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Anatek Pocket FX

Review | Music Technology, Aug 1989
Pocket Filter, Pedal & Merge

What's the size of a fag pocket, comes in enough varieties to ease almost any studio problem and isn't covered by British drug laws? Vic Lennard investigates a new line in MIDI effects.

A Week In The Life Of A Session Programmer

Feature | Sound On Sound, Sep 1990

Have you ever wondered what it is like to be a professional MIDI programmer/musician? How do you get your sessions? What kind of gigs come up? What sort of problems arise? What sort of technical and musical knowledge do you need? Mike Collins spills the beans.

Sample Shop

Review | Sound On Sound, Sep 1992

Sample sultan Wilf Smarties reports on the latest sample CDs.

Breaking Cover

Interview | Music Technology, Sep 1991

Ten years ago Incognito's first LP heralded a new British jazz funk movement; today their second celebrates a world-wide dance movement. Tim Goodyer asks Bluey Maunick if the song remains the same.

A Fair Showing

Show Report | Music Technology, Sep 1988
BMF Report

This year's British Music Fair left the confines of Olympia in favour of a stadium atmosphere. Simon Trask goes walkabout at Wembley.

Lost in Trance

Interview | Music Technology, Apr 1994

Currently opening the show for the Megadog Midi Circus, Toby Marks (aka Banco de Gaia) is living proof that one man and a rack full of gear can get an audience to its feet and keep it there. And as Phil Ward discovers, Toby enjoys meeting people, likes to travel and drives a small red van.

Pet Sounds

Interview | Music Technology, Dec 1993

A behind-the-scenes glimpse into who does what, and how, in the making of Neil Tennant and Chris Lowe's classic synth-pop records.

Toolbox

News Audio | The Mix, Dec 1994
Sounds, samples, & software upgrades for the modern studio

Disks, gadgets, samples and bits for the computing musician

Pandora DXessory

Review | Sound On Sound, Feb 1989
A Practical FM Editing Solution?

Martin Russ explores the merits of Desk Accessory programs with a look at this Atari-based 'pop-up' DX editor from Pandora Technology.

JL Cooper Fadermaster

Review | Music Technology, Oct 1989
MIDI Control Device

Tired of digital parameter access synth editing, unimpressed by software editors? Vic Lennard looks at a system that allows you to use real sliders to edit your synths.

Everything You Ever Wanted To Know About System Exclusive - Part 4

Feature Series | Topic: MIDI | Sound On Sound, Jul 1989
(But Were Too Afraid To Ask!)

PART 4: Martin Russ provides some solid examples of how to utilise the hidden power of MIDI’s SysEx commands to reprogramme synths on-the-fly and to store snapshots of all your synth and effects patches on disk.

XRI Systems XR400 MIDI Mate

Review | Music Technology, Aug 1989
MIDI Patch bay

Do you need a MIDI patchbay in your studio? Or a MIDI merger? Or both? Vic Lennard discovers that the XR400 solves more problems than he suspected. How's the software-reviewers elbow, Vic?

Cadenza

Review | Sound On Sound, May 1992
The Graphic Sequencer

PC music software still has to come some way to catch up with that for the Atari and Mac, but good, graphic, sequencer programs like Cadenza are a big step in the right direction. Peter Cudmore takes a closer look.

Yamaha SY99

Review | Sound On Sound, Sep 1991

Improvements and additions to the SY77 concept have produced a new instrument — the SY99. Martin Russ Looks at Yamaha's new flagship synth.

World Party

Interview | Music Technology, Apr 1991

World music's elder statesman puts aside his many saxophones to talk musical styles, modern technology and old-fashioned emotion. Simon Trask catches him onstage and off.

Force Majeure

Interview | Music Technology, May 1989

From Sheffield's tradition as the home of industrial funk, come the Fon Force. David Bradwell talks to the men behind the cream of modern northern dance music.

Shape of Things to Come

News | Sound On Sound, Dec 1988

Forthcoming new products from the hi-tech music recording field.

Going Live

Review | Sound On Sound, Jan 1991
Rhodes Model 760

A keyboard for the gigging pianist? David Mellor tinkles an ivory or two.

Miditemp PMM88

Review | Music Technology, Jun 1990

As your MIDI studio expands, MIDI management becomes more and more important. Vic Lennard investigates an 8x8 MIDI patchbay that could make your music more important than your MIDI leads.

Peavey DPM3

Review | Sound On Sound, May 1990
Composition Centre

Announced over a year ago, the all-American DPM3 has finally landed on our shores. Martin Russ takes the wraps off Peavey's much publicised first foray into the hi-tech keyboard market.

The Shape Shifter

Review | Sound On Sound, Jan 1991
Digidesign MacProteus And InVision ProtoLogic

Kendall Wrightson looks at two new Proteus-related products — the ProtoLogic Sound Memory Expansion Unit from InVision, and Digidesign's MacProteus NuBus card for the Apple Macintosh II.

In Deep

Review | Sound On Sound, Apr 1992
With The Roland JD800

One year after reviewing the instrument that brought back knobs and sliders, Julian Colbeck presents an in-depth user report on Roland's flagship JD800 synthesizer.

Oberheim Drummer & Strummer

Review | Sound On Sound, Aug 1991
MIDI Processors

An interactive drum sequencer and a keyboard to guitar chord convertor are the first new products to emerge from revitalised synth pioneers Oberheim Electronics. Kendall Wrightson gets on the case.

Emu Vintage Keys

Review | Sound On Sound, Apr 1993
Synthesizer Module

Training and Education

Feature | Topic: Education, Recording | Sound On Sound, Jun 1992
For Recording Engineering

Educated sound engineer David Mellor assesses the value of training for a career in recording.

 

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