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MIDI: The Next GenerationFeature | Topic: MIDI | Music Technology, May 1992The long-awaited inclusion of a protocol to allow MIDI control of multitrack tape machines is just one of the recent additions to the MIDI spec. Vic Lennard offers a MIDI update. |
Frankfurt 1975Show Report | International Musician & Recording World, Mar 1975Frankfurt Fair Preview |
On StageMusic Review | Electronics & Music Maker, Sep 1984Two sparkling summer concerts, by Ultravox and Michael Nyman. |
The StrongroomFeature | Topic: Recording Studios | Sound On Sound, Aug 1989In the dog-eat-dog world of professional recording studios, the Strongroom has proved that you don't necessarily need an SSL mixing desk to stay in business! Paul Calderon pays a visit to this thriving centre of creativity. |
Mixing by numbersGroup: Control RoomSteinberg MusicStationEntry-level music software |
W.A.P.Feature | Topic: Education | Music UK, Nov 1983The tuition course that breaks the barriersWAP Spells Tuition — Lorna Read Investigates Music Course |
MIDI - Part 2Feature Series | Topic: MIDI | Electronic Soundmaker & Computer Music, Dec 1983The second part |
Songs And Their Sections - Part 2Feature Series | Topic: Music Theory | Making Music, Oct 1986Part two considers arrangements: getting right all the instruments order in the. |
An Old ProReview | Sound On Sound, Feb 1991Steinberg Pro24 AmigaSteinberg's Pro24 amiga sequencer is the latest arrival in the rather sparse field of Amiga music software. Paul Overaa looks at a new incarnation of an old favourite. |
Multitrack RecordersFeature | Topic: Recording | Recording Musician, Sep 1992The underlying concepts of multitrack recording are explained from the bottom up. |
The Shape Of Things To ComeNews | Sound On Sound, Jun 1987Our regular monthly exploration of upcoming new products in the field of hi-tech music and recording technology. |
Triangle StudioFeature | Topic: Recording Studios | Sound On Sound, Nov 1986Birmingham's Triangle Media & Arts Centre houses what is probably the largest 8-track recording facility in the country. It also runs some interesting extra-curricula activities in the form of a Rock Recording course. We asked the man in charge, Bruce Hart, to tell us more about it. |
Tony BanksInterview | Sound On Sound, Sep 1989Keyboard player Tony Banks has been the foundation stone of Genesis' music for almost two decades now but has not experienced the same level of success in his work outside Genesis as past and present members of the band, Phil Collins, Mike Rutherford and Peter Gabriel. With two solo albums and numerous film scores behind him, Banks is set to bounce back into the limelight with a fresh, new solo project. Brian Jacobs poses the questions... |
Sampling The Japanese WayReview | Sound On Sound, Dec 1985Akai S612 MIDI SamplerA reduction in price and the introduction of their Quick Disk make Akai's S612 MIDI Sampler an even more attractive investment. Paul Gilby was suitably impressed. |
GewgawFeature | Topic: Humour | One Two Testing, Mar 1985ZX101B MUSIC PRODUCERthe perfect equipment manual |
Digital Reverb GuideFeature | Topic: Effects Processing | Sound On Sound, Jul 1987Mark Jenkins brings you a round-up of the current state of the digital reverb market. |
HiFi Sound - A New Video Standard?Feature | Topic: Video / Film / Picture | Home & Studio Recording, Feb 1985At last! A new system that gives you hi-fidelity sound from a standard video recorder. Could it become the stereo reel-to-reel machine of the future? Judge for yourself. |
Short CutsGroup: Quality Control |
Making HistoryRetrospective | Music Technology, Aug 1991Looking back over ten years' worth of magazines, it seemed that there were certain moments worth reliving - here are the edited highlights. |
Roland TR626Review | Sound On Sound, Nov 1987Rhythm ComposerThe TR505 was a runaway success at the budget end of the market, but it lacked one important ingredient - separate voice outputs. The TR626 rectifies the matter whilst offering even more features - 30 PCM drum/percussion sounds, 8-note polyphony, sync-to-tape, and MIDI control of nearly all its parameters. Mark Badger investigates. |