter Type CAdventure on the high Cs. |
Yamaha KX88/TX816Review | International Musician & Recording World, Apr 1985SynthcheckA remote keyboard and modules with frighteningly good sounds |
Ohm Studio RecordistFeature | Topic: Home Studio | Home & Studio Recording, May 1985Nev Barker explains the workings of his private studio and why the name met with so much resistance. |
The Wonderful World of WomadFeature | Topic: History / Culture | One Two Testing, Sep 1986World of music and dance |
What's NewNews | Home & Studio Recording, May 1985A brief look at the new bits and pieces that make life interesting. |
When Is A ComputerGroup: One Two Trainingare today's micros really helping |
Akai MIDI EffectsReview | Sound On Sound, Feb 1986Digital Delay, Dynamic Control and Arpeggiation emerge from the MIDI jungle. Paul Gilby observes this rare species. |
Order Of The DayInterview | Making Music, Mar 1987 |
Using MicrophonesFeature | Topic: Microphones, Recording | Home & Studio Recording, Jul 1984Recording Electric GuitarRecording electric guitar; the theory and practice behind miking up guitar amps. |
A Fresh MixReview | Electronic Soundmaker & Computer Music, Apr 1985CMC 24 MixerOn the cheapest computer-assisted mixer yet, the AHB CMC 24. We take a look. |
Music Maker Equipment SceneNews | Electronics & Music Maker, Jul 1983New products from the music business |
A Brief HistoryGroup: Copy Guitar Test Pt 1: Guitars A-G, Basses A-FCopies of Fender Precisions and Gibson Les Pauls perused, praised, panned and punctiliously plucked by our hand-picked panel of perspicacious pickers. |
Getting The Most From Mono Mode - Part 1Feature Series | Topic: MIDI | Electronics & Music Maker, Jun 1986Part 1: The Casio CZ SeriesBaffled by MIDI Mode 4 on the Casio CZ synths? Paul Wiffen plots a path through one of modern technology's minefields, and explains how to get the best from it. |
Spectrum SynthesisReview | Sound On Sound, Sep 1988On the Emax Hard Disk SamplerUnlike some samplers, Emax has stayed the course since its introduction over 18 months ago and has developed into a mature, well groomed specimen. Having released a Hard Disk version of the machine almost a year ago, Emu Systems have recently given Emax yet another lease of life with their Spectrum Synthesis upgrade, which turns the sampler into a powerful additive synthesizer. David Hughes tries it out |
Sony DPS-D7 Digital DelayReview | Sound On Sound, Nov 1991The Return Of The Single Effects Unit?David Mellor looks at an effects processor which can't produce three dozen effects simultaneously. Is this the start of a new trend? |
Korg i3Group: Quality ControlInteractive music workstationThe workstation bites the bullet and goes all the way, with sophisticated auto-accompaniment to add to the i3's already copious features based on the X3. |
Swindon RecorderInterview | Making Music, Dec 1986Exclusive interview with all three ecstatic persons, who chat amiably about office fave "Skylarking". |
Soldering On - Part 8Feature Series | Topic: Electronics / Build | Electronic Soundmaker & Computer Music, Apr 1984Glorious finale |