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The Blueprint of Hiphop

Interview | Music Technology, Aug 1989

From the New York roots of hip hop, KRS One talks about street-level production values and samples as the poor musician's alternative to real musicians. Simon Trask listens to the Music of the Spheres.

Yamaha SY77 - Part 1

Review Series | Sound On Sound, Jan 1990
RCM Synthesizer

The DX7 captured musicians’ imaginations like no other synthesizer before or since. But the legacy of releasing endless variations on the DX theme has turned some musicians away from FM synthesis and into the waiting arms of a new generation of 'sample plus synth' keyboards. Now Yamaha are back with a vengeance, an even more powerful method of synthesis (Real-time Convolution and Modulation), and a spanking new flagship synth. But has the SY77 got what it takes to regain the hi-tech musician's vote? Martin Russ finds out.

Master Of The Mix

Interview | Music Technology, May 1989

As PWL's in-house mixer, Pete Hammond can claim to have had a hand in even more chart singles than Stock, Aitken & Waterman. David Bradwell finds out what makes a hit record.

Software Support

Feature | Topic: Computing, Sequencing | Sound On Sound, Nov 1991
Hints, Tips & News From The World Of Music Software

More hints and tips and tips from the software manufacturers themselves. This month: C-Lab, Steinberg, Dr T, Opcode.

Oriental Intrigue

Feature | Topic: Design, Development & Manufacture | Music Technology, Dec 1990

Already assured their place in history for inventing the Portastudio, Tascam have also given us a one-inch 24-track machine and now the "Midistudio'. Tim Goodyer visits Japan to find out more about this revolutionary company.

Corea Man

Interview | Music Technology, Aug 1990

Chick Corea has helped pioneer the use of electronic instruments in jazz music - now 49 LPs down the line, he believes there's still more ground to cover. Scott Wilkinson talks to a musical legend.

Roger Eno

Interview | Sound On Sound, Sep 1992
The Composer's Tale

Although it's Brian Eno who springs to mind when most people think of ambient music, brother Roger's particular talents have both complemented Brian's atmospheric experiments and generated memorable solo work. Mark J. Prendergast talked to him as he completed his latest project.

Under New Orders

Interview | Music Technology, Apr 1994

More than a decade and a half after they first fell out of Manchester, New Order's most married couple are still at the nerve-centre of the band's activities. Helping them come to terms with it all - Phil Ward

The Ministry Of Propaganda

Interview | Music Technology, Jul 1990

In 1985 Propaganda produced a seminal electronic music album - then they vanished. Five years on they've returned to pick up where they left off. Michael Mertens talks to Tim Goodyer about technology and the German tradition.

Exorcising Ghosts

Interview | Music Technology, May 1991

The charismatic singer, composer and lyricist rejoins the former members of Japan for their first LP in ten years. Tim Goodyer talks technology, philosophy and improvisation with David Sylvian.

Microillusions Music-X

Review | Music Technology, Oct 1989

Commodore's Amiga computer is the beneficiary of this impressive - and colourful - sequencing package. Ian Waugh welcomes the illusion.

Kawai K1 Visual Editors

Review | Music Technology, Mar 1989
Software for the Atari ST

Coupled with its success, the digital parameter access-editing of Kawai's K1 synthesiser has made it an obvious target for software editors - like these from Dr Ts, Soundbits, Drumware and Steinberg. Vic Lennard looks on.

Shape Of Things To Come

News | Sound On Sound, Jul 1990

A colourful round-up of what's new in the hi-tech recording arena.

Ryuichi Sakamoto

Interview | Sound On Sound, Sep 1990
Japanese Artist: World Musician

Despite the cult following for Yellow Magic Orchestra, collaborations with David Byrne on the Oscar-winning soundtrack to 'The Last Emperor', and a long-standing musical friendship with David Sylvian, the multi-faceted talents of Ryuichi Sakamoto are still not widely appreciated. Mark J. Prendergast attempts to rectify the situation...

Yamaha YS200

Review | Sound On Sound, Oct 1988
The Friendly Face of FM

Yamaha’s FM-based synths have incorporated more and more ‘easy editing' features of late in an attempt to make FM synthesis accessible to a broader spectrum of potential users. Yamaha's latest synth, the YS200, takes this approach even further with the inclusion of onboard digital effects, an 8-track sequencer, and large controls! Martin Russ looks at FM in a different guise.

Oberheim Drummer

Review | Music Technology, Sep 1991
Interactive Drum Pattern Sequencer

If your drum patterns sound uninspired it could be because you lack the subtle touch of the human drummer. Simon Trask looks at an electronic aid to drum programming.

Everything You Ever Wanted To Know About System Exclusive - Part 10

Feature Series | Topic: MIDI | Sound On Sound, Jan 1990
(But Were Too Afraid To Ask!)

PART 10: Martin Russ continues his in-depth demystification of these powerful MIDI messages with a look at 'handshaking'.

Who's That Bloke With Wix?

Interview | Sound On Sound, May 1993

Shape Of Things To Come

News | Sound On Sound, Sep 1990

Another colourful bonanza of hot new products served up to delight you

Toolbox

News Audio | The Mix, Feb 1995
Sounds, samples, & software upgrades for the modern studio

New software, updates, sounds, and samples

Shape of Things to Come

News | Sound On Sound, Feb 1989

Three jam-packed pages of hot new products.

RealTime Intelligent Sequencer

Review | Sound On Sound, Aug 1989

Offering 256 tracks, direct screen manipulation of events, and the facility to alter any type of data whilst your sequence keeps playing, RealTime looks set to make a big name for itself very quickly. Martin Russ took a real shine to it - will you?

Steinberg Cubase - Part 2

Review Series | Music Technology, Sep 1989
Atari ST Software

In the second half of this definitive review. Nigel Lord looks into the editing and scorewriting facilities of Steinberg's latest sequencing software.

Ensoniq SQ1

Review | Sound On Sound, Jul 1990
Personal Music Studio

Ensoniq don't bombard the market with products - they take their time and get it right. Paul Ireson casts an eye over their new SQ1 workstation.

Second Foundation

Interview | Music Technology, Nov 1991

Putting Heaven 17 in the past, Martyn Ware has masterminded a definitive meeting of classic singers, classic soul songs and state-of-the-art technology. Tim Goodyer listens to Words of Quality and Distinction.

 

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