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E-Mu Systems Emulator III Version 1.21

Review | Music Technology, Aug 1988
Digital Sound Production Workstation

The latest version of E-mu's popular Emulator sampler incorporates stereo 16-bit sampling and a hard disk drive. Chris Meyer can't believe his ears.

Korg DRV3000

Review | Sound On Sound, Sep 1987
Digital Reverb

Following on from the DRV 1000 and DRV2000, this latest digital reverb cum multi-effects processor is Korg's most sophisticated yet - 16-bit, 20kHz bandwidth, full MIDI control and, for all armchair enthusiasts, an infra-red remote control. David Hughes reports.

Under New Orders

Interview | Music Technology, Apr 1994

More than a decade and a half after they first fell out of Manchester, New Order's most married couple are still at the nerve-centre of the band's activities. Helping them come to terms with it all - Phil Ward

Live Wires

Feature | Topic: Live, Performing | Electronic Soundmaker & Computer Music, Aug 1985
Playing Live

Electronic music live - a special focus

Something Old, Something New...

Feature | Topic: Buyer's Guide, Vintage Instruments | Electronics & Music Maker, Jun 1986
Secondhand Polysynth Guide

Whether you can't afford to indulge yourself in this month's Polysynth Checklist or simply prefer something that's now out of production, E&MM's guide to things secondhand could save you a lot of time and trouble.

The Strongroom

Feature | Topic: Recording Studios | Sound On Sound, Aug 1989

In the dog-eat-dog world of professional recording studios, the Strongroom has proved that you don't necessarily need an SSL mixing desk to stay in business! Paul Calderon pays a visit to this thriving centre of creativity.

Akai S612

Review | Electronics & Music Maker, May 1985
Polyphonic MIDI Sound Sampler

A real advance in the field of accessible polyphonic sound sampling. Tim Goodyer finds out if the 612's beauty is more than price-tag-deep.

Frankfurt: Keyboards And Keyboard Samplers

Show Report | International Musician & Recording World, Apr 1986

He came, he saw, he sent in his copy. His name was Jim Betteridge

Summer 1990 NAMM Show Report

Show Report | Sound On Sound, Aug 1990

The Summer NAMM show may be losing some of its importance in the world arena but it didn't stop manufacturers from launching new products. Craig Anderton was there to check them out.

News

News | Music UK, Sep 1983

Delightful Dobros, Scintillating C-Ducer, Luscious Lighting, Captivating Canons and much more super schmutter

Jazz Baby

Interview | Music Technology, Dec 1990

The release of Jason Rebello's first LP shows him to be more than the tasteful performer the jazz circuit already recognises. Simon Trask talks to one of Britain's leading jazz keyboardsmen.

The American Way

Show Report | Music Technology, Mar 1989
Winter NAMM 1989

Californian sunshine, sea and sand - with all this on offer, why should MT's intrepid reporters want to visit a trade show in Anaheim? Bob "El Bobo" O'Donnell, Chris "El Macho" Meyer and Dan "La" Rue have the answer.

Studio Mains Supplies - Part 4

Feature Series | Topic: Maintenance / Repair / Modification | Home & Studio Recording, Sep 1985

In the fourth part of the series, Ben Duncan deals with interference and possible remedies for it.

Soundscape

Review | Sound On Sound, Sep 1993
Hard Disk Recording System For The PC

Why is there such a fuss about this British-made multitrack hard disk recorder? Read our review to find out...

The Production Centre

Review | Sound On Sound, Sep 1988
Roland D20 LA synthesizer

With its 8-track sequencer, rhythm composer, digital reverb and built-in disk drive, Roland's latest multitimbral LA synthesizer would be better described as a budget 'music workstation'. Paul Ireson reveals why ...

Michael Brook

Interview | Sound On Sound, Jun 1992
Canada Dry

Michael Brook, inventor of the Infinite Guitar, is a guitarist, composer and producer with a good deal of talent and a taste for the unusual. Paul Tingen met him to talk about his forthcoming Cobalt Blue album.

Zoo 2000

Interview | Electronics & Music Maker, Feb 1985

Take one of the most influential electronic composers of the current generation, a Fairlight, an entire library of vocal recordings from all over the world, and a few more-than-talented guest musicians, and you have the recipe for Zoolook, Jean-Michel Jarre's latest album. Here he talks about its creation.

Do The DATman

Review | Sound On Sound, Jul 1991
Sony TCD-D3 DAT Walkman

It is often said that the best things come in small packages — and the new Sony DAT Walkman is no exception to the rule. Simon Sanders takes a look at this miracle of micro electronics and asks, "Can anyone lend me £650?"

Visions of the Future

Feature | Topic: Video / Film / Picture | Music Technology, Jan 1991

One of the stars of Channel 4's Fourmations, Brian Johnson's Improvisions combine musical performance with real-time manipulation of video images. Peter Ridsdale trips on this.

Increased Prophets

Review | Sound On Sound, Apr 1986

Keyboard programmer Paul Wiffen brings you the latest developments on the Sequential sampling system: the new 2002 rack-mount, and the superb Digidesign visual editing software. He also takes a look at the Prophet 2000 and passes on some useful tips for using its 'mapping' function to the full.

Powerstation!

Review | Sound On Sound, Sep 1990
Ensoniq VFX-SDII

Ensoniq's flagship workstation has recently received some very welcome updates — new piano samples, extra stereo outputs, multitrack sequence recording and step-time entry, and more. Paul Ireson satisfies his curiosity!

Finale - Part 1

Review Series | Sound On Sound, Mar 1989
The best music program ever?

Part 1: In the States, Coda's Finale has been hailed as the "the most exciting use of the Apple Macintosh to date" and "the most powerful, most intelligent, most flexible music software available today". In this lengthy two-part review, Kendall Wrightson cuts through the hype to discover whether the claims are fact or fiction.

APRS Preview 1975

Show Report | International Musician & Recording World, Jun 1975

Alesis SR16

Review | Music Technology, Feb 1991
Drum Machine

With more machines appearing every month, there's no denying that it's boom-time for the beatbox. Simon Trask rocks to the rhythm of this latest offering from Alesis.

Studer Dyaxis

Review | Sound On Sound, May 1990
Digital Audio Production System

Today's high-end tools for the professional are tomorrows affordable tools for the musician in the street. David Mellor explores a Macintosh-based digital recording and editing system from a company best known for their analogue tape recorders.

 

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