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Quantec Room SimulatorReview | Home & Studio Recording, Feb 1984 |
Fairlight Series IIIReview | Sound On Sound, Sep 1986THE ULTIMATE SOFT MACHINEThe Fairlight (in its previous Series II guise) was/is probably the most famous computer musical instrument in the world. Everybody knows the name, but few really know what its true capabilities are. Now there is a new breed of Fairlight, far more powerful and far more sophisticated than the old one ever was - the Series III. Richard Elen takes a look at the mind-boggling potential of this Rolls-Royce of sound sampling/synthesizing machines. |
Summers' ComingInterview | Making Music, Feb 1987A new band, a new album, and a new year. Planning ahead with the Police behind you. |
Effective Automation - Part 2Feature Series | Topic: Effects Processing, MIDI, Mixing | Sound On Sound, Jan 1986Part 2 sees Roland's SBX-80 Sync Box and SRV-2000 Reverb jump into action as Paul Gilby explains the practicalities of creative mixing with MIDI controlled effects. |
Roland PM16Review | Music Technology, Dec 1987Electronic DrumsPick up sticks; the latest electronic kit from Roland doesn't come with its own voices but Nicholas Rowland discovers its MIDI converter may have other uses in the studio. |
AB Software MidistudioReview | Music Technology, May 1989Software for the Atari STIf computer-based sequencing seems too complicated or too expensive for you, AB Software's Midistudio could change your life. Ian Waugh boots up a friendly and inexpensive sequencer for the Atari ST. |
Amiga Sequencer OneReview | Sound On Sound, Jun 1991Gajits' popular Atari ST sequencer one has now arrived on the Commodore Amiga Paul Overaa takes a look. |
Ibanez Dual Digital ReverbReview | Sound On Sound, Sep 1986Ibanez are late entrants to the fast-moving field of digital reverb products, but their new SDR 1000 unit has something different about it that caught the eye of reviewer Mark Jenkins. Read the review to find out what... |
Improve Your MemoryReview | Sound On Sound, Jan 1990PLI Infinity Turbo DriveRemovable hard disks represent a cost-effective solution to data backup and storage problems for sampler owners. Kendall Wrightson takes a look at the PLI Infinity Turbo Drive in use with the Akai S1000. |
NewsGroup: News and Reviews |
Fostex E16 MultitrackReview | Music Technology, Nov 198616-track Tape RecorderEver since its launch, the Fostex B16 has dominated the budget 16-track studio market Now Paul White tests its successor, the E16, and finds out if the improvements are worthwhile. |
Effective Reverb - Part 2Feature Series | Topic: Effects Processing | Recording Musician, Apr 1993Drums and PercussionNowhere is the correct use of reverb more important than in the treatment of drum and percussion sounds. We reveal all — and we tell you a bit about reverb too. |
Heroes - Part 2Feature Series | Topic: History / Culture | One Two Testing, Feb 1984More recording legends: Norman Petty tapes Buddy Holly. |
Software SpecialFeature | Topic: Computing | International Musician & Recording World, Feb 1985ComputercheckA roundup of all the available music software including Island Logic, Greengate and MusiCal. |
Style councillorGroup: In SessionProducer extraordinaire gets interactive |
Royal ApprovalRetrospective | Phaze 1, Jul 1989wealthy, successful and influential, but not an ounce of dress sense in sight |
The Synths Of The Year ShowReview | International Musician & Recording World, Dec 1985SynthcheckYamaha DX7, Casio CZ5000, Juno 106, Korg DW6000, 30 to 1 the field. Commentator, Tony Mills |
The Trackman ComethReview | Micro Music, Aug/Sep 1989Dave Reed finds happiness in the Channel Islands thanks to the Trackman sequencer for the ST |
Company Report - YamahaFeature | Topic: Advertisement Feature | One Two Testing, Apr 1985the Yamaha story |
Getting The Max From Your E-mu MPSFeature | Sound On Sound, Jun 1993 |
Anatomy Of A Studio - Part 1Feature Series | Topic: Sound Fundamentals | Home & Studio Recording, Jun 1984The MixerA brand new series that delves into the intricacies of studio equipment. Part 1: The Mixer. |