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Karlheinz StockhausenFeature | Sound On Sound, May 1992Electronics Into LightKarlheinz Stockhausen has had a profound influence on modern music from the 1950s onwards, and pioneered the use of electronics to create genuinely new music. Mark J. Prendergast reviews his career. |
Patchbay StudioFeature | Topic: Recording Studios | Sound On Sound, Jan 1990Bringing A Dream To LifeThere can be few home recordists who haven't spent a few idle moments thinking about how nice it would be to run their own professional 24-track studio, Mick Belford of Patchbay explains how determination can turn such a dream into reality. |
Oberheim Matrix 1000Review | Sound On Sound, Sep 1988Looking for 'new' sounds? Martin Russ explores Oberheim's new Matrix 1000 analogue synth expander and discovers that digital isn't always best. |
Theme and VariationsShow Report | Music Technology, Mar 1988THE NAMM REPORTAnaheim recently played host to 1988's Winter NAMM show. MT's American correspondents were on hand to send back news of the latest developments in hi-tech musical equipment. |
Kawai R100 Drum MachineReview | Sound On Sound, Jun 1987Kawai are quickly making a name for themselves in the hi-tech field thanks to good value products like the R100. Ian Waugh files his report. |
Revox C278Review | Sound On Sound, Aug 1989For A Few Dollars More...What price a reputation? The Revox brand name is well established and very well respected, but the new model C278 8-track costs a lot more than the Fostex and Tascam equivalents. David Mellor asks whether it is worth the extra. |
Akai S612Review | Electronics & Music Maker, May 1985Polyphonic MIDI Sound SamplerA real advance in the field of accessible polyphonic sound sampling. Tim Goodyer finds out if the 612's beauty is more than price-tag-deep. |
MIDI and the MicroGroup: MIDI Supplement - Part TwoA complete guide to all the hardware interfaces for home micros available so far, plus the software that goes with them. |
Wayne's WorldInterview | Sound On Sound, Aug 1992Mission In ActionInstead of recording their latest opus in expensive pro studios, the Mission have been laying tracks in a rural barn. It might seem they've fallen from grace; Robert Michael finds it ain't necessarily so. |
Tears For FearsInterview | Music Technology, Jun 1990After spending four years recording The Seeds of Love, Tears for Fears are back and touring the world. Curt Smith and Roland Orzabal talk tears and technology with Dan Rue and Tim Goodyer. |
Yamaha TX81Z FM ExpanderReview | Sound On Sound, May 1987This latest four operator FM tone generator takes over where the stop-gap FB01 left off. It may be fully programmable and share some of the new facilities of the DX7 MkII, but is it a winner? Mark Badger finds out. |
Jazz BabyInterview | Music Technology, Dec 1990The release of Jason Rebello's first LP shows him to be more than the tasteful performer the jazz circuit already recognises. Simon Trask talks to one of Britain's leading jazz keyboardsmen. |
Music Maker Equipment SceneNews | Electronics & Music Maker, Mar 1983MusicMusic, new products from Yamaha and Roland |
Polarity UnveiledFeature | Topic: Maintenance / Repair / Modification, Sound Fundamentals | Home & Studio Recording, Sep 1986Ben Duncan goes through one of his phases... |
Aiwa AD6800 Cassette DeckReview | Sound International, Oct 1978Watch emotion flower as Pete Carbines spends a honeymoon with Aiwa (AD6800) and contemplates settling down to a deepening relationship. Makes Love Story look like Camp On Blood Island. |
The Empire Strikes BackInterview | Music Technology, Oct 1988Who helped make Climie Fisher's single a hit? And the Pet Shop Boys', and Depeche Mode's, and Bananarama's? David Bradwell investigates the latest action in the Stock, Aitken & Waterman production stable. |
Live And DirectInterview | Music Technology, May 1988Cult reggae band or Top Of The Pops heroes? Nick Rowland talks to the men who've spent 14 years together and brought MIDI to reggae, and reggae to the pop charts. |
The CollectorInterview | Music Technology, Jul 1987There can be few musicians who've amassed such a huge collection of synthesisers as the ex-Buggles keyboardist. Paul Wiffen talks to him about his machines, and finds he still finds a use for most of them. |
Hybrid Arts ADAP1 SoundrackReview | Sound On Sound, Feb 1989Why buy a sampler when you already have one? If you own an Atari ST then you possess one of the major components of any sampling instrument - the memory. With the ADAP1 Soundrack software and processing units your ST can be transformed into a MIDI sampler and powerful post-production tool. David Mellor reports. |
Laurie AndersonInterview | Sound On Sound, Feb 1991Laurie Anderson, pioneer and populariser of avant-garde electronic music, and arguably the performance artist, recently brought her 'Empty Places' show to the UK. Interview by Mark J. Prendergast. |
Structured SoundReview | Electronics & Music Maker, Sep 1986Roland RD1000 PianoHow does Roland's new SAS resynthesis system go about imitating a grand piano? Dan Goldstein digs deep inside the RD1000 and its modular counterpart, the MKS20, and submits a glowing report. |
Brave New ScienceInterview | Music Technology, Jul 1987Six years have passed since New York's best-known performance artist leapt to fame with 'O, Superman'. Tim Goodyer finds she's still stretching technology to its limits in her new film 'Home of the Brave'. |
In The DreamhouseInterview | Electronic Soundmaker & Computer Music, Jan 1985An ES&CM exclusive... At home with top synth pioneers Tangerine Dream, in their own recording studio - a three page special. |
YelloInterview | Sound On Sound, Feb 1989Paul Ireson converses with 50% of Switzerland’s most exciting export since milk chocolate - Dieter Meier of Yello. |